@prefix dbo: . @prefix dbr: . dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbr:Riccardo_Piacentini dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbr:The_Funeral_of_the_Anarchist_Galli dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbr:Symbolist_painting dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . @prefix foaf: . @prefix wikipedia-en: . wikipedia-en:Giuseppe_Pellizza_da_Volpedo foaf:primaryTopic dbr:Giuseppe_Pellizza_da_Volpedo . dbr:List_of_people_from_Turin dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbr:Turin_Civic_Gallery_of_Modern_and_Contemporary_Art dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbr:Pellizza_da_Volpedo dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo ; dbo:wikiPageRedirects dbr:Giuseppe_Pellizza_da_Volpedo . dbr:Museo_del_Novecento dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbr:Lorenzo_Peretti_Junior dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbr:Italy dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . dbr:Giovanni_Segantini dbo:wikiPageWikiLink dbr:Giuseppe_Pellizza_da_Volpedo . @prefix rdf: . @prefix yago: . dbr:Giuseppe_Pellizza_da_Volpedo rdf:type yago:Creator109614315 , foaf:Person , yago:WikicatItalianPainters , yago:Artist109812338 , dbo:Artist , yago:WikicatItalianArtists . @prefix wikidata: . dbr:Giuseppe_Pellizza_da_Volpedo rdf:type wikidata:Q215627 , yago:Object100002684 , wikidata:Q483501 , yago:Whole100003553 , wikidata:Q5 , yago:Wikicat20th-centuryItalianPainters , wikidata:Q729 , dbo:Writer , yago:Painter110391653 , yago:PhysicalEntity100001930 , dbo:Eukaryote . @prefix schema: . dbr:Giuseppe_Pellizza_da_Volpedo rdf:type schema:Person . @prefix owl: . dbr:Giuseppe_Pellizza_da_Volpedo rdf:type owl:Thing , yago:CausalAgent100007347 , dbo:Animal , wikidata:Q19088 , yago:Organism100004475 , yago:LivingThing100004258 , dbo:Person . @prefix ns9: . dbr:Giuseppe_Pellizza_da_Volpedo rdf:type ns9:NaturalPerson , yago:Person100007846 , dbo:Species , yago:WikicatPeopleFromTheProvinceOfAlessandria , yago:YagoLegalActorGeo , yago:YagoLegalActor , yago:Wikicat19th-centuryItalianPainters . @prefix rdfs: . dbr:Giuseppe_Pellizza_da_Volpedo rdfs:label "Giuseppe Pellizza da Volpedo"@pl , "Giuseppe Pellizza da Volpedo"@pt , "Giuseppe Pellizza da Volpedo"@eo , "Giuseppe Pellizza da Volpedo"@de , "Giuseppe Pellizza"@fr , "Giuseppe Pellizza da Volpedo"@en , "Giuseppe Pellizza da Volpedo"@ca , "\u041F\u0435\u043B\u043B\u0438\u0446\u0446\u0430 \u0434\u0430 \u0412\u043E\u043B\u044C\u043F\u0435\u0434\u043E, \u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435"@ru , "\u30B8\u30E5\u30BC\u30C3\u30DA\u30FB\u30DA\u30EA\u30C3\u30C4\u30A1\u30FB\u30C0\u30FB\u30F4\u30A9\u30EB\u30DA\u30FC\u30C9"@ja , "Giuseppe Pellizza da Volpedo"@es , "Giuseppe Pellizza da Volpedo"@cs , "Giuseppe Pellizza da Volpedo"@it , "\u03A4\u03B6\u03BF\u03C5\u03B6\u03AD\u03C0\u03B5 \u03A0\u03B5\u03BB\u03AF\u03C4\u03C3\u03B1"@el ; rdfs:comment "Giuseppe Pellizza da Volpedo (28 de julho de 1868 - 14 de junho de 1907) foi um pintor neoimpressionista italiano. Ele nasceu e morreu em Volpedo, na regi\u00E3o do Piemonte, no norte do pa\u00EDs. Ele usou uma t\u00E9cnica divisionista em que uma pintura \u00E9 criada justapondo pequenos pontos de tinta de acordo com a teoria espec\u00EDfica das cores. Pellizza se enforcou em 1907, ap\u00F3s a morte de sua esposa e filho."