. "another example track using the MC-202"@en . . . . . . . . . . . . . . "Mc202example.ogg"@en . "left"@en . . "No"@en . "Roland MC-202"@uk . . "Discobotter.ogg"@en . . . "1531245"^^ . . "2"^^ . . . "MC-202 MicroComposer"@en . . . . . . . . . . "6351"^^ . . . "1983"^^ . . "1"^^ . . . "2"^^ . "The Roland MC-202 (MicroComposer) is a monophonic analog synthesizer and music sequencer released by Roland in 1983. It was the first groovebox. Its synth is similar to the TB-303 bass synth and the SH-101 synthesizer, featuring one voltage-controlled oscillator with simultaneous saw and square/pulse-width waveforms. It is a successor to the Microcomposer family of sequencers, including the MC-8 and MC-4. The unit is portable and can be operated from batteries or an external power supply."@en . . . . . . . . . . . "Small looped example using the built-in sequencer, filter and controls; no additional effects."@en . . "No"@en . . . "CV/Gate"@en . . . "595.0"^^ . . . . . . . . "An example track using the MC-202"@en . . . "No"@en . . "Roland MC-202"@en . . "1"^^ . . "Roland"@en . "Roland MC-202 \u2014 \u043C\u043E\u043D\u043E\u0444\u043E\u043D\u0456\u0447\u043D\u0438\u0439 \u0430\u043D\u0430\u043B\u043E\u0433\u043E\u0432\u0438\u0439 \u0441\u0438\u043D\u0442\u0435\u0437\u0430\u0442\u043E\u0440 \u0456 \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0441\u0435\u043A\u0432\u0435\u043D\u0441\u043E\u0440 \u0432\u0438\u043F\u0443\u0449\u0435\u043D\u0438\u0439 \u043A\u043E\u043C\u043F\u0430\u043D\u0456\u0454\u044E \u00ABRoland\u00BB \u0443 1983 \u0440\u043E\u0446\u0456. \u0426\u0435 \u0431\u0443\u0432 \u043F\u0435\u0440\u0448\u0438\u0439 . \u0412\u0456\u043D \u0434\u0435\u0449\u043E \u0441\u0445\u043E\u0436\u0438\u0439 \u043D\u0430 \u0431\u0430\u0441-\u0441\u0438\u043D\u0442\u0435\u0437\u0430\u0442\u043E\u0440 TB-303 \u0442\u0430 \u043D\u0430 \u0441\u0438\u043D\u0442\u0435\u0437\u0430\u0442\u043E\u0440 . \u041F\u0440\u0438\u0441\u0442\u0440\u0456\u0439 \u043C\u0430\u0454 \u043E\u0434\u0438\u043D \u0413\u041A\u041D, \u0445\u0432\u0438\u043B\u044C\u043E\u0444\u043E\u0440\u043C\u0438 \u043C\u0435\u0430\u0442\u0440\u0434/\u043F\u0443\u043B\u044C\u0441 \u0456 \u0441\u0430\u0431-\u043E\u0441\u0446\u0438\u043B\u044F\u0442\u043E\u0440. \u0410\u0431\u0440\u0435\u0432\u0456\u0430\u0442\u0443\u0440 \u00AB\u041C\u0421\u00BB \u043E\u0437\u043D\u0430\u0447\u0430\u0454 \u0441\u0456\u043C\u0435\u0439\u0441\u0442\u0432\u043E \u0441\u0435\u043A\u0432\u0435\u0439\u0441\u043E\u0440\u0456\u0432 Microcomposer, \u044F\u043A\u0435 \u0431\u0443\u043B\u043E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u0435 \u0443 1980-\u0445 \u0440\u043E\u043A\u0430\u0445, \u0432\u043A\u043B\u044E\u0447\u043D\u043E \u0437 MC-8 \u0442\u0430 MC-4. \u041F\u0440\u0438\u0441\u0442\u0440\u0456\u0439 \u043F\u043E\u0440\u0442\u0430\u0442\u0438\u0432\u043D\u0438\u0439 \u0442\u0430 \u043C\u043E\u0436\u0435 \u043F\u0440\u0430\u0446\u044E\u0432\u0430\u0442\u0438 \u044F\u043A \u0432\u0456\u0434 \u0431\u0430\u0442\u0430\u0440\u0435\u0439\u043E\u043A \u0442\u0430\u043A \u0456 \u0432\u0456\u0434 \u0437\u043E\u0432\u043D\u0456\u0448\u043D\u044C\u043E\u0433\u043E \u0434\u0436\u0435\u0440\u0435\u043B\u0430 \u0436\u0438\u0432\u043B\u0435\u043D\u043D\u044F."