About: Susan Best

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Susan Best FAHA is an art historian with expertise in critical theory and modern and contemporary art. Best is a professor at the Queensland College of Art, Griffith University. Her book, Visualizing Feeling: Affect and the Feminine Avant-garde focuses on four artists of the 1960s and 70s: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha. It shows how their work transforms the avant-garde protocols of the period by introducing an affective dimension to late modern art. According to Suzannah Biernoff Visualizing Feeling: Affect and the Feminine Avant-garde "should be compulsory reading for anyone interested in psychoanalytic approaches to art." The project was funded by an Australian Research Council Discovery grant.

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  • Susan Best FAHA is an art historian with expertise in critical theory and modern and contemporary art. Best is a professor at the Queensland College of Art, Griffith University. Her book, Visualizing Feeling: Affect and the Feminine Avant-garde focuses on four artists of the 1960s and 70s: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha. It shows how their work transforms the avant-garde protocols of the period by introducing an affective dimension to late modern art. According to Suzannah Biernoff Visualizing Feeling: Affect and the Feminine Avant-garde "should be compulsory reading for anyone interested in psychoanalytic approaches to art." The project was funded by an Australian Research Council Discovery grant. (en)
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  • Susan Best FAHA is an art historian with expertise in critical theory and modern and contemporary art. Best is a professor at the Queensland College of Art, Griffith University. Her book, Visualizing Feeling: Affect and the Feminine Avant-garde focuses on four artists of the 1960s and 70s: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha. It shows how their work transforms the avant-garde protocols of the period by introducing an affective dimension to late modern art. According to Suzannah Biernoff Visualizing Feeling: Affect and the Feminine Avant-garde "should be compulsory reading for anyone interested in psychoanalytic approaches to art." The project was funded by an Australian Research Council Discovery grant. (en)
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  • Susan Best (en)
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