@pt , "Giuseppe Pellizza da Volpedo (28 July 1868 \u2013 14 June 1907) was an Italian divisionist painter. He was born and died in Volpedo, in the Piedmont region of northern Italy. Pellizza was a pupil of Pio Sanquirico. He used a divisionist technique in which a painting is created by juxtaposing small dots of paint according to specific color theory. Although he exhibited often, his work achieved popularity in death through their reproduction in socialist magazines and the acclaim they received from 20th century art critics."@en , "\u30B8\u30E5\u30BC\u30C3\u30DA\u30FB\u30DA\u30EA\u30C3\u30C4\u30A1\u30FB\u30C0\u30FB\u30F4\u30A9\u30EB\u30DA\u30FC\u30C9\uFF08Giuseppe Pellizza da Volpedo\u30011868\u5E747\u670828\u65E5 - 1907\u5E746\u670814\u65E5\uFF09\u306F\u3001\u30A4\u30BF\u30EA\u30A2\u306E\u753B\u5BB6\u3067\u3042\u308B\u3002\u30C7\u30E2\u884C\u9032\u3059\u308B\u52B4\u50CD\u8005\u3092\u63CF\u3044\u305F\u300E\u7B2C\u56DB\u968E\u7D1A\u300F (Il Quarto Stato:1901)\u304C\u4EE3\u8868\u4F5C\u3067\u3042\u308B\u3002"@ja , "Giuseppe Pellizza da Volpedo (Volpedo, 28 de juliol de 1868 - Volpedo, 14 de juny de 1907) fou un pintor itali\u00E0 d'estil convencional que an\u00E0 evolucionant cap al realisme social, el divisionisme i el simbolisme. \u00C9s l'autor del celeb\u00E8rrim quadre El Quart Estat, al\u00B7legoria del m\u00F3n del treball i de les seues batalles pol\u00EDtico-sindicals.Aquesta mateixa pintura va ser utilitzada per Bernardo Bertolucci per als t\u00EDtols d'inici del film Novecento."@ca , "\u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435 \u041F\u0435\u043B\u043B\u0438\u0446\u0446\u0430 \u0434\u0430 \u0412\u043E\u043B\u044C\u043F\u0435\u0434\u043E (\u0438\u0442\u0430\u043B. Giuseppe Pellizza da Volpedo; 28 \u0438\u044E\u043B\u044F 1868, \u0412\u043E\u043B\u044C\u043F\u0435\u0434\u043E, \u041F\u044C\u0435\u043C\u043E\u043D\u0442, \u0418\u0442\u0430\u043B\u0438\u044F \u2014 14 \u0438\u044E\u043D\u044F 1907, \u0442\u0430\u043C \u0436\u0435) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446 \u0440\u0435\u0430\u043B\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F. \u0412\u0445\u043E\u0434\u0438\u043B \u0432 \u00AB\u0433\u0440\u0443\u043F\u043F\u0443 \u0422\u043E\u0440\u0442\u043E\u043D\u0430\u00BB (\u043F\u043E \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u044E \u0433\u043E\u0440\u043E\u0434\u0430 \u0432 \u041F\u044C\u0435\u043C\u043E\u043D\u0442\u0435). \u041A \u044D\u0442\u043E\u0439 \u0433\u0440\u0443\u043F\u043F\u0435 \u043E\u0442\u043D\u043E\u0441\u044F\u0442 \u0442\u0430\u043A\u0436\u0435 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u043E\u0432 \u0410\u043D\u0434\u0436\u0435\u043B\u043E \u0411\u0430\u0440\u0430\u0431\u0438\u043D\u043E, \u0427\u0435\u0437\u0430\u0440\u0435 \u0421\u0430\u043A\u043A\u0430\u0434\u0436\u0438, \u0414\u0436\u0438\u0434\u0436\u0438 \u041A\u0443\u043D\u044C\u043E\u043B\u043E \u0438 \u041F\u044C\u0435\u0442\u0440\u043E \u0414\u043E\u0441\u0441\u043E\u043B\u0430."