. . "Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work."@en . "Maria: or, The Wrongs of Woman"@en . . . . . 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"Maria: or, The Wrongs of Woman Maria ou le malheur d'\u00EAtre femme (Maria: or, The Wrongs of Woman) de l'\u00E9crivaine britannique Mary Wollstonecraft, est une suite romanc\u00E9e, inachev\u00E9e, de son essai politique r\u00E9volutionnaire D\u00E9fense des droits de la femme (1792). Maria ou le malheur d'\u00EAtre femme est publi\u00E9 de fa\u00E7on posthume en 1798 par son mari, William Godwin, et est souvent consid\u00E9r\u00E9 comme son \u0153uvre f\u00E9ministe la plus radicale. Ce roman philosophique et gothique conte l'histoire d'une femme emprisonn\u00E9e dans un asile d'ali\u00E9n\u00E9s par son mari. Il se centre sur les \u00AB torts \u00BB (\u00AB wrongs \u00BB) faits par la soci\u00E9t\u00E9 \u00E0 la femme en g\u00E9n\u00E9ral, plut\u00F4t qu'\u00E0 une femme en particulier, et critique ce que Mary Wollstonecraft consid\u00E8re comme l'institution patriarcale du mariage dans la Grande-Bretagne du XVIIIe si\u00E8cle et le syst\u00E8me juridique qui le prot\u00E8ge. Le roman est par ailleurs novateur par sa c\u00E9l\u00E9bration de la sexualit\u00E9 f\u00E9minine, ainsi que par un sentiment d'identit\u00E9 en tant que femme qui traverse les classes sociales. De semblables th\u00E8mes, joints \u00E0 la publication du livre de William Godwin sur la vie de Mary Wollstonecradft, Memoirs of the Author of A Vindication of the Rights of Woman, qui fait scandale, rendent le roman impopulaire \u00E0 l'\u00E9poque de sa parution. Les critiques f\u00E9ministes du XXe si\u00E8cle adoptent le livre et l'int\u00E8grent \u00E0 l'histoire du roman et des id\u00E9es f\u00E9ministes. On y voit la plupart du temps une vulgarisation sous forme de fiction de D\u00E9fense des droits de la femme, un prolongement des raisonnements f\u00E9ministes que l'on y trouve, ainsi qu'une autobiographie."@fr . . . . . "Maria, or the Wrongs of Woman"@en . . . . . . "50424"^^ . . . . . . "Maria: or, The Wrongs of Woman (Maria: ou, os erros da Mulher) \u00E9 um romance inacabado da feminista brit\u00E2nica, Mary Wollstonecraft, sequ\u00EAncia para seu tratado pol\u00EDtico revolucion\u00E1rio: Uma Reivindica\u00E7\u00E3o pelos Direitos da Mulher (1792). The Wrongs of Woman foi publicado postumamente em 1798 por seu marido, William Godwin, e \u00E9 muitas vezes considerado seu trabalho feminista mais radical."@pt . . . . . . "1118332121"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Mar\u00EDa o Los agravios de la mujer"@es . . . . . . . . "\u739B\u4E3D\u4E9A\uFF1A\u5973\u4EBA\u4E4B\u7F6A"@zh . . . . . . . "Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual \"wrongs of woman\" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft's feminist arguments in Rights of Woman, and as autobiographical."@en . . . "Maria ou le malheur d'\u00EAtre femme"@fr . . . . . . . . . . . . . . . . . . . . . . . . . . "Maria: or, The Wrongs of Woman (Maria: ou, os erros da Mulher) \u00E9 um romance inacabado da feminista brit\u00E2nica, Mary Wollstonecraft, sequ\u00EAncia para seu tratado pol\u00EDtico revolucion\u00E1rio: Uma Reivindica\u00E7\u00E3o pelos Direitos da Mulher (1792). The Wrongs of Woman foi publicado postumamente em 1798 por seu marido, William Godwin, e \u00E9 muitas vezes considerado seu trabalho feminista mais radical. O romance filos\u00F3fico e g\u00F3tico de Wollstonecraft gira em torno da hist\u00F3ria de uma mulher presa em um manic\u00F4mio por seu marido. Centra-se na sociedade, em vez dos \"erros da mulher\" individuais e Wollstonecraft critica o que tem visto como a institui\u00E7\u00E3o patriarcal do casamento no s\u00E9culo XVIII, a Gr\u00E3-Bretanha e o sistema legal que protegia ele. No entanto, a incapacidade da hero\u00EDna de abandonar suas fantasias rom\u00E2nticas tamb\u00E9m revela o conluio das mulheres na sua opress\u00E3o atrav\u00E9s de sentimentalismo falso e prejudicial. O romance foi pioneiro na celebra\u00E7\u00E3o da sexualidade feminina e identifica\u00E7\u00E3o de cruzamento de classes entre as mulheres. Tais temas, juntamente com a publica\u00E7\u00E3o escandalosa de Memoirs do Godwin sobre a vida de Wollstonecraft, fez o romance impopular no momento em que foi publicado. As cr\u00EDticas feministas do s\u00E9culo XX abra\u00E7aram a obra, integrando-a na hist\u00F3ria do romance e do discurso feminista. \u00C9 mais frequentemente visto como uma populariza\u00E7\u00E3o ficcionada dos Direitos da Mulher, como uma extens\u00E3o de argumentos feministas de Wollstonecraft em direitos da mulher, e como autobiogr\u00E1fica."