@prefix dbo: .
@prefix dbr: .
dbo:wikiPageWikiLink dbr:Sequenza .
dbr:Luciano_Berio dbo:wikiPageWikiLink dbr:Sequenza .
dbo:wikiPageWikiLink dbr:Sequenza .
@prefix foaf: .
@prefix wikipedia-en: .
wikipedia-en:Sequenza foaf:primaryTopic dbr:Sequenza .
dbr:List_of_concert_works_for_saxophone dbo:wikiPageWikiLink dbr:Sequenza .
dbr:List_of_21st-century_classical_composers dbo:wikiPageWikiLink dbr:Sequenza .
@prefix rdf: .
dbr:Sequenza rdf:type dbo:ClassicalMusicComposition .
@prefix owl: .
dbr:Sequenza rdf:type owl:Thing ,
dbo:Work .
@prefix schema: .
dbr:Sequenza rdf:type schema:CreativeWork ,
dbo:MusicalWork .
@prefix wikidata: .
dbr:Sequenza rdf:type wikidata:Q386724 ,
wikidata:Q2188189 .
@prefix rdfs: .
dbr:Sequenza rdfs:label "Sequenza"@es ,
"Sequenze"@nl ,
"Sequenza"@en ,
"\u0421\u0435\u043A\u0432\u0435\u043D\u0446\u0456\u0457 (\u0411\u0435\u0440\u0456\u043E)"@uk ,
"Sequenze"@de ,
"\u30BB\u30AF\u30A8\u30F3\u30C4\u30A1 (\u30D9\u30EA\u30AA)"@ja ;
rdfs:comment "Sequenza (Italian for \"sequence\") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are: \n* Sequenza I (1958; rev. 1992) for flute \n* Sequenza II (1963) for harp \n* Sequenza III (1965) for female voice \n* Sequenza IV (1965) for piano \n* Sequenza V (1966) for trombone \n* Sequenza VI (1967) for viola \n* Sequenza VII (1969/2000) for oboe (reworked as Sequenza VIIb for soprano saxophone in 2000) \n* Sequenza VIII (1976) for violin \n* Sequenza IX (1980) for clarinet (reworked 1981 as Sequenza IXb for alto saxophone, and 1980 as Sequenza IXc for bass clarinet) \n* Sequenza X (1984) for trumpet and piano resonance \n* Sequenza XI (1987) for guitar \n* Sequenza XII (1995) for bassoon \n* Sequenza XIII (1995"@en ,
"Sequenza (italiano para \"secuencia\") es el nombre de un conjunto de catorce composiciones de Luciano Berio pensadas para ser interpretadas por instrumentos solistas o voz."@es ,
"\u30BB\u30AF\u30A8\u30F3\u30C4\u30A1\uFF08\u4F0A:Sequenza\uFF09\u306F\u3001\u30A4\u30BF\u30EA\u30A2\u306E\u4F5C\u66F2\u5BB6\u30EB\u30C1\u30A2\u30FC\u30CE\u30FB\u30D9\u30EA\u30AA\u304C\u4F5C\u66F2\u3057\u305F\u4E00\u9023\u306E\u5668\u697D\u66F2\u7FA4\uFF081\u66F2\u306E\u307F\u58F0\u697D\u66F2\uFF09\u306E\u7DCF\u79F0\u3067\u3042\u308B\u3002\u4EE5\u4E0B\u306E14\u66F2\u304B\u3089\u306A\u308B\u3002\u6642\u671F\u7684\u306A\u504F\u308A\u306F\u3042\u308B\u3082\u306E\u306E\u3001\u4F5C\u66F2\u8005\u304C\u7D04\u534A\u4E16\u7D00\u306B\u3082\u308F\u305F\u3063\u3066\u4F5C\u66F2\u3057\u7D9A\u3051\u305F\u3001\u30E9\u30A4\u30D5\u30EF\u30FC\u30AF\u3068\u3082\u3044\u3048\u308B\u30BD\u30ED\u4F5C\u54C1\u7FA4\u3067\u3042\u308B\u3002"@ja ,