@ru , "Giuseppe Pellizza da Volpedo (Volpedo, 28a de julio 1868 \u2013 samloke, 14a de junio 1907) estis itala pentristo. Lia plej fama pentra\u0135o estas Il quarto stato (La kvara stato), de 1901, popularigita kiel fono de la komenca listo de la filmo Novecento, de Bernardo Bertolucci. Li memortigis estante 38 jara\u011Da."@eo , "Giuseppe Pellizza ou Pellizza da Volpedo, n\u00E9 le 28 juillet 1868 \u00E0 Volpedo, province d'Alexandrie (Italie) \u2013 mort le 14 juin 1907 \u00E0 Volpedo, peintre italien, au d\u00E9but divisionniste, puis tenant du courant social[pas clair]."@fr , "Giuseppe Pellizza da Volpedo (* 28. Juli 1868 in Volpedo; \u2020 14. Juni 1907 ebenda) war ein Maler und Vertreter des italienischen Realismus. Giuseppe Pellizza entstammte einer Familie von Bauern des s\u00FCdlichen Piemont, die ihr kleines Pachtgut im Zuge von Landreformen hatten erwerben k\u00F6nnen. Pelizza war Sch\u00FCler der Accademia di Belle Arti di Brera. Beeinflusst wurde er von Giovanni Segantini. Er wandte sich haupts\u00E4chlich sozialen Themen zu. Am 14. Juni 1907 erh\u00E4ngte er sich in seinem Atelier unmittelbar vor seinem Gem\u00E4lde Il quarto stato."@de , "Giuseppe Pellizza da Volpedo (Volpedo, 28 de julio de 1868 \u2013 Volpedo, 14 de junio de 1907) fue un pintor italiano.\u200B Su cuadro m\u00E1s famoso es El cuarto estado, de 1901, popularizado por la pel\u00EDcula Novecento, de Bernardo Bertolucci. Se suicid\u00F3 a los treinta y ocho a\u00F1os de edad."@es , "Giuseppe Pellizza da Volpedo (ur. 28 lipca 1868 w Volpedo, zm. 14 czerwca 1907 tam\u017Ce) \u2013 w\u0142oski malarz, neoimpresjonista. Urodzi\u0142 si\u0119 w rodzinie drobnych posiadaczy ziemskich zajmuj\u0105cych si\u0119 upraw\u0105 winoro\u015Bli. Po d\u0142ugich studiach w akademiach w\u0142oskich (Mediolan, Florencja, Rzym, Bergamo) i podr\u00F3\u017Cy do Pary\u017Ca osiad\u0142 w 1899 roku w Mediolanie. Tam wsp\u00F3lnie z Segantinim, i za\u0142o\u017Cy\u0142 grup\u0119 dywizjonist\u00F3w. W 1907 r. po \u015Bmierci \u017Cony i syna artysta pope\u0142ni\u0142 samob\u00F3jstwo. Wywar\u0142 znacz\u0105cy wp\u0142yw na m\u0142odych futuryst\u00F3w na pocz\u0105tku XX w."@pl , "Giuseppe Pellizza da Volpedo (Volpedo, 28 luglio 1868 \u2013 Volpedo, 14 giugno 1907) \u00E8 stato un pittore italiano, dapprima divisionista, poi esponente della corrente sociale, autore del celeberrimo Il quarto stato, divenuto simbolo della questione operaia, a partire dall'XIX secolo in poi con la seconda rivoluzione industriale."@it , "Giuseppe Pellizza da Volpedo (28. \u010Dervence 1868, \u2013 14. \u010Dervna 1907, Volpedo) byl italsk\u00FD mal\u00ED\u0159, p\u0159edstavitel anga\u017Eovan\u00E9ho realismu. Giuseppe Pellizza da Volpedo: \u010Ctvrt\u00FD stav, 1898\u20131901 Poch\u00E1zel z chud\u00E9 zem\u011Bd\u011Blsk\u00E9 rodiny. Studoval na Accademia di Belle Arti di Brera. V malb\u011B se v\u011Bnoval p\u0159edev\u0161\u00EDm soci\u00E1ln\u00EDm t\u00E9mat\u016Fm. Jeho hlavn\u00EDm d\u00EDlem je monument\u00E1ln\u00ED, 2,93 x 5,45 metr\u016F velk\u00E1 malba \u010Ctvrt\u00FD stav (Il quarto Stato), kterou tvo\u0159il v letech 1898\u20131901, oslava d\u011Blnictva a d\u011Blnick\u00E9ho hnut\u00ED. D\u00EDlo b\u00FDv\u00E1 pova\u017Eov\u00E1no za vrchol soci\u00E1ln\u011B anga\u017Eovan\u00E9ho realistick\u00E9ho v\u00FDtvarn\u00E9ho um\u011Bn\u00ED na konci 19. stolet\u00ED."