@uk . . . . . "1"^^ . "The Roland MC-202 (MicroComposer) is a monophonic analog synthesizer and music sequencer released by Roland in 1983. It was the first groovebox. Its synth is similar to the TB-303 bass synth and the SH-101 synthesizer, featuring one voltage-controlled oscillator with simultaneous saw and square/pulse-width waveforms. It is a successor to the Microcomposer family of sequencers, including the MC-8 and MC-4. The unit is portable and can be operated from batteries or an external power supply."@en . . "1093209225"^^ . . . "None"@en . . "Roland MC-202 \u2014 \u043C\u043E\u043D\u043E\u0444\u043E\u043D\u0456\u0447\u043D\u0438\u0439 \u0430\u043D\u0430\u043B\u043E\u0433\u043E\u0432\u0438\u0439 \u0441\u0438\u043D\u0442\u0435\u0437\u0430\u0442\u043E\u0440 \u0456 \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0441\u0435\u043A\u0432\u0435\u043D\u0441\u043E\u0440 \u0432\u0438\u043F\u0443\u0449\u0435\u043D\u0438\u0439 \u043A\u043E\u043C\u043F\u0430\u043D\u0456\u0454\u044E \u00ABRoland\u00BB \u0443 1983 \u0440\u043E\u0446\u0456. \u0426\u0435 \u0431\u0443\u0432 \u043F\u0435\u0440\u0448\u0438\u0439 . \u0412\u0456\u043D \u0434\u0435\u0449\u043E \u0441\u0445\u043E\u0436\u0438\u0439 \u043D\u0430 \u0431\u0430\u0441-\u0441\u0438\u043D\u0442\u0435\u0437\u0430\u0442\u043E\u0440 TB-303 \u0442\u0430 \u043D\u0430 \u0441\u0438\u043D\u0442\u0435\u0437\u0430\u0442\u043E\u0440 . \u041F\u0440\u0438\u0441\u0442\u0440\u0456\u0439 \u043C\u0430\u0454 \u043E\u0434\u0438\u043D \u0413\u041A\u041D, \u0445\u0432\u0438\u043B\u044C\u043E\u0444\u043E\u0440\u043C\u0438 \u043C\u0435\u0430\u0442\u0440\u0434/\u043F\u0443\u043B\u044C\u0441 \u0456 \u0441\u0430\u0431-\u043E\u0441\u0446\u0438\u043B\u044F\u0442\u043E\u0440. \u0410\u0431\u0440\u0435\u0432\u0456\u0430\u0442\u0443\u0440 \u00AB\u041C\u0421\u00BB \u043E\u0437\u043D\u0430\u0447\u0430\u0454 \u0441\u0456\u043C\u0435\u0439\u0441\u0442\u0432\u043E \u0441\u0435\u043A\u0432\u0435\u0439\u0441\u043E\u0440\u0456\u0432 Microcomposer, \u044F\u043A\u0435 \u0431\u0443\u043B\u043E \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u0435 \u0443 1980-\u0445 \u0440\u043E\u043A\u0430\u0445, \u0432\u043A\u043B\u044E\u0447\u043D\u043E \u0437 MC-8 \u0442\u0430 MC-4. \u041F\u0440\u0438\u0441\u0442\u0440\u0456\u0439 \u043F\u043E\u0440\u0442\u0430\u0442\u0438\u0432\u043D\u0438\u0439 \u0442\u0430 \u043C\u043E\u0436\u0435 \u043F\u0440\u0430\u0446\u044E\u0432\u0430\u0442\u0438 \u044F\u043A \u0432\u0456\u0434 \u0431\u0430\u0442\u0430\u0440\u0435\u0439\u043E\u043A \u0442\u0430\u043A \u0456 \u0432\u0456\u0434 \u0437\u043E\u0432\u043D\u0456\u0448\u043D\u044C\u043E\u0433\u043E \u0434\u0436\u0435\u0440\u0435\u043B\u0430 \u0436\u0438\u0432\u043B\u0435\u043D\u043D\u044F."@uk . "Simple song arrangement using Roland's MC-202 for the filter hookline, SH-101 for the bass and TR-808 for drums; no additional effects."@en . . "Roland MC-202"@en . . . . . . "1"^^ . . . . . .

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