"\u0421\u0435\u043A\u0432\u0435\u043D\u0446\u0456\u0457 \u041B\u0443\u0447\u0430\u043D\u043E \u0411\u0435\u0440\u0456\u043E \u2014 14 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0456\u0439 \u0434\u043B\u044F \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0456\u0432 \u0441\u043E\u043B\u043E, \u043A\u043E\u0436\u043D\u0430 \u0437 \u044F\u043A\u0438\u0445 \u043C\u0430\u0454 \u043D\u0430\u0437\u0432\u0443 \u00ABSequenza\u00BB, \u0442\u043E\u0431\u0442\u043E, \u0432 \u043F\u0435\u0440\u0435\u043A\u043B\u0430\u0434\u0456 \u0437 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u0457, \u00AB\u0441\u0435\u043A\u0432\u0435\u043D\u0446\u0456\u044F\u00BB. \u041F\u043E\u0432\u043D\u0438\u0439 \u0441\u043F\u0438\u0441\u043E\u043A \"\u0441\u0435\u043A\u0432\u0435\u043D\u0446\u0456\u0439\" \u0411\u0435\u0440\u0456\u043E \u0432\u0438\u0433\u043B\u044F\u0434\u0430\u0454 \u0442\u0430\u043A: \n* Sequenza (1958, \u0440\u0435\u0434. 1992) \u0434\u043B\u044F \u0444\u043B\u0435\u0439\u0442\u0438 \n* Sequenza II (1963) \u0434\u043B\u044F \u0430\u0440\u0444\u0438 \n* Sequenza III (1965) \u0434\u043B\u044F \u0436\u0456\u043D\u043E\u0447\u043E\u0433\u043E \u0433\u043E\u043B\u043E\u0441\u0443 \n* Sequenza IV (1965) \u0434\u043B\u044F \u0444\u043E\u0440\u0442\u0435\u043F\u0456\u0430\u043D\u043E \n* Sequenza V (1966) \u0434\u043B\u044F \u0442\u0440\u043E\u043C\u0431\u043E\u043D\u0430 \n* Sequenza VI (1967) \u0434\u043B\u044F \u0430\u043B\u044C\u0442\u0430 \n* Sequenza VII (1969) \u0434\u043B\u044F \u0433\u043E\u0431\u043E\u044F (\u0456\u0441\u043D\u0443\u0454 \u0432\u0435\u0440\u0441\u0456\u044F Sequenza VIIb \u0434\u043B\u044F \u0441\u043E\u043F\u0440\u0430\u043D\u043E \u0441\u0430\u043A\u0441\u043E\u0444\u043E\u043D) \n* Sequenza VIII (1976) \u0434\u043B\u044F \u0441\u043A\u0440\u0438\u043F\u043A\u0438 \n* Sequenza IX (1980) \u0434\u043B\u044F \u043A\u043B\u0430\u0440\u043D\u0435\u0442\u0430 (1981 \u0440. \u0437'\u044F\u0432\u0438\u043B\u0430\u0441\u044C \u0432\u0435\u0440\u0441\u0456\u044F IXb \u0434\u043B\u044F \u0430\u043B\u044C\u0442-\u0441\u0430\u043A\u0441\u043E\u0444\u043E\u043D\u0430 \u0456 IXc \u0434\u043B\u044F \u0431\u0430\u0441-\u043A\u043B\u0430\u0440\u043D\u0435\u0442\u0430) \n* Sequenza X (1984) \u0434\u043B\u044F \u0442\u0440\u0443\u0431\u0438 \u0456 \u0440\u0435\u0437\u043E\u043D\u0443\u044E\u0447\u043E\u0433\u043E \u0444\u043E\u0440\u0442\u0435\u043F\u0456\u0430\u043D\u043E \n* Sequenza XI (1987) \u0434\u043B\u044F \u0433\u0456\u0442\u0430\u0440\u0438 \n* Sequenza XII (1995) \u0434\u043B\u044F \u0444\u0430\u0433\u043E\u0442\u0430 \n* Sequenza XIII (1995) \u0434\u043B\u044F \u0430\u043A\u043E\u0440\u0434\u0435\u043E\u043D\u0430 \n* S"@uk ,
