This article provides insufficient context for those unfamiliar with the subject.(March 2021) |
Amoebaean singing is a type of singing competition originating in Ancient Greece. In it, a first party sings according to a topic and verse structure of their choosing. A second singer then responds with the same verse structure and on a related topic. This repeats until one side concedes or a third party can determine the winner.
History
editThe form is believed to have been used by Greek shepherds to entertain themselves. Later, it would evolve into a judged competition, consisting of multiple rounds of singing between competitors. Competitors would be judged more favorably if they could continue a theme through multiple rounds.[1]
The poet Theocritus relied heavily on Amoebaean singing, with it becoming his and his successors' "hallmark", according to David M. Halperin.[1]
Usage
editAmoebaean singing can be seen in Theocritus' Idyll 5: The Goatherd and the Shepherd, in an exchange between the goatherd Comatas and the shepherd Lacon.[1][2]
Comatas
The Muses bear me greater love than Daphnis ere did see;
And well they may, fort’other day they had two goats for me.
Lacon
But Apollo loves me all as well, and an offering too have I,
A fine fat ram a-batt’ning; for Apollo’s feast draws nigh.
References
edit- ^ a b c Pearce, J. B. (March 1993). "Theocritus and Oral Tradition" (PDF). Oral Tradition. 8 (1): 63–64. Archived (PDF) from the original on 2021-09-07. Retrieved 2021-09-07.
- ^ "THEOCRITUS, IDYLLS 5-11". Theoi. Archived from the original on 6 November 2009. Retrieved 2009-10-26.