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Zijn naam komt voor in diverse spellingvarianten, waaronder 'Cro(o)nenburgh' en 'Cro(o)nenburch'. Hij vervaardigde voornamelijk portretten. Als schilder was Van Cronenburg werkzaam in de provincies Friesland en Groningen, maar hij bracht ook enige tijd door in Belgi\u00EB, met name in Leuven en Antwerpen, waar hij het hier getoonde portret vervaardigde van Katheryn of Berain, een invloedrijke adellijke vrouw uit Wales. Diverse werken van Van Cronenburg bevinden zich in het Fries Museum." , "lang" : "nl" } , { "type" : "literal", "value" : "Adriaen van Cronenburch (tambi\u00E9n Cronenburg y Cronenburgh) (Schagen, ca. 1525\u2013Burgum, ca. 1604)\u200B fue un pintor de los Pa\u00EDses Bajos del Norte, especializado en retratos, g\u00E9nero al que corresponde toda su producci\u00F3n conocida." , "lang" : "es" } , { "type" : "literal", "value" : "Adriaen van Cronenburg (also Cronenburgh, Cronenburch) (Schagen, c.\u20091525 \u2013 Bergum, after 1604) was a Northern Netherlandish painter. He produced mainly portraits. Cronenburg was active between about 1547 and 1590, working in the provinces of Friesland and Groningen. He also spent some time in Belgium, especially in Leuven and Antwerp, where he painted the portrait of Katheryn of Berain now in National Museum Cardiff. The identity of Adriaen van Cronenburg was established by A. Wassenbergh, formerly the director of the Fries Museum, based on his unusual signature, A.a.a.a. van Cronenburg." , "lang" : "en" } , { "type" : "literal", "value" : "Adriaen van Cronenburch (tamb\u00E9 Cronenburg i Cronenburgh) (Schagen, ca. 1525 \u2013 , ca. 1604) fou un pintor dels Pa\u00EFsos Baixos del Nord, especialitzat en retrats, g\u00E8nere al que correspon tota la seva producci\u00F3 coneguda." , "lang" : "ca" } , { "type" : "literal", "value" : "Adriaen van Cronenburg (a volte riportato come Cronenburgh o come Cronenburch o, erroneamente, come Anna van Cronenburg) (Schagen, 1525 \u2013 Bergum, dopo 1604) \u00E8 stato un pittore olandese." , "lang" : "it" } ] , "http://xmlns.com/foaf/0.1/depiction" : [ { "type" : "uri", "value" : "http://commons.wikimedia.org/wiki/Special:FilePath/Adriaen_of_Cronenburgh,_Katheryn_of_Berain.jpg" } , { "type" : "uri", "value" : "http://commons.wikimedia.org/wiki/Special:FilePath/Adriaen_van_Cronenburg_Portrait_of_a_Lady_and_a_Young_Girl_Holding_Three_Flowers.jpg" } ] , "http://purl.org/dc/terms/subject" : [ { "type" : "uri", "value" : "http://dbpedia.org/resource/Category:Dutch_Renaissance_painters" } , { "type" : "uri", "value" : "http://dbpedia.org/resource/Category:1600s_deaths" } , { "type" : "uri", "value" : "http://dbpedia.org/resource/Category:People_from_Friesland" } , { "type" : "uri", "value" : "http://dbpedia.org/resource/Category:People_from_Schagen" } , { "type" : "uri", "value" : "http://dbpedia.org/resource/Category:1520s_births" } ] , "http://dbpedia.org/ontology/abstract" : [ { "type" : "literal", "value" : "Adriaen van Cronenburch (tamb\u00E9 Cronenburg i Cronenburgh) (Schagen, ca. 1525 \u2013 , ca. 1604) fou un pintor dels Pa\u00EFsos Baixos del Nord, especialitzat en retrats, g\u00E8nere al que correspon tota la seva producci\u00F3 coneguda." , "lang" : "ca" } , { "type" : "literal", "value" : "Adriaen van Cronenburch (tambi\u00E9n Cronenburg y Cronenburgh) (Schagen, ca. 1525\u2013Burgum, ca. 1604)\u200B fue un pintor de los Pa\u00EDses Bajos del Norte, especializado en retratos, g\u00E9nero al que corresponde toda su producci\u00F3n conocida. Formado posiblemente con Jan Mostaert,\u200B a quien se aproxima por estilo, Cronenburch se estableci\u00F3 en Frisia hacia 1547. De este momento es el primero de sus retratos fechados y firmados: el del peque\u00F1o Gerrolt Minnes van Cammingha a los seis a\u00F1os de edad, fechado en 1552 (Leeuwarden, Fries Museum).\u200B En 1553 se le documenta matriculado en la Universidad de Lovaina aunque no tard\u00F3 en retornar a la regi\u00F3n de Frisia donde posiblemente por mediaci\u00F3n de un primo, emparentado con la aristocracia frisona, ocup\u00F3 un cargo de funcionario municipal en Tytsjerksteradiel, convirti\u00E9ndose a la vez en el m\u00E1s importante retratista de la regi\u00F3n. En 1580 hubo de exiliarse por su negativa a abandonar la Iglesia cat\u00F3lica y a causa de su fidelidad a Felipe II.\u200B Se estableci\u00F3 probablemente en Groninga hasta que en 1592 fue autorizado a retornar a Frisia y se estableci\u00F3 en Bergum, donde todav\u00EDa se le documenta en 1604, citado ya como anciano.