"Sequenza is de naam van veertien composities voor solo-instrumenten (of stem) van Luciano Berio. Het woerd \"sequenza\" betekent \"sequens, opeenvolging\" in het Italiaans. Berio verlangt in deze stukken vaak het gebruik van extended techniques.Overzicht van de Sequenze: Verscheidene van deze werken vormden de basis van grouter composities: Sequenza IX groeide uit tot een stuk voor klarinet en elektronica onder de naam Chemins V, maar hij trok deze compositie later in. Hij gebruikte de naam Chemins V daarna voor een heel ander stuk."@nl ,
"Sequenze (italienisch: Plural des Singulars Sequenza) bezeichnet einen Werkzyklus des italienischen Komponisten Luciano Berio (1925\u20132003). Die Sequenza III f\u00FCr Frauenstimme \u201Evertont\u201C einen Text des Schweizer Schriftstellers Markus Kutter."@de .
@prefix dcterms: .
dbr:Sequenza dcterms:subject .
@prefix dbc: .
dbr:Sequenza dcterms:subject dbc:Compositions_that_use_extended_techniques ,
dbc:Compositions_by_Luciano_Berio ;
dbo:abstract "\u0421\u0435\u043A\u0432\u0435\u043D\u0446\u0456\u0457 \u041B\u0443\u0447\u0430\u043D\u043E \u0411\u0435\u0440\u0456\u043E \u2014 14 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0456\u0439 \u0434\u043B\u044F \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0456\u0432 \u0441\u043E\u043B\u043E, \u043A\u043E\u0436\u043D\u0430 \u0437 \u044F\u043A\u0438\u0445 \u043C\u0430\u0454 \u043D\u0430\u0437\u0432\u0443 \u00ABSequenza\u00BB, \u0442\u043E\u0431\u0442\u043E, \u0432 \u043F\u0435\u0440\u0435\u043A\u043B\u0430\u0434\u0456 \u0437 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u0457, \u00AB\u0441\u0435\u043A\u0432\u0435\u043D\u0446\u0456\u044F\u00BB. \u041F\u043E\u0432\u043D\u0438\u0439 \u0441\u043F\u0438\u0441\u043E\u043A \"\u0441\u0435\u043A\u0432\u0435\u043D\u0446\u0456\u0439\" \u0411\u0435\u0440\u0456\u043E \u0432\u0438\u0433\u043B\u044F\u0434\u0430\u0454 \u0442\u0430\u043A: \n* Sequenza (1958, \u0440\u0435\u0434. 1992) \u0434\u043B\u044F \u0444\u043B\u0435\u0439\u0442\u0438 \n* Sequenza II (1963) \u0434\u043B\u044F \u0430\u0440\u0444\u0438 \n* Sequenza III (1965) \u0434\u043B\u044F \u0436\u0456\u043D\u043E\u0447\u043E\u0433\u043E \u0433\u043E\u043B\u043E\u0441\u0443 \n* Sequenza IV (1965) \u0434\u043B\u044F \u0444\u043E\u0440\u0442\u0435\u043F\u0456\u0430\u043D\u043E \n* Sequenza V (1966) \u0434\u043B\u044F \u0442\u0440\u043E\u043C\u0431\u043E\u043D\u0430 \n* Sequenza VI (1967) \u0434\u043B\u044F \u0430\u043B\u044C\u0442\u0430 \n* Sequenza VII (1969) \u0434\u043B\u044F \u0433\u043E\u0431\u043E\u044F (\u0456\u0441\u043D\u0443\u0454 \u0432\u0435\u0440\u0441\u0456\u044F Sequenza VIIb \u0434\u043B\u044F \u0441\u043E\u043F\u0440\u0430\u043D\u043E \u0441\u0430\u043A\u0441\u043E\u0444\u043E\u043D) \n* Sequenza VIII (1976) \u0434\u043B\u044F \u0441\u043A\u0440\u0438\u043F\u043A\u0438 \n* Sequenza IX (1980) \u0434\u043B\u044F \u043A\u043B\u0430\u0440\u043D\u0435\u0442\u0430 (1981 \u0440. \u0437'\u044F\u0432\u0438\u043B\u0430\u0441\u044C \u0432\u0435\u0440\u0441\u0456\u044F IXb \u0434\u043B\u044F \u0430\u043B\u044C\u0442-\u0441\u0430\u043A\u0441\u043E\u0444\u043E\u043D\u0430 \u0456 IXc \u0434\u043B\u044F \u0431\u0430\u0441-\u043A\u043B\u0430\u0440\u043D\u0435\u0442\u0430) \n* Sequenza X (1984) \u0434\u043B\u044F \u0442\u0440\u0443\u0431\u0438 \u0456 \u0440\u0435\u0437\u043E\u043D\u0443\u044E\u0447\u043E\u0433\u043E \u0444\u043E\u0440\u0442\u0435\u043F\u0456\u0430\u043D\u043E \n* Sequenza XI (1987) \u0434\u043B\u044F \u0433\u0456\u0442\u0430\u0440\u0438 \n* Sequenza XII (1995) \u0434\u043B\u044F \u0444\u0430\u0433\u043E\u0442\u0430 \n* Sequenza XIII (1995) \u0434\u043B\u044F \u0430\u043A\u043E\u0440\u0434\u0435\u043E\u043D\u0430 \n* Sequenza XIV (2002), \u0434\u043B\u044F \u0432\u0456\u043E\u043B\u043E\u043D\u0447\u0435\u043B\u0456 (\u0432 2004 \u0440\u043E\u0446\u0456 \u0437'\u044F\u0432\u0438\u043B\u0430\u0441\u044C \u0432\u0435\u0440\u0441\u0456\u044F Sequenza XIVb \u0434\u043B\u044F \u043A\u043E\u043D\u0442\u0440\u0430\u0431\u0430\u0441\u0430) \u0414\u0435\u044F\u043A\u0456 \u0437 \u0446\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 \u0441\u0442\u0430\u043B\u0438 \u043E\u0441\u043D\u043E\u0432\u043E\u044E \u0431\u0456\u043B\u044C\u0448\u0438\u0445 \u0437\u0430 \u043E\u0431\u0441\u044F\u0433\u043E\u043C \u0440\u043E\u0431\u0456\u0442: \n* Sequenza II, \u0437 \u0434\u043E\u0434\u0430\u0432\u0430\u043D\u043D\u044F\u043C \u0434\u043E\u0434\u0430\u0442\u043A\u043E\u0432\u0438\u0445 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u0438\u0445 \u043F\u0430\u0440\u0442\u0456\u0439 \u0441\u0442\u0430\u043B\u0430 Chemins I; \n* Sequenza VI \u0441\u0442\u0430\u043B\u0430 \u043E\u0441\u043D\u043E\u0432\u043E\u044E Chemins II, Chemins IIb, Chemins IIc \u0456 Chemins III; \n* Sequenza VII \u0441\u0442\u0430\u043B\u0430 \u043E\u0441\u043D\u043E\u0432\u043E\u044E Chemins IV; \n* Sequenza XI \u0441\u0442\u0430\u043B\u0430 \u043E\u0441\u043D\u043E\u0432\u043E\u044E Chemins V; \n* Sequenza X \u0441\u0442\u0430\u0432 Kol-Od, \u0442\u0430\u043A\u043E\u0436 \u0432\u0456\u0434\u043E\u043C\u0438\u0439 \u044F\u043A Chemins VI; \n* Sequenza IXB \u0441\u0442\u0430\u0432 R\u00E9cit, \u0442\u0430\u043A\u043E\u0436 \u0432\u0456\u0434\u043E\u043C\u0438\u0439 \u044F\u043A Chemins VII \u0456 \n* VIII Sequenza \u0441\u0442\u0430\u0432 Corale."@uk ,
"Sequenza (italiano para \"secuencia\") es el nombre de un conjunto de catorce composiciones de Luciano Berio pensadas para ser interpretadas por instrumentos solistas o voz."@es ,
