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- The Allegory of Virtue is an oil on canvas painting by Correggio dating to around 1531 and measuring 149 by 88 cm. It and Allegory of Vice were painted as a pair for the studiolo of Isabella d'Este, with Vice probably the second of the two to be completed. This hypothesis is since only one (possibly non-autograph) sketch survives for Vice, unlike Virtue, for which two preparatory studies survive (in the Louvre), along with a near-complete oil sketch (attributed to Correggio in the 1603 inventory of the Aldobrandini collection and now at the Galleria Doria Pamphili) - this suggests Correggio had become more proficient after the difficult gestation of Virtue.
* The Galleria Doria Pamphili sketch
* Sketch
* Sketch As usually interpreted, the central woman is Minerva, holding a read lance and a plumed helmet - the work may even be a continuation of Mantegna's 1502 Triumph of the Virtues, painted for the same studiolo and also featuring a Minerva with a red lance. (Others have interpreted the figure as Isabella herself, dressed as Wisdom.) Glory hovers above her holding a crown, whilst a seated female figure to the right is surrounded by symbols of the four cardinal virtues (a snake in her hair for Prudence, a sword for Justice, reins for temperance and Hercules's lion skin for Fortitude). Some interpret the seated black female figure on the right as Astrology, Science or Intellectual Virtue - she points outside the painting's space and thus (like the putto in Vice) draws the viewer's attention from one painting to the other. After the studiolo's contents was dispersed, Virtue and the Mantegna were given to cardinal Richelieu around 1627 and moved to Paris. There they were acquired by Eberhard Jabach in 1671, before being sold by him to Louis XIV - Virtue still hangs in the Louvre. (en)
- L'Allégorie de la Vertu est une huile sur toile peinte par le Corrège autour de 1531 et mesurant 149 × 88 cm. Le tableau et son pendant, l'Allégorie du Vice ont été peints comme une paire pour le studiolo d'Isabelle d'Este à Mantoue. Une esquisse est conservée à la galerie Doria-Pamphilj à Rome.
* Esquisses
* Celle de la Galerie Doria Pamphili
* Dessin préparatoire
* Dessin préparatoire (fr)
- 『美徳の寓意』（伊: Allegoria della Virtù, 仏: Allégorie de la Vertu, 英: Allegory of Virtue）は、イタリア、ルネサンス期のパルマ派の画家コレッジョが1531年頃に制作した絵画である。テンペラ画。コレッジョの最晩年の作品の1つで、美徳の寓意としての知恵の女神アテナ（ローマ神話のミネルヴァ）を描いており、対作品『悪徳の寓意』（Allegoria del Vizio）とともにイザベラ・デステの書斎を飾るために発注された。ゴンザーガ家、リシュリュー枢機卿、エバーハルト・ジャバッハ、フランス国王ルイ14世のコレクションを経て、現在はパリのルーヴル美術館に所蔵されている。 (ja)
- L'Allegoria della Virtù è un dipinto a tempera su tela (149x88 cm) di Correggio, databile al 1531 circa e conservato nel Museo del Louvre di Parigi. Si tratta di una delle ultime tele commissionate da Isabella d'Este per il suo studiolo, in coppia con l'Allegoria del Vizio. (it)
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- 3670 (xsd:nonNegativeInteger)
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- Correggio_-_Allegory_of_Virtues_-_WGA05338.jpg (en)
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- between 1525 and 1530 (en)
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- L'Allégorie de la Vertu est une huile sur toile peinte par le Corrège autour de 1531 et mesurant 149 × 88 cm. Le tableau et son pendant, l'Allégorie du Vice ont été peints comme une paire pour le studiolo d'Isabelle d'Este à Mantoue. Une esquisse est conservée à la galerie Doria-Pamphilj à Rome.
* Esquisses
* Celle de la Galerie Doria Pamphili
* Dessin préparatoire
* Dessin préparatoire (fr)
- 『美徳の寓意』（伊: Allegoria della Virtù, 仏: Allégorie de la Vertu, 英: Allegory of Virtue）は、イタリア、ルネサンス期のパルマ派の画家コレッジョが1531年頃に制作した絵画である。テンペラ画。コレッジョの最晩年の作品の1つで、美徳の寓意としての知恵の女神アテナ（ローマ神話のミネルヴァ）を描いており、対作品『悪徳の寓意』（Allegoria del Vizio）とともにイザベラ・デステの書斎を飾るために発注された。ゴンザーガ家、リシュリュー枢機卿、エバーハルト・ジャバッハ、フランス国王ルイ14世のコレクションを経て、現在はパリのルーヴル美術館に所蔵されている。 (ja)
- L'Allegoria della Virtù è un dipinto a tempera su tela (149x88 cm) di Correggio, databile al 1531 circa e conservato nel Museo del Louvre di Parigi. Si tratta di una delle ultime tele commissionate da Isabella d'Este per il suo studiolo, in coppia con l'Allegoria del Vizio. (it)
- The Allegory of Virtue is an oil on canvas painting by Correggio dating to around 1531 and measuring 149 by 88 cm. It and Allegory of Vice were painted as a pair for the studiolo of Isabella d'Este, with Vice probably the second of the two to be completed. This hypothesis is since only one (possibly non-autograph) sketch survives for Vice, unlike Virtue, for which two preparatory studies survive (in the Louvre), along with a near-complete oil sketch (attributed to Correggio in the 1603 inventory of the Aldobrandini collection and now at the Galleria Doria Pamphili) - this suggests Correggio had become more proficient after the difficult gestation of Virtue. (en)
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- Allegory of Virtue (Correggio) (en)
- Allegoria della Virtù (it)
- Allégorie de la Vertu (Le Corrège) (fr)
- 美徳の寓意 (ja)
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