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- إلين دريسكول (بالإنجليزية: Ellen Driscoll) هي نحّاتة وفنانة أمريكية، ولدت في 1953 في بوسطن في الولايات المتحدة. (ar)
- Ellen Driscoll (born 1953) is a New York-based American artist, whose practice encompasses sculpture, drawing, installation and public art. She is known for complex, interconnected works that explore social and geopolitical issues and events involving power, agency, transition and ecological imbalance through an inventive combination of materials, technologies (rudimentary to digital), research and narrative. Her artwork often presents the familiar from unexpected points of view—bridging different eras and cultures or connecting personal, intimate acts to global consequences—through visual strategies involving light and shadow, silhouette, shifts in scale, metaphor and synecdoche. In 2000, Sculpture critic Patricia C. Phillips wrote that Driscoll's installations were informed by "an abiding fascination with the lives and stories of people whose voices and visions have been suspended, thwarted, undermined, or regulated." Discussing later work, Jennifer McGregor wrote, "Whether working in ghostly white plastic, mosaic, or walnut and sumi inks, [Driscoll's] projects fluidly map place and time while mining historical, environmental, and cultural themes." Driscoll has been awarded fellowships from the Guggenheim Foundation, Harvard Radcliffe Institute, Anonymous Was a Woman, and National Endowment for the Arts, among others. She has exhibited at venues including the Whitney Museum at Phillip Morris, New-York Historical Society, Boston Center for the Arts, Contemporary Arts Center, and Smack Mellon. Her work belongs to public collections including the Metropolitan Museum of Art and Whitney Museum. (en)
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- إلين دريسكول (بالإنجليزية: Ellen Driscoll) هي نحّاتة وفنانة أمريكية، ولدت في 1953 في بوسطن في الولايات المتحدة. (ar)
- Ellen Driscoll (born 1953) is a New York-based American artist, whose practice encompasses sculpture, drawing, installation and public art. She is known for complex, interconnected works that explore social and geopolitical issues and events involving power, agency, transition and ecological imbalance through an inventive combination of materials, technologies (rudimentary to digital), research and narrative. Her artwork often presents the familiar from unexpected points of view—bridging different eras and cultures or connecting personal, intimate acts to global consequences—through visual strategies involving light and shadow, silhouette, shifts in scale, metaphor and synecdoche. In 2000, Sculpture critic Patricia C. Phillips wrote that Driscoll's installations were informed by "an abidin (en)
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