"Sequenza is de naam van veertien composities voor solo-instrumenten (of stem) van Luciano Berio. Het woerd \"sequenza\" betekent \"sequens, opeenvolging\" in het Italiaans. Berio verlangt in deze stukken vaak het gebruik van extended techniques.Overzicht van de Sequenze: \n* (1958; rev. 1992) voor fluit \n* (1963) voor harp \n* (1965) voor vrouwenstem \n* (1965) voor blokfluit ('Gesti') \n* (1965) voor piano \n* (1966) voor trombone \n* (1967) voor altviool \n* (1969) voor hobo (bewerkt als Sequenza VIIb voor sopraansaxofoon) \n* (1976) voor viool \n* (1980) voor klarinet (bewerkt in 1981 als Sequenza IXb voor altsaxofoon, en in 1980 als Sequenza IXc voor basklarinet) \n* (1984) voor trompet en pianoklankbord \n* (1987) voor gitaar \n* (1995) voor fagot \n* (1995) (Chanson) voor accordeon \n* (2002) (Dual) voor cello (bewerkt in 2004 als Sequenza XIVb voor contrabas) Verscheidene van deze werken vormden de basis van grouter composities: \n* Sequenza II, met de toevoeging van extra instrumentale partijen bij de oorspronkelijke solopartij, werd \n* Sequenza VI werd ontwikkeld tot , Chemins IIb, Chemins IIc en \n* Sequenza VII werd \n* Sequenza XI werd \n* Sequenza X werd , ook bekend onder de naam Chemins VI \n* Sequenza IXb werd , ook bekend als Chemins VII \n* Sequenza VIII werd . Sequenza IX groeide uit tot een stuk voor klarinet en elektronica onder de naam Chemins V, maar hij trok deze compositie later in. Hij gebruikte de naam Chemins V daarna voor een heel ander stuk."@nl ,
"Sequenza (Italian for \"sequence\") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are: \n* Sequenza I (1958; rev. 1992) for flute \n* Sequenza II (1963) for harp \n* Sequenza III (1965) for female voice \n* Sequenza IV (1965) for piano \n* Sequenza V (1966) for trombone \n* Sequenza VI (1967) for viola \n* Sequenza VII (1969/2000) for oboe (reworked as Sequenza VIIb for soprano saxophone in 2000) \n* Sequenza VIII (1976) for violin \n* Sequenza IX (1980) for clarinet (reworked 1981 as Sequenza IXb for alto saxophone, and 1980 as Sequenza IXc for bass clarinet) \n* Sequenza X (1984) for trumpet and piano resonance \n* Sequenza XI (1987) for guitar \n* Sequenza XII (1995) for bassoon \n* Sequenza XIII (1995) for accordion \n* Sequenza XIV (2002) for cello (reworked in 2004 by Stefano Scodanibbio as Sequenza XIVb for double bass) Several of these pieces became the basis of larger works: \n* Sequenza II, with the addition of extra instrumental parts around the original solo, became Chemins I. \n* Sequenza VI developed into Chemins II, Chemins IIb, Chemins IIc and Chemins III. \n* Sequenza VII became Chemins IV. \n* Sequenza XI became Chemins V. \n* Sequenza X became Kol-Od, also known as Chemins VI. \n* Sequenza IXb became R\u00E9cit, also known as Chemins VII. \n* Sequenza VIII became Corale. Conversely, Sequenza IX grew out of a piece for clarinet and electronics (later withdrawn), originally known as Chemins V; NB it is not the same as the work with the same title which originates from Sequenza XI."@en ,
