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O nome do grupo vem das letras da música "The True Wheel" de Brian Eno do álbum . Vindos do punk-rock, eles exploraram a fusão de ritmos do funk, dance, punk e latino. eles foram a primeira banda a gravar para a famosa editora Factory Records, que mais tarde levaria a seu catálogo bandas como Joy Division, New Order e Happy Mondays, entre outros. A formação da banda alterou-se ao longo dos anos e o seu percurso é extenso. Gravaram em 1979 seu primeiro single “All Night Party/The Thin Boys”, e actuaram como banda de suporte dos Joy Division em vários concertos. Além de vários álbuns, a carreira discográfica dos A Certain Ratio foi ainda prolífera em singles e reedições, sendo “Flight”, “Shack Up” e “Do the Du” os seus temas mais representativos. Em 30 anos de carreira continuam a ser inovadores na sua música e apesar do abrandamento no ritmo de produção, a banda continua a compor, a gravar e a tocar ao vivo, tendo lançado o seu último álbum, “Mind Made Up”, em 2007. Aqui não tentam imitar ou rivalizar com qualquer corrente musical na ordem do dia. Sem revivalismos, renovam antes a certeza da qualidade intemporal da sua música.", "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Martin_Hannett" } }, "http://www.w3.org/1999/02/22-rdf-syntax-ns#type": { "__deferred": { "uri": "http://dbpedia.org/ontology/Agent" } }, "http://dbpedia.org/property/yearsActive": "1977", "http://purl.org/dc/terms/subject": { "__deferred": { "uri": "http://dbpedia.org/resource/Category:Factory_Benelux_artists" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Category:Factory_Benelux_artists" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/A&M_Records" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Talking_Heads" } }, "http://www.w3.org/2000/01/rdf-schema#comment": "A Certain Ratio is een dansbare postpunkband uit het begin van de jaren 80. Ze stonden onder contract bij Factory Records van Tony Wilson. Bekende nummers zijn The Choir en Shack Up, een cover van de funk-klassieker van Banbarra. In 1982 maakten ze als de obscure 12-inch Abracadabra. Later werden veel bekende Punkfunk bands door hen geïnspireerd. Voorbeelden zijn LCD Soundsystem, en Maxïmo Park.", "http://dbpedia.org/property/origin": "Flixton, Greater Manchester, England", "http://www.w3.org/2002/07/owl#sameAs": { "__deferred": { "uri": "http://nl.dbpedia.org/resource/A_Certain_Ratio" } }, "http://dbpedia.org/ontology/abstract": "A Certain Ratio (citati talvolta come ACR) sono un gruppo musicale post-punk formatosi nel 1977 a Manchester (Gran Bretagna). Mentre originariamente facevano parte del movimento punk rock, ben presto hanno aggiunto elementi funk e dance al loro sound. Vengono a volte indicati come "post punk funk". Il nome della band è preso dal testo della canzone di Brian Eno The True Wheel, tratta dall'album Taking Tiger Mountain (By Strategy).", "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/The_Wake_(UK_band)" } }, "http://dbpedia.org/ontology/abstract": "A Certain Ratio – związany z nurtem postpunkowym zespół muzyczny założony w 1977 roku w Manchesterze w Anglii. Nazwa zespołu została zaczerpnięta z utworu The True Wheel Briana Eno. Grupa w oryginalny sposób łączyła elementy muzyki latynoskiej, funka i dance. Od początku swojej działalności związani z wytwórnią Factory Records, po jej rozwiązaniu przeszli do wytwórni A&M.", "http://www.w3.org/1999/02/22-rdf-syntax-ns#type": { "__deferred": { "uri": "http://www.ontologydesignpatterns.org/ont/dul/DUL.owl#SocialPerson" } }, "http://dbpedia.org/property/associatedActs": { "__deferred": { "uri": "http://dbpedia.org/resource/Swing_Out_Sister" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Billboard_(magazine)" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Section_25_(band)" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Category:English_funk_musical_groups" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/The_Slits" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": 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O nome do grupo vem das letras da música "The True Wheel" de Brian Eno do álbum . Vindos do punk-rock, eles exploraram a fusão de ritmos do funk, dance, punk e latino. eles foram a primeira banda a gravar para a famosa editora Factory Records, que mais tarde levaria a seu catálogo bandas como Joy Division, New Order e Happy Mondays, entre outros. 