. . . . . . "\u062C\u0648\u0634 \u0623\u0628\u0631\u0627\u0647\u0627\u0645\u0632 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Josh G Abrahams)\u200F \u0647\u0648 \u0645\u0648\u0633\u064A\u0642\u064A \u0623\u0633\u062A\u0631\u0627\u0644\u064A\u060C \u0648\u0644\u062F \u0641\u064A 1968 \u0641\u064A \u0645\u0644\u0628\u0648\u0631\u0646 \u0641\u064A \u0623\u0633\u062A\u0631\u0627\u0644\u064A\u0627."@ar . . . . . . "18406"^^ . . . . . . . . . . . . "Puretone (\u043D\u0430\u0441\u0442\u043E\u044F\u0449\u0435\u0435 \u0438\u043C\u044F \u0414\u0436\u043E\u0448 \u0413. \u0410\u0431\u0440\u0430\u0445\u0430\u043C\u0441, \u0434\u0440\u0443\u0433\u0438\u0435 \u043F\u0441\u0435\u0432\u0434\u043E\u043D\u0438\u043C\u044B \u00ABThe Pagan\u00BB \u0438 \u00ABBassliners\u00BB) \u2014 \u0430\u0432\u0441\u0442\u0440\u0430\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442 \u0438 \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440, \u0440\u0430\u0431\u043E\u0442\u0430\u044E\u0449\u0438\u0439 \u0432 \u0441\u0442\u0438\u043B\u0435 \u0434\u0440\u0430\u043C-\u043D-\u0431\u0435\u0439\u0441. \u0414\u043E\u0441\u0442\u0438\u0433 \u043F\u0435\u0440\u0432\u044B\u0445 \u0443\u0441\u043F\u0435\u0445\u043E\u0432 \u0432 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u043C \u0431\u0438\u0437\u043D\u0435\u0441\u0435 \u0432 1998, \u0441 \u0432\u044B\u0445\u043E\u0434\u043E\u043C \u043F\u0435\u0440\u0432\u043E\u0433\u043E \u0441\u0438\u043D\u0433\u043B\u0430 Addicted To Bass (\u0441 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043C \u042D\u043C\u0438\u0435\u043B \u0414\u044D\u043C\u0438\u043E\u043D, \u0430\u043D\u0433\u043B. Amiel Daemion). \u041F\u043E\u0441\u043B\u0435 \u043D\u0435\u0441\u043A\u043E\u043B\u044C\u043A\u0438\u0445 \u043C\u0435\u043D\u0435\u0435 \u0443\u0434\u0430\u0447\u043D\u044B\u0445 \u0440\u0435\u043B\u0438\u0437\u043E\u0432 \u2014 Headroom (\u0432\u0442\u043E\u0440\u043E\u0439 \u0441\u0438\u043D\u0433\u043B \u0441 \u0430\u043B\u044C\u0431\u043E\u043C\u0430 Sweet Distorted Holiday, \u0442\u0430\u043A\u0436\u0435 \u0441 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043C \u042D\u043C\u0438\u0435\u043B \u0414\u044D\u043C\u0438\u043E\u043D), Thrillseeker (\u0442\u0440\u0435\u0442\u0438\u0439 \u0441\u0438\u043D\u0433\u043B \u0441 Sweet Distorted Holiday), Rollin', \u0430 \u0442\u0430\u043A\u0436\u0435 \u0443\u0447\u0430\u0441\u0442\u0438\u044F \u0432 \u0441\u0430\u0443\u043D\u0434\u0442\u0440\u0435\u043A\u0435 \u041C\u0443\u043B\u0435\u043D \u0420\u0443\u0436!, \u0432\u044B\u043F\u0443\u0441\u0442\u0438\u043B \u0432 \u043C\u0438\u0440\u043E\u0432\u0443\u044E \u043F\u0440\u043E\u0434\u0430\u0436\u0443 \u0430\u043B\u044C\u0431\u043E\u043C \u00ABAddicted to Bass\u00BB \u043F\u043E\u0434 \u043F\u0441\u0435\u0432\u0434\u043E\u043D\u0438\u043C\u043E\u043C Puretone. \u041F\u0441\u0435\u0432\u0434\u043E\u043D\u0438\u043C \u0431\u044B\u043B \u0432\u044B\u0431\u0440\u0430\u043D \u0432\u043E \u0438\u0437\u0431\u0435\u0436\u0430\u043D\u0438\u0435 \u043D\u0435\u0434\u043E\u0440\u0430\u0437\u0443\u043C\u0435\u043D\u0438\u0439 \u0441 \u0434\u0440\u0443\u0433\u0438\u043C \u0414\u0436\u043E\u0448\u0435\u043C \u0410\u0431\u0440\u0430\u0445\u0430\u043C\u0441\u043E\u043C, \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440\u043E\u043C, \u0441\u043E\u0442\u0440\u0443\u0434\u043D\u0438\u0447\u0430\u0432\u0448\u0438\u043C \u0441 Limp Bizkit \u0438 Staind. \u0418\u0437\u0434\u0430\u043D\u043D\u044B\u0439 \u0441\u0438\u043D\u0433\u043B \u0441\u0442\u0430\u043B #2 \u0432 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u043E\u043C \u0447\u0430\u0440\u0442\u0435 (2002"@ru . . . "Puretone, The Pagan, Bassliners"@en . . . "\u062C\u0648\u0634 \u0623\u0628\u0631\u0627\u0647\u0627\u0645\u0632 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Josh G Abrahams)\u200F \u0647\u0648 \u0645\u0648\u0633\u064A\u0642\u064A \u0623\u0633\u062A\u0631\u0627\u0644\u064A\u060C \u0648\u0644\u062F \u0641\u064A 1968 \u0641\u064A \u0645\u0644\u0628\u0648\u0631\u0646 \u0641\u064A \u0623\u0633\u062A\u0631\u0627\u0644\u064A\u0627."@ar . . . "Josh Abrahams (born 1968 in Melbourne, Victoria, Australia) is an Australian musician who emerged from the underground dance music scene in the early 1990s. He has performed and recorded under the stage name Puretone, and is also known as The Pagan and Bassliners. Abrahams is a composer, producer, bass guitarist and electronica artist and has worked as a writer, music director and producer on albums and film soundtracks, and in television and theatre. His single, \"Addicted to Bass\", with singer Amiel Daemion, peaked at No. 15 in February 1999."@en . . . . . "Puretone, The Pagan, Bassliners"@en . . . . . . . . . "Josh Abrahams, c. 2000"@en . . . . . . . . . . . "1990"^^ . . . . . . "non_vocal_instrumentalist" . . . "Josh Abrahams"@en . . "Melbourne, Australia"@en . "\u062C\u0648\u0634 \u0623\u0628\u0631\u0627\u0647\u0627\u0645\u0632"@ar . . . "Josh Abrahams"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1990"^^ . . . "Puretone"@ru . . . . . . . . . . . . . "non_vocal_instrumentalist"@en . . . . "1111490079"^^ . . . . "Josh Abrahams (born 1968 in Melbourne, Victoria, Australia) is an Australian musician who emerged from the underground dance music scene in the early 1990s. He has performed and recorded under the stage name Puretone, and is also known as The Pagan and Bassliners. Abrahams is a composer, producer, bass guitarist and electronica artist and has worked as a writer, music director and producer on albums and film soundtracks, and in television and theatre. His single, \"Addicted to Bass\", with singer Amiel Daemion, peaked at No. 15 in February 1999."@en . . . . . . "Havana Moon, Future Sound of Melbourne, Amiel Daemion, Davide Carbone, s:amplify"@en . . . . . . . "Puretone (\u043D\u0430\u0441\u0442\u043E\u044F\u0449\u0435\u0435 \u0438\u043C\u044F \u0414\u0436\u043E\u0448 \u0413. \u0410\u0431\u0440\u0430\u0445\u0430\u043C\u0441, \u0434\u0440\u0443\u0433\u0438\u0435 \u043F\u0441\u0435\u0432\u0434\u043E\u043D\u0438\u043C\u044B \u00ABThe Pagan\u00BB \u0438 \u00ABBassliners\u00BB) \u2014 \u0430\u0432\u0441\u0442\u0440\u0430\u043B\u0438\u0439\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442 \u0438 \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440, \u0440\u0430\u0431\u043E\u0442\u0430\u044E\u0449\u0438\u0439 \u0432 \u0441\u0442\u0438\u043B\u0435 \u0434\u0440\u0430\u043C-\u043D-\u0431\u0435\u0439\u0441. \u0414\u043E\u0441\u0442\u0438\u0433 \u043F\u0435\u0440\u0432\u044B\u0445 \u0443\u0441\u043F\u0435\u0445\u043E\u0432 \u0432 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u043C \u0431\u0438\u0437\u043D\u0435\u0441\u0435 \u0432 1998, \u0441 \u0432\u044B\u0445\u043E\u0434\u043E\u043C \u043F\u0435\u0440\u0432\u043E\u0433\u043E \u0441\u0438\u043D\u0433\u043B\u0430 Addicted To Bass (\u0441 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043C \u042D\u043C\u0438\u0435\u043B \u0414\u044D\u043C\u0438\u043E\u043D, \u0430\u043D\u0433\u043B. Amiel Daemion). \u041F\u043E\u0441\u043B\u0435 \u043D\u0435\u0441\u043A\u043E\u043B\u044C\u043A\u0438\u0445 \u043C\u0435\u043D\u0435\u0435 \u0443\u0434\u0430\u0447\u043D\u044B\u0445 \u0440\u0435\u043B\u0438\u0437\u043E\u0432 \u2014 Headroom (\u0432\u0442\u043E\u0440\u043E\u0439 \u0441\u0438\u043D\u0433\u043B \u0441 \u0430\u043B\u044C\u0431\u043E\u043C\u0430 Sweet Distorted Holiday, \u0442\u0430\u043A\u0436\u0435 \u0441 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043C \u042D\u043C\u0438\u0435\u043B \u0414\u044D\u043C\u0438\u043E\u043D), Thrillseeker (\u0442\u0440\u0435\u0442\u0438\u0439 \u0441\u0438\u043D\u0433\u043B \u0441 Sweet Distorted Holiday), Rollin', \u0430 \u0442\u0430\u043A\u0436\u0435 \u0443\u0447\u0430\u0441\u0442\u0438\u044F \u0432 \u0441\u0430\u0443\u043D\u0434\u0442\u0440\u0435\u043A\u0435 \u041C\u0443\u043B\u0435\u043D \u0420\u0443\u0436!, \u0432\u044B\u043F\u0443\u0441\u0442\u0438\u043B \u0432 \u043C\u0438\u0440\u043E\u0432\u0443\u044E \u043F\u0440\u043E\u0434\u0430\u0436\u0443 \u0430\u043B\u044C\u0431\u043E\u043C \u00ABAddicted to Bass\u00BB \u043F\u043E\u0434 \u043F\u0441\u0435\u0432\u0434\u043E\u043D\u0438\u043C\u043E\u043C Puretone. \u041F\u0441\u0435\u0432\u0434\u043E\u043D\u0438\u043C \u0431\u044B\u043B \u0432\u044B\u0431\u0440\u0430\u043D \u0432\u043E \u0438\u0437\u0431\u0435\u0436\u0430\u043D\u0438\u0435 \u043D\u0435\u0434\u043E\u0440\u0430\u0437\u0443\u043C\u0435\u043D\u0438\u0439 \u0441 \u0434\u0440\u0443\u0433\u0438\u043C \u0414\u0436\u043E\u0448\u0435\u043C \u0410\u0431\u0440\u0430\u0445\u0430\u043C\u0441\u043E\u043C, \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440\u043E\u043C, \u0441\u043E\u0442\u0440\u0443\u0434\u043D\u0438\u0447\u0430\u0432\u0448\u0438\u043C \u0441 Limp Bizkit \u0438 Staind. \u0418\u0437\u0434\u0430\u043D\u043D\u044B\u0439 \u0441\u0438\u043D\u0433\u043B \u0441\u0442\u0430\u043B #2 \u0432 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u043E\u043C \u0447\u0430\u0440\u0442\u0435 (2002). \u0417\u0430\u0442\u0435\u043C \u0431\u044B\u043B \u0432\u044B\u043F\u0443\u0449\u0435\u043D \u0434\u0440\u0443\u0433\u043E\u0439 \u0441\u0438\u043D\u0433\u043B Stuck In A Groove, \u0432\u043D\u043E\u0432\u044C \u0441 \u0432\u043E\u043A\u0430\u043B\u0438\u0441\u0442\u043A\u043E\u0439 \u042D\u043C\u0438\u0435\u043B \u0414\u044D\u043C\u0438\u043E\u043D, \u0437\u0430\u043D\u044F\u0432\u0448\u0438\u0439 #26 \u0432 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u043E\u043C \u0447\u0430\u0440\u0442\u0435."@ru . . . . . . "10435241"^^ . . . . . . "Shock, Worldwide Ultimatum, Festival, EMI"@en . "Josh Abrahams"@en . . . . . . . . .

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