| dbo:abstract
|
- Carter Family picking, also known as the thumb brush, the Carter lick, the church lick, or the Carter scratch, is a style of fingerstyle guitar named after Maybelle Carter of the Carter Family. It is a distinctive style of rhythm guitar in which the melody is played on the bass strings, usually low E, A, and D while rhythm strumming continues above, on the treble strings, G, B, and high E. This often occurs during the break. The style bears similarity to the frailing style of banjo playing and is the rhythm Bill Monroe adapted for bluegrass music two decades later. With this technique, Carter, who "was among the first" to use it, "helped to turn the guitar into a lead instrument". It is unclear how Maybelle developed her style. The Carter scratch can be heard on the Carter Family's first recordings, from their first session in Bristol, Tennessee on August 1, 1927. Maybelle also learned a blues fingerpicking technique from Lesley Riddle, an African-American guitarist who met A. P. Carter in December 1928 and who used to frequent the Carter family household. Carter can be heard playing in this style on a number of Carter Family recordings. She also played slide guitar and, later, with a flat-pick. (en)
|
| rdfs:comment
|
- Carter Family picking, also known as the thumb brush, the Carter lick, the church lick, or the Carter scratch, is a style of fingerstyle guitar named after Maybelle Carter of the Carter Family. It is a distinctive style of rhythm guitar in which the melody is played on the bass strings, usually low E, A, and D while rhythm strumming continues above, on the treble strings, G, B, and high E. This often occurs during the break. The style bears similarity to the frailing style of banjo playing and is the rhythm Bill Monroe adapted for bluegrass music two decades later. (en)
|