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Among the first white indie groups to draw heavy influence from funk as well as disco and Latin percussion, the band were among the first to debut on Tony Wilson's Factory Records in 1979 with "All Night Party," produced by Martin Hannett. During ACR's early years with Factory, they scored seven Top Ten U.K. independent releases, highlighted by "Flight" and "Waterline," and released five albums beginning with The Graveyard and the Ballroom (1979). Following late 1980s and early 1990s phases with major-label A&M and Rob Gretton's independent Robs Records, ACR were intermittently active. They returned to the studio for the 2008 album Mind Made Up and since then have continued to perform, with their back catalogue recirculated through an arrangement with Mute Records. ACR continued to perform into the 2020s, and during 2017-2019 expanded, reissued, and anthologised their catalogue once more, this time through Mute Records, through whom they continue to release new recordings.", "http://purl.org/dc/terms/subject": { "__deferred": { "uri": "http://dbpedia.org/resource/Category:Dance-rock_musical_groups" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Acid_jazz" } }, "http://www.w3.org/2002/07/owl#sameAs": { "__deferred": { "uri": "http://yago-knowledge.org/resource/A_Certain_Ratio" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/BBC_Radio_6_Music" } }, "http://dbpedia.org/property/wikiPageUsesTemplate": { "__deferred": { "uri": "http://dbpedia.org/resource/Template:Use_dmy_dates" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Swing_Out_Sister" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Joy_Division" } }, "http://dbpedia.org/ontology/wikiPageWikiLink": { "__deferred": { "uri": "http://dbpedia.org/resource/Molenbeek-Saint-Jean" } }, "http://dbpedia.org/property/caption": "A Certain Ratio, press photo, 1984", "http://dbpedia.org/ontology/genre": { "__deferred": { "uri": "http://dbpedia.org/resource/Post-punk" } }, "http://www.w3.org/2000/01/rdf-schema#label": "A Certain Ratio", "http://dbpedia.org/property/caption": "l-r: Donald Johnson, Jez Kerr, Andy Connell, Martin Moscrop", "http://www.w3.org/2002/07/owl#sameAs": { "__deferred": { "uri": "http://de.dbpedia.org/resource/A_Certain_Ratio" } }, "http://dbpedia.org/ontology/abstract": "A Certain Ratio är en brittisk postpunk-grupp bildad 1977 i Manchester av Simon Topping (sång), Martha Tilson (sång), Jeremy Kerr (basgitarr), Peter Terrell (gitarr) och Martin Moscrop (gitarr, trumpet). Senare utökades den med Donald Johnson (trummor). Gruppen fick skivkontrakt med Factory Records och gav 1979 ut debutsingeln All Night Party / The Thin Boys samt spelade in albumet The Graveyard and the Ballroom som året därpå utgavs som kassettband. Gruppens tidiga punk- och industrirock-stil utvecklades till ett mer dansorienterat och funk-inspirerat sound vilket karakteriserades av den andra singeln Schack Up. Gruppens egentliga debutalbum To Each... producerat av gruppen och Martin Hannett utkom 1981. Det följdes av Sextet och I'd Like To See You Again (båda 1982) som utvecklade gruppens sound vidare med influenser från och jazz. Tilson lämnade gruppen 1982 och Topping året därpå och Kerr och Johnson tog över som sångare. Andy Connell (keyboards) hade ersatt Terrell 1982, men lämnade gruppen tre år senare för att bilda Swing Out Sister. Frustrerade över utebliven kommersiell framgång lämnade gruppen Factory Records efter albumet Force (1986) och fick senare skivkontrakt med A&M Records. Men båda albumen Good Together (1989) eller ACR:MCR (1990) sålde dåligt och gruppen gick i stället till Rob's Records, ägd av New Orders manager Rob Gretton, som gav ut Up In Downsville (1992) och Change the Station (1996). Creation Records tog senare över gruppens utgivning och återutgav deras album samt remixalbumet Looking for A Certain Ratio. 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