@cs , "\u039F \u03A4\u03B6\u03BF\u03C5\u03B6\u03AD\u03C0\u03B5 \u03A0\u03B5\u03BB\u03BB\u03AF\u03C4\u03C3\u03B1 \u03BD\u03C4\u03B1 \u0392\u03BF\u03BB\u03C0\u03AD\u03BD\u03C4\u03BF (Giuseppe Pellizza da Volpedo, 28 \u0399\u03BF\u03C5\u03BB\u03AF\u03BF\u03C5 1868 \u2013 14 \u0399\u03BF\u03C5\u03BD\u03AF\u03BF\u03C5 1907) \u03AE\u03C4\u03B1\u03BD \u0399\u03C4\u03B1\u03BB\u03CC\u03C2 \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2. \u0393\u03B5\u03BD\u03BD\u03AE\u03B8\u03B7\u03BA\u03B5 \u03BA\u03B1\u03B9 \u03C0\u03AD\u03B8\u03B1\u03BD\u03B5 \u03C3\u03C4\u03BF Volpedo, \u03C3\u03C4\u03BF \u03A0\u03B5\u03B4\u03B5\u03BC\u03CC\u03BD\u03C4\u03B9\u03BF (\u03B2\u03CC\u03C1\u03B5\u03B9\u03B1 \u0399\u03C4\u03B1\u03BB\u03AF\u03B1). \u039F \u03A0\u03B5\u03BB\u03BB\u03AF\u03C4\u03C3\u03B1 \u03AE\u03C4\u03B1\u03BD \u03BC\u03B1\u03B8\u03B7\u03C4\u03AE\u03C2 \u03C4\u03BF\u03C5 . \u03A7\u03C1\u03B7\u03C3\u03B9\u03BC\u03BF\u03C0\u03BF\u03AF\u03B7\u03C3\u03B5 \u03C4\u03B7\u03BD \u03C4\u03B5\u03C7\u03BD\u03B9\u03BA\u03AE \u03C4\u03B7\u03C2 , \u03BA\u03B1\u03C4\u03AC \u03C4\u03B7\u03BD \u03BF\u03C0\u03BF\u03AF\u03B1 \u03AD\u03BD\u03B1\u03C2 \u03C0\u03AF\u03BD\u03B1\u03BA\u03B1\u03C2 \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u03C0\u03B1\u03C1\u03AC\u03B8\u03B5\u03C3\u03B7 \u03BC\u03B9\u03BA\u03C1\u03CE\u03BD \u03BA\u03BF\u03C5\u03BA\u03AF\u03B4\u03C9\u03BD \u03BC\u03C0\u03BF\u03B3\u03B9\u03AC\u03C2 \u03C3\u03CD\u03BC\u03C6\u03C9\u03BD\u03B1 \u03BC\u03B5 \u03C4\u03B7 \u03C3\u03C5\u03B3\u03BA\u03B5\u03BA\u03C1\u03B9\u03BC\u03AD\u03BD\u03B7 \u03B8\u03B5\u03C9\u03C1\u03AF\u03B1 \u03C4\u03BF\u03C5 \u03C7\u03C1\u03CE\u03BC\u03B1\u03C4\u03BF\u03C2. \u039F Pellizza \u03B1\u03C5\u03C4\u03BF\u03BA\u03C4\u03CC\u03BD\u03B7\u03C3\u03B5 \u03C4\u03BF 1907, \u03BC\u03B5\u03C4\u03AC \u03C4\u03BF \u03B8\u03AC\u03BD\u03B1\u03C4\u03BF \u03C4\u03B7\u03C2 \u03B3\u03C5\u03BD\u03B1\u03AF\u03BA\u03B1\u03C2 \u03C4\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u03B3\u03B9\u03BF\u03C5 \u03C4\u03BF\u03C5"@el ; foaf:name "Giuseppe Pellizza da Volpedo"@en ; foaf:homepage ; foaf:depiction , , , , , . @prefix dcterms: . dbr:Giuseppe_Pellizza_da_Volpedo dcterms:subject , , . @prefix dbc: . dbr:Giuseppe_Pellizza_da_Volpedo dcterms:subject dbc:Painters_who_committed_suicide , , dbc:Italian_male_painters , , dbc:Suicides_by_hanging_in_Italy , , dbc:Divisionist_painters , , dbc:People_from_the_Province_of_Alessandria ; dbo:abstract "Giuseppe Pellizza ou Pellizza da Volpedo, n\u00E9 le 28 juillet 1868 \u00E0 Volpedo, province d'Alexandrie (Italie) \u2013 mort le 14 juin 1907 \u00E0 Volpedo, peintre italien, au d\u00E9but divisionniste, puis tenant du courant social[pas clair]."@fr , "Giuseppe Pellizza da Volpedo (Volpedo, 28 de julio de 1868 \u2013 Volpedo, 14 de junio de 1907) fue un pintor italiano.\u200B Su cuadro m\u00E1s famoso es El cuarto estado, de 1901, popularizado por la pel\u00EDcula Novecento, de Bernardo Bertolucci. Se suicid\u00F3 a los treinta y ocho a\u00F1os de edad."