Wikipedia

American Shakespeare Center

(Redirected from Blackfriars Playhouse)

"Blackfriars Playhouse" redirects here. For the original theatre, see Blackfriars Theatre.

The American Shakespeare Center (ASC) is a regional theatre company located in Staunton, Virginia,[1] that focuses on the plays of William Shakespeare; his contemporaries Ben Jonson, Beaumont and Fletcher, Christopher Marlowe; and works related to Shakespeare, like James Goldman's The Lion in Winter and Bob Carlton's Return to the Forbidden Planet.[2]

American Shakespeare Center
FormationSeptember 1988
TypeTheatre group
PurposeShakespeare and other classics, contemporary plays, new plays
Location
  • The Blackfriars Playhouse
    10 S. Market Street
    Staunton, VA 24401
Websiteamericanshakespearecenter.com

The ASC is notable for its theatre, the Blackfriars Playhouse, the world's first recreation of the original indoor Blackfriars Theatre in London that was demolished in 1655.[3][4] As a theater company, the ASC hosts performances by two rotating ensembles of 16 different titles in 5 distinct seasons, 52 weeks a year, at its Blackfriars Playhouse, as well as hosting a regional travelling company, ASC on Tour. The ASC also provides a year-round laboratory for students and scholars through education programming in Staunton and on the road.[5]

History

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Shenandoah Shakespeare EXPRESS

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The American Shakespeare Center was founded as the Shenandoah Shakespeare EXPRESS in 1988 by Dr. Ralph Alan Cohen and Jim Warren.[6] The first show performed by the newly organized company was Richard III, where actors who made up the locally travelling ensemble troupe came from James Madison University's current students and graduates, and the performance was two hours long (compared to a more typical three hour plus run time).[7]

In 1990, the company started performing multiple shows in rotating repertory with a season of A Midsummer Night's Dream and Julius Caesar.[6][8] Shenandoah Shakespeare Express grew quickly during its first five years,[9] moving from a single touring show in Virginia in 1988 to a three-show tour in 1992 that included the Folger Shakespeare Library in Washington, D.C., and an overseas leg in London and Edinburgh. Three years later, the