"\u30BB\u30AF\u30A8\u30F3\u30C4\u30A1\uFF08\u4F0A:Sequenza\uFF09\u306F\u3001\u30A4\u30BF\u30EA\u30A2\u306E\u4F5C\u66F2\u5BB6\u30EB\u30C1\u30A2\u30FC\u30CE\u30FB\u30D9\u30EA\u30AA\u304C\u4F5C\u66F2\u3057\u305F\u4E00\u9023\u306E\u5668\u697D\u66F2\u7FA4\uFF081\u66F2\u306E\u307F\u58F0\u697D\u66F2\uFF09\u306E\u7DCF\u79F0\u3067\u3042\u308B\u3002\u4EE5\u4E0B\u306E14\u66F2\u304B\u3089\u306A\u308B\u3002\u6642\u671F\u7684\u306A\u504F\u308A\u306F\u3042\u308B\u3082\u306E\u306E\u3001\u4F5C\u66F2\u8005\u304C\u7D04\u534A\u4E16\u7D00\u306B\u3082\u308F\u305F\u3063\u3066\u4F5C\u66F2\u3057\u7D9A\u3051\u305F\u3001\u30E9\u30A4\u30D5\u30EF\u30FC\u30AF\u3068\u3082\u3044\u3048\u308B\u30BD\u30ED\u4F5C\u54C1\u7FA4\u3067\u3042\u308B\u3002"@ja ,
"Sequenze (italienisch: Plural des Singulars Sequenza) bezeichnet einen Werkzyklus des italienischen Komponisten Luciano Berio (1925\u20132003). Die Sequenza III f\u00FCr Frauenstimme \u201Evertont\u201C einen Text des Schweizer Schriftstellers Markus Kutter."@de ;
dbo:wikiPageWikiLink dbr:Harp ,
dbr:Trumpet ,
dbr:Viola ,
dbr:Bass_clarinet ,
dbr:Soprano_saxophone ,
dbc:Compositions_that_use_extended_techniques ,
dbr:Double_bass ,
dbr:Alto_saxophone ,
dbr:Sequenza_XI ,
dbr:Luciano_Berio ,
dbr:Sequenza_XII ,
dbr:Sequenza_V ,
dbr:Sequenza_VI ,
dbc:Compositions_by_Luciano_Berio ,
dbr:Stefano_Scodanibbio ,
dbr:Trombone ,
dbr:Sequenza_VII ,
dbr:Sequenza_I ,
dbr:Kol-Od ,
dbr:Extended_techniques ,
dbr:Sequenza_X ,
dbr:Accordion ,
dbr:Violin ,
dbr:Cello ,
dbr:Sequenza_IV ,
dbr:Clarinet ,
dbr:Sequenza_II ,
dbr:Oboe ,
dbr:Piano ,
dbr:Guitar ,
dbr:Flute ,
,
dbr:Italian_language ,
dbr:Bassoon .
@prefix dbp: .
@prefix dbt: .
dbr:Sequenza dbp:wikiPageUsesTemplate dbt:Italic_title ,
dbt:Classical-composition-stub ,
dbt:More_citations_needed ,
dbt:Berio_sequenzas ,
dbt:Reflist ;
dbo:wikiPageRevisionID 1121484891 .
@prefix xsd: .
dbr:Sequenza dbo:wikiPageLength "2290"^^xsd:nonNegativeInteger ;
dbo:wikiPageID 1896018 ;
owl:sameAs ,
.
@prefix dbpedia-de: .
dbr:Sequenza owl:sameAs dbpedia-de:Sequenze .
@prefix dbpedia-nl: .
dbr:Sequenza owl:sameAs dbpedia-nl:Sequenze .
@prefix dbpedia-es: .
dbr:Sequenza owl:sameAs dbpedia-es:Sequenza ,
,
dbr:Sequenza ,
wikidata:Q499541 ,
.
@prefix gold: .
dbr:Sequenza gold:hypernym dbr:Name .
@prefix prov: .
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