@es , "Giuseppe Pellizza da Volpedo (Volpedo, 28a de julio 1868 \u2013 samloke, 14a de junio 1907) estis itala pentristo. Lia plej fama pentra\u0135o estas Il quarto stato (La kvara stato), de 1901, popularigita kiel fono de la komenca listo de la filmo Novecento, de Bernardo Bertolucci. Li memortigis estante 38 jara\u011Da. Li uzis la teknikon dividismo, nome pentrotekniko kreita per apudigo de malgrandaj punktoj de farbo la\u016D specifa kolorteorio. Kvankam li ekspoziciis ofte, lia verkaro atingis popularecon nur post lia morto tra reproduktado en socialismaj gazetoj kaj la\u016Ddon li ricevis el la kritikistoj la\u016Dlonge de la 20-a jarcento."@eo , "Giuseppe Pellizza da Volpedo (ur. 28 lipca 1868 w Volpedo, zm. 14 czerwca 1907 tam\u017Ce) \u2013 w\u0142oski malarz, neoimpresjonista. Urodzi\u0142 si\u0119 w rodzinie drobnych posiadaczy ziemskich zajmuj\u0105cych si\u0119 upraw\u0105 winoro\u015Bli. Po d\u0142ugich studiach w akademiach w\u0142oskich (Mediolan, Florencja, Rzym, Bergamo) i podr\u00F3\u017Cy do Pary\u017Ca osiad\u0142 w 1899 roku w Mediolanie. Tam wsp\u00F3lnie z Segantinim, i za\u0142o\u017Cy\u0142 grup\u0119 dywizjonist\u00F3w. By\u0142 wszechstronnym tw\u00F3rc\u0105, uprawia\u0142 wiele gatunk\u00F3w malarstwa i stosowa\u0142 r\u00F3\u017Cne techniki. Obok dzie\u0142 dywizjonistycznych, cz\u0119sto nawi\u0105zuj\u0105cych do symbolizmu tworzy\u0142 te\u017C dzie\u0142a realistyczne. Jego najbardziej rozpoznawalnym dzie\u0142em jest obraz Czwarta w\u0142adza, stworzony pod wp\u0142ywem dzie\u0142 Marksa i Engelsa. Przez wiele lat powsta\u0142o kilka wersji tego obrazu, kt\u00F3ry sta\u0142 si\u0119 znanym symbolem post\u0119powych zmian we W\u0142oszech i ca\u0142ej Europie. W 1907 r. po \u015Bmierci \u017Cony i syna artysta pope\u0142ni\u0142 samob\u00F3jstwo. Wywar\u0142 znacz\u0105cy wp\u0142yw na m\u0142odych futuryst\u00F3w na pocz\u0105tku XX w."@pl , "Giuseppe Pellizza da Volpedo (Volpedo, 28 luglio 1868 \u2013 Volpedo, 14 giugno 1907) \u00E8 stato un pittore italiano, dapprima divisionista, poi esponente della corrente sociale, autore del celeberrimo Il quarto stato, divenuto simbolo della questione operaia, a partire dall'XIX secolo in poi con la seconda rivoluzione industriale."@it , "\u30B8\u30E5\u30BC\u30C3\u30DA\u30FB\u30DA\u30EA\u30C3\u30C4\u30A1\u30FB\u30C0\u30FB\u30F4\u30A9\u30EB\u30DA\u30FC\u30C9\uFF08Giuseppe Pellizza da Volpedo\u30011868\u5E747\u670828\u65E5 - 1907\u5E746\u670814\u65E5\uFF09\u306F\u3001\u30A4\u30BF\u30EA\u30A2\u306E\u753B\u5BB6\u3067\u3042\u308B\u3002\u30C7\u30E2\u884C\u9032\u3059\u308B\u52B4\u50CD\u8005\u3092\u63CF\u3044\u305F\u300E\u7B2C\u56DB\u968E\u7D1A\u300F (Il Quarto Stato:1901)\u304C\u4EE3\u8868\u4F5C\u3067\u3042\u308B\u3002"@ja , "\u039F \u03A4\u03B6\u03BF\u03C5\u03B6\u03AD\u03C0\u03B5 \u03A0\u03B5\u03BB\u03BB\u03AF\u03C4\u03C3\u03B1 \u03BD\u03C4\u03B1 \u0392\u03BF\u03BB\u03C0\u03AD\u03BD\u03C4\u03BF (Giuseppe Pellizza da Volpedo, 28 \u0399\u03BF\u03C5\u03BB\u03AF\u03BF\u03C5 1868 \u2013 14 \u0399\u03BF\u03C5\u03BD\u03AF\u03BF\u03C5 1907) \u03AE\u03C4\u03B1\u03BD \u0399\u03C4\u03B1\u03BB\u03CC\u03C2 \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2. \u0393\u03B5\u03BD\u03BD\u03AE\u03B8\u03B7\u03BA\u03B5 \u03BA\u03B1\u03B9 \u03C0\u03AD\u03B8\u03B1\u03BD\u03B5 \u03C3\u03C4\u03BF Volpedo, \u03C3\u03C4\u03BF \u03A0\u03B5\u03B4\u03B5\u03BC\u03CC\u03BD\u03C4\u03B9\u03BF (\u03B2\u03CC\u03C1\u03B5\u03B9\u03B1 \u0399\u03C4\u03B1\u03BB\u03AF\u03B1). \u039F \u03A0\u03B5\u03BB\u03BB\u03AF\u03C4\u03C3\u03B1 \u03AE\u03C4\u03B1\u03BD \u03BC\u03B1\u03B8\u03B7\u03C4\u03AE\u03C2 \u03C4\u03BF\u03C5 . \u03A7\u03C1\u03B7\u03C3\u03B9\u03BC\u03BF\u03C0\u03BF\u03AF\u03B7\u03C3\u03B5 \u03C4\u03B7\u03BD \u03C4\u03B5\u03C7\u03BD\u03B9\u03BA\u03AE \u03C4\u03B7\u03C2 , \u03BA\u03B1\u03C4\u03AC \u03C4\u03B7\u03BD \u03BF\u03C0\u03BF\u03AF\u03B1 \u03AD\u03BD\u03B1\u03C2 \u03C0\u03AF\u03BD\u03B1\u03BA\u03B1\u03C2 \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u03C0\u03B1\u03C1\u03AC\u03B8\u03B5\u03C3\u03B7 \u03BC\u03B9\u03BA\u03C1\u03CE\u03BD \u03BA\u03BF\u03C5\u03BA\u03AF\u03B4\u03C9\u03BD \u03BC\u03C0\u03BF\u03B3\u03B9\u03AC\u03C2 \u03C3\u03CD\u03BC\u03C6\u03C9\u03BD\u03B1 \u03BC\u03B5 \u03C4\u03B7 \u03C3\u03C5\u03B3\u03BA\u03B5\u03BA\u03C1\u03B9\u03BC\u03AD\u03BD\u03B7 \u03B8\u03B5\u03C9\u03C1\u03AF\u03B1 \u03C4\u03BF\u03C5 \u03C7\u03C1\u03CE\u03BC\u03B1\u03C4\u03BF\u03C2. \u03A4\u03BF \u03C0\u03B9\u03BF \u03B3\u03BD\u03C9\u03C3\u03C4\u03CC \u03C4\u03BF\u03C5 \u03AD\u03C1\u03B3\u03BF, Il Quarto Stato (\u00AB\u00BB) (1901), \u03AD\u03C7\u03B5\u03B9 \u03B3\u03AF\u03BD\u03B5\u03B9 \u03AD\u03BD\u03B1 \u03C0\u03BF\u03BB\u03CD \u03B3\u03BD\u03C9\u03C3\u03C4\u03CC \u03C3\u03CD\u03BC\u03B2\u03BF\u03BB\u03BF \u03B3\u03B9\u03B1 \u03C4\u03B1 \u03C0\u03C1\u03BF\u03BF\u03B4\u03B5\u03C5\u03C4\u03B9\u03BA\u03AC \u03BA\u03B1\u03B9 \u03C3\u03BF\u03C3\u03B9\u03B1\u03BB\u03B9\u03C3\u03C4\u03B9\u03BA\u03AC \u03BA\u03B9\u03BD\u03AE\u03BC\u03B1\u03C4\u03B1 \u03C3\u03C4\u03B7\u03BD \u0399\u03C4\u03B1\u03BB\u03AF\u03B1 \u03BA\u03B1\u03B9 \u03B3\u03B5\u03BD\u03B9\u03BA\u03AC \u03C3\u03B5 \u03CC\u03BB\u03B7 \u03C4\u03B7\u03BD \u0395\u03C5\u03C1\u03CE\u03C0\u03B7. \u039F \u03C0\u03AF\u03BD\u03B1\u03BA\u03B1\u03C2 \u03B5\u03BC\u03C6\u03B1\u03BD\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03BA\u03B1\u03C4\u03AC \u03C4\u03B7 \u03B4\u03B9\u03AC\u03C1\u03BA\u03B5\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03C3\u03BA\u03B7\u03BD\u03AE\u03C2 \u03AD\u03BD\u03B1\u03C1\u03BE\u03B7\u03C2 \u03C4\u03B7\u03C2 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 Bernardo Bertolucci \u03BA\u03B1\u03B9 \u03C3\u03AE\u03BC\u03B5\u03C1\u03B1 \u03C3\u03C4\u03B5\u03B3\u03AC\u03B6\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03BF \u03BC\u03BF\u03C5\u03C3\u03B5\u03AF\u03BF \u03C3\u03C4\u03BF \u039C\u03B9\u03BB\u03AC\u03BD\u03BF. \u039C\u03B9\u03B1 \u03C0\u03B1\u03BB\u03B1\u03B9\u03CC\u03C4\u03B5\u03C1\u03B7 \u03AD\u03BA\u03B4\u03BF\u03C3\u03B7 \u03B2\u03C1\u03AF\u03C3\u03BA\u03B5\u03C4\u03B1\u03B9 \u03C3\u03C4\u03B7\u03BD \u03A0\u03B9\u03BD\u03B1\u03BA\u03BF\u03B8\u03AE\u03BA\u03B7 \u039C\u03C0\u03C1\u03AD\u03C1\u03B1. \u039F Pellizza \u03B1\u03C5\u03C4\u03BF\u03BA\u03C4\u03CC\u03BD\u03B7\u03C3\u03B5 \u03C4\u03BF 1907, \u03BC\u03B5\u03C4\u03AC \u03C4\u03BF \u03B8\u03AC\u03BD\u03B1\u03C4\u03BF \u03C4\u03B7\u03C2 \u03B3\u03C5\u03BD\u03B1\u03AF\u03BA\u03B1\u03C2 \u03C4\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u03B3\u03B9\u03BF\u03C5 \u03C4\u03BF\u03C5"@el , "Giuseppe Pellizza da Volpedo (28. \u010Dervence 1868, \u2013 14. \u010Dervna 1907, Volpedo) byl italsk\u00FD mal\u00ED\u0159, p\u0159edstavitel anga\u017Eovan\u00E9ho realismu. Giuseppe