@pt . . . . . . . . . . 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\u0642\u062F\u0645\u062A\u0647 \u0627\u0644\u0628\u0631\u064A\u0637\u0627\u0646\u064A\u0629 \u0648\u0648\u0644\u0633\u062A\u0648\u0646\u0643\u0631\u0627\u0641\u062A \u0645\u0646 \u0645\u0648\u0636\u0648\u0639\u0627\u062A \u0646\u0633\u0648\u064A\u0629 \u0641\u064A \u062F\u0641\u0627\u0639\u0647\u0627 \u0639\u0646 \u0627\u0644\u062D\u0642\u0648\u0642 \u0625\u0636\u0627\u0641\u0629 \u0625\u0644\u0649 \u0643\u0648\u0646\u0647\u0627 \u062A\u0645\u062B\u0644 \u0633\u064A\u0631\u062A\u0647\u0627 \u0627\u0644\u0630\u0627\u062A\u064A\u0629."@ar . . . . "Maria: or, The Wrongs of Woman Maria ou le malheur d'\u00EAtre femme (Maria: or, The Wrongs of Woman) de l'\u00E9crivaine britannique Mary Wollstonecraft, est une suite romanc\u00E9e, inachev\u00E9e, de son essai politique r\u00E9volutionnaire D\u00E9fense des droits de la femme (1792). Maria ou le malheur d'\u00EAtre femme est publi\u00E9 de fa\u00E7on posthume en 1798 par son mari, William Godwin, et est souvent consid\u00E9r\u00E9 comme son \u0153uvre f\u00E9ministe la plus radicale."@fr . . . . . . . . . "Maria: or, The Wrongs of Woman"@pt . 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"11608770"^^ . . . . . . . . . . . . . . . . . . . . . . "\u0645\u0627\u0631\u064A\u0627 \u0623\u0648 \u0645\u0638\u0627\u0644\u0645 \u0627\u0644\u0646\u0633\u0627\u0621 (\u0631\u0648\u0627\u064A\u0629)"@ar . . . "Mar\u00EDa o Los agravios de la mujer\u200B (Maria: or, The Wrongs of Woman) es una novela inacabada de la escritora brit\u00E1nica Mary Wollstonecraft, secuela de su tratado pol\u00EDtico revolucionario Vindicaci\u00F3n de los derechos de la mujer (1792). William Godwin, su esposo, public\u00F3 Los agravios de la mujer de manera p\u00F3stuma en 1798, y la obra est\u00E1 considerada como la m\u00E1s radicalmente feminista de la autora.\u200B La novela, tanto filos\u00F3fica como g\u00F3tica, narra la historia de una mujer internada por su esposo en un hospital psiqui\u00E1trico. Se centra en los \u00ABagravios sufridos por la mujer\u00BB a nivel social m\u00E1s que individual, y critica lo que Wollstonecraft consideraba como la instituci\u00F3n patriarcal del matrimonio en la Gran Breta\u00F1a del siglo XVIII y al sistema legal que la proteg\u00EDa. Sin embargo, la incapacidad de la protagonista para renunciar a sus fantas\u00EDas rom\u00E1nticas tambi\u00E9n acusa a las mujeres de ser propensas a sumirse en un sentimentalismo falso y da\u00F1ino. La novela fue pionera en la celebraci\u00F3n de la sexualidad femenina y en la identificaci\u00F3n entre mujeres de distintas clases. Dichas tem\u00E1ticas, junto con la publicaci\u00F3n del escandaloso libro de Godwin titulado Memoirs of the Author of A Vindication of the Rights of Woman (\"Memorias de la autora de Vindicaci\u00F3n de los derechos de la mujer\"), que trat\u00F3 sobre la vida de Wollstonecraft, provocaron que la novela no fuese popular en la \u00E9poca de su publicaci\u00F3n. Los cr\u00EDticos feministas del siglo XX analizaron la obra y la integraron en la historia de la novela y del discurso feminista. La mayor parte de las veces se la cataloga como una popularizaci\u00F3n en formato de ficci\u00F3n de Vindicaci\u00F3n de los derechos de la mujer, como una extensi\u00F3n de los argumentos feministas de Wollstonecraft en Vindicaci\u00F3n y como una autobiograf\u00EDa.\u200B"@es . . . . "Mar\u00EDa o Los agravios de la mujer\u200B (Maria: or, The Wrongs of Woman) es una novela inacabada de la escritora brit\u00E1nica Mary Wollstonecraft, secuela de su tratado pol\u00EDtico revolucionario Vindicaci\u00F3n de los derechos de la mujer (1792). William Godwin, su esposo, public\u00F3 Los agravios de la mujer de manera p\u00F3stuma en 1798, y la obra est\u00E1 considerada como la m\u00E1s radicalmente feminista de la autora.\u200B"@es . . "Mary Wollstonecraft"@en . . . .
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