\u200B El Museo del Prado conserva cuatro retratos femeninos procedentes de la colecci\u00F3n real, inventariados en 1636 en el Alc\u00E1zar de Madrid como \u00ABmujeres flamencas\u00BB junto con otro cuadro de Cronenburch no conservado. Firmados y fechados dos de ellos en 1567, en su origen estaban destinados a formar parte de una misma galer\u00EDa de retratos como demuestra el fondo arquitect\u00F3nico, com\u00FAn a los cuatro, en forma de arcos-hornacinas con pilastras formadas por sillares inspirados en los grabados del Libro Extraordinario de Sebastiano Serlio. La leyenda NASCENDO/MORIMVR bajo la l\u00EDnea de impostas de uno de estos arcos y la calavera que aparece en la misma tabla, junto con las flores que llevan algunas de las doncellas retratadas, otorgan a estos retratos el valor de alegor\u00EDas morales con la alusi\u00F3n a la fugacidad de la vida y la fragilidad de la belleza.\u200B La firma A.a.a.a. van Cronenburg que aparece en alguno de sus retratos, entre ellos el del ni\u00F1o Gerrolt Minnes y uno de los retratos del Prado, fue cre\u00EDda de Anna van Cronenburg (1552-ca. 1590), sobrina del pintor y al parecer pintora ella misma,\u200B hasta que A. Wassenbergh, director del Fries Museum la interpret\u00F3 como un jerogl\u00EDfico del nombre de Adriaen, pues las cuatro 'a' se podr\u00EDan leer como 'A tres aes', que en neerland\u00E9s se pronuncia de forma parecida a 'A, drie a'en'.\u200B\u200B" , "lang" : "es" } , { "type" : "literal", "value" : "Adriaen van Cronenburg (also Cronenburgh, Cronenburch) (Schagen, c.\u20091525 \u2013 Bergum, after 1604) was a Northern Netherlandish painter. He produced mainly portraits. Cronenburg was active between about 1547 and 1590, working in the provinces of Friesland and Groningen. He also spent some time in Belgium, especially in Leuven and Antwerp, where he painted the portrait of Katheryn of Berain now in National Museum Cardiff. Cronenburg's cousin married into two aristocratic families in succession, and it is likely through this connection that he became secretary of Tietjerksteradeel in 1567. Following the Union of Utrecht, Cronenburg left Friesland in 1580 due to his refusal to give up Catholicism. He was allowed to return to Friesland in 1592 and settled in Bergum. The last signed works known are from 1587 and 1590. The identity of Adriaen van Cronenburg was established by A. Wassenbergh, formerly the director of the Fries Museum, based on his unusual signature, A.a.a.a. van Cronenburg. For many years, the illogical signature was 'corrected' to 'Anna van Cronenburg,' but Wassenbergh showed that the four a's were a rebus for Adriaen. In Dutch A.a.a.a., read as 'A, three a's,' is pronounced 'A, drie a'en,' or Adriaen. Anna van Cronenburg (1552 \u2013 c.\u20091590) was a documented relation of Adriaen, the daughter of a doctor whose second husband became mayor of Leeuwarden in 1579. The issue of the real identity of the artist was raised in an article in 1934 by G. Marlier. Various works by Cronenburg are in the Fries Museum, and a group of four related portraits of women is in the Prado Museum in Spain. The Prado group are all three-quarter length standing portraits of ladies, two with daughters of perhaps ten years old. One has a skull on a table, like the Cardiff portrait. The four, plus a lost fifth work, were inventoried in the Spanish royal collection at the old royal palace, the Royal Alcazar of Madrid, in 1636, and show their subjects in front of the same background of a Renaissance blind arcade with niches and green drapery, and are virtually the same size (about 1.05 x 0.79 cm)." , "lang" : "en" } , { "type" : "literal", "value" : "Adriaen van Cronenburg (a volte riportato come Cronenburgh o come Cronenburch o, erroneamente, come Anna van Cronenburg) (Schagen, 1525 \u2013 Bergum, dopo 1604) \u00E8 stato un pittore olandese." , "lang" : "it" } , { "type" : "literal", "value" : "Adriaen van Cronenburg (Schagen, ca. 1545 - Bergum, ca. 1604) was een Noord-Nederlands kunstschilder. Zijn naam komt voor in diverse spellingvarianten, waaronder 'Cro(o)nenburgh' en 'Cro(o)nenburch'. Hij vervaardigde voornamelijk portretten. Van Cronenburg behoorde tot een verarmde adellijke familie en moest van zijn schildertalenten gebruikmaken om in zijn levensonderhoud te voorzien. Tot ca. 1580 was hij gemeentesecretaris van Tietjerksteradeel. Van Willem van Oranje ontving hij een schadeloosstelling voor zijn door de Spanjaarden geroofde bezittingen. Hij week uit naar Groningen, waar hij in 1587 fungeerde als opzichter bij het graven van het Nijediep of Spaansche Diep van Groningen naar Westfalen. Als schilder was Van Cronenburg werkzaam in de provincies Friesland en Groningen, maar hij bracht ook enige tijd door in Belgi\u00EB, met name in Leuven en Antwerpen, waar hij het hier getoonde portret vervaardigde van Katheryn of Berain, een invloedrijke adellijke vrouw uit Wales. 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