Pellizza da Volpedo: \u010Ctvrt\u00FD stav, 1898\u20131901 Poch\u00E1zel z chud\u00E9 zem\u011Bd\u011Blsk\u00E9 rodiny. Studoval na Accademia di Belle Arti di Brera. V malb\u011B se v\u011Bnoval p\u0159edev\u0161\u00EDm soci\u00E1ln\u00EDm t\u00E9mat\u016Fm. Jeho hlavn\u00EDm d\u00EDlem je monument\u00E1ln\u00ED, 2,93 x 5,45 metr\u016F velk\u00E1 malba \u010Ctvrt\u00FD stav (Il quarto Stato), kterou tvo\u0159il v letech 1898\u20131901, oslava d\u011Blnictva a d\u011Blnick\u00E9ho hnut\u00ED. D\u00EDlo b\u00FDv\u00E1 pova\u017Eov\u00E1no za vrchol soci\u00E1ln\u011B anga\u017Eovan\u00E9ho realistick\u00E9ho v\u00FDtvarn\u00E9ho um\u011Bn\u00ED na konci 19. stolet\u00ED. 14. \u010Dervna 1907 se mal\u00ED\u0159 ob\u011Bsil ve sv\u00E9m ateli\u00E9ru p\u0159\u00EDmo p\u0159ed pl\u00E1tnem \u010Ctvrt\u00FD stav."@cs , "Giuseppe Pellizza da Volpedo (* 28. Juli 1868 in Volpedo; \u2020 14. Juni 1907 ebenda) war ein Maler und Vertreter des italienischen Realismus. Giuseppe Pellizza entstammte einer Familie von Bauern des s\u00FCdlichen Piemont, die ihr kleines Pachtgut im Zuge von Landreformen hatten erwerben k\u00F6nnen. Pelizza war Sch\u00FCler der Accademia di Belle Arti di Brera. Beeinflusst wurde er von Giovanni Segantini. Er wandte sich haupts\u00E4chlich sozialen Themen zu. Sein Monumentalgem\u00E4lde Il quarto Stato (Der vierte Stand), das er in den Jahren 1898\u20131901 malte und das 2,93 \u00D7 5,45 Meter gro\u00DF ist, kann als H\u00F6hepunkt sozial engagierter realistischer Kunst Ende des 19. Jahrhunderts bezeichnet werden. Etwa zehn Jahre lang arbeitete Pellizza an diesem Thema. Seine Skizzen machte er unter anderem bei Kundgebungen und Streiks der Arbeiter w\u00E4hrend der gro\u00DFen Agrarkrise. Ihm gehe es nicht um die wirkliche Wirklichkeit, sondern um eine idealisierende Wirklichkeit. Das Gem\u00E4lde wird als Denkmal der Arbeiterbewegung angesehen. Am 14. Juni 1907 erh\u00E4ngte er sich in seinem Atelier unmittelbar vor seinem Gem\u00E4lde Il quarto stato. Bernardo Bertoluccis Film 1900 beginnt mit einer Er\u00F6ffnungstotalen des Bildes."@de , "Giuseppe Pellizza da Volpedo (28 de julho de 1868 - 14 de junho de 1907) foi um pintor neoimpressionista italiano. Ele nasceu e morreu em Volpedo, na regi\u00E3o do Piemonte, no norte do pa\u00EDs. Ele usou uma t\u00E9cnica divisionista em que uma pintura \u00E9 criada justapondo pequenos pontos de tinta de acordo com a teoria espec\u00EDfica das cores. Pellizza se enforcou em 1907, ap\u00F3s a morte de sua esposa e filho."@pt , "Giuseppe Pellizza da Volpedo (Volpedo, 28 de juliol de 1868 - Volpedo, 14 de juny de 1907) fou un pintor itali\u00E0 d'estil convencional que an\u00E0 evolucionant cap al realisme social, el divisionisme i el simbolisme. \u00C9s l'autor del celeb\u00E8rrim quadre El Quart Estat, al\u00B7legoria del m\u00F3n del treball i de les seues batalles pol\u00EDtico-sindicals.Aquesta mateixa pintura va ser utilitzada per Bernardo Bertolucci per als t\u00EDtols d'inici del film Novecento."@ca , "\u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435 \u041F\u0435\u043B\u043B\u0438\u0446\u0446\u0430 \u0434\u0430 \u0412\u043E\u043B\u044C\u043F\u0435\u0434\u043E (\u0438\u0442\u0430\u043B. Giuseppe Pellizza da Volpedo; 28 \u0438\u044E\u043B\u044F 1868, \u0412\u043E\u043B\u044C\u043F\u0435\u0434\u043E, \u041F\u044C\u0435\u043C\u043E\u043D\u0442, \u0418\u0442\u0430\u043B\u0438\u044F \u2014 14 \u0438\u044E\u043D\u044F 1907, \u0442\u0430\u043C \u0436\u0435) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u0435\u0446 \u0440\u0435\u0430\u043B\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F. \u0412\u0445\u043E\u0434\u0438\u043B \u0432 \u00AB\u0433\u0440\u0443\u043F\u043F\u0443 \u0422\u043E\u0440\u0442\u043E\u043D\u0430\u00BB (\u043F\u043E \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u044E \u0433\u043E\u0440\u043E\u0434\u0430 \u0432 \u041F\u044C\u0435\u043C\u043E\u043D\u0442\u0435). \u041A \u044D\u0442\u043E\u0439 \u0433\u0440\u0443\u043F\u043F\u0435 \u043E\u0442\u043D\u043E\u0441\u044F\u0442 \u0442\u0430\u043A\u0436\u0435 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A\u043E\u0432 \u0410\u043D\u0434\u0436\u0435\u043B\u043E \u0411\u0430\u0440\u0430\u0431\u0438\u043D\u043E, \u0427\u0435\u0437\u0430\u0440\u0435 \u0421\u0430\u043A\u043A\u0430\u0434\u0436\u0438, \u0414\u0436\u0438\u0434\u0436\u0438 \u041A\u0443\u043D\u044C\u043E\u043B\u043E \u0438 \u041F\u044C\u0435\u0442\u0440\u043E \u0414\u043E\u0441\u0441\u043E\u043B\u0430."@ru , "Giuseppe Pellizza da Volpedo (28 July 1868 \u2013 14 June 1907) was an Italian divisionist painter. He was born and died in Volpedo, in the Piedmont region of northern Italy. Pellizza was a pupil of Pio Sanquirico. He used a divisionist technique in which a painting is created by juxtaposing small dots of paint according to specific color theory. Although he exhibited often, his work achieved popularity in death through their reproduction in socialist magazines and the acclaim they received from 20th century art critics."@en ; dbo:wikiPageWikiLink dbr:Neo-impressionism , dbr:Vittore_Grubicy_de_Dragon , dbr:Pinacoteca_di_Brera , dbr:Accademia_di_Brera , dbr:Kingdom_of_Italy , , , dbr:Engadin , dbc:Divisionist_painters , dbr:Divisionism , dbr:Milan , dbr:Brera_Academy , dbr:Giuseppe_Puricelli , dbr:Museo_del_Novecento , , , dbr:Gaetano_Previati , dbr:Pio_Sanquirico , , , dbr:Castelnuovo_Scrivia , dbr:Volpedo , dbr:Quadriennale_di_Torino , dbr:Angelo_Morbelli , dbr:Giuseppe_Bertini , dbr:Pavia_Civic_Museums , dbr:Galleria_di_Arte_Moderna , dbr:Giovani_Fattori , dbr:Accademia_delle_Belle_Arti_di_Firenze , , dbr:Plinio_Nomellini , dbr:Accademia_Ligustica_di_Belle_Arti , dbr:Triennale_di_Milano , dbc:People_from_the_Province_of_Alessandria , dbr:Emilio_Longoni , dbc:Suicides_by_hanging_in_Italy , , dbr:Piedmont , dbr:French_Academy_in_Rome , dbr:Accademia_di_Belle_Arti_di_Firenze , dbr:Giovanni_Segantini , dbr:The_Fourth_Estate , dbc:Italian_male_painters , dbr:Province_of_Alessandria , dbr:Accademia_Carrara , dbr:Cesare_Tallone , dbr:Accademia_di_San_Luca , , , , , , dbc:Painters_who_committed_suicide . @prefix dbp: . @prefix dbt: . dbr:Giuseppe_Pellizza_da_Volpedo dbp:wikiPageUsesTemplate dbt:Reflist , dbt:Gallery , dbt:Infobox_artist , dbt:Short_description , dbt:Cite_web , dbt:Authority_control , dbt:Ill , dbt:Birth_date , dbt:Death_date_and_age , dbt:Commons , dbt:Unreferenced_section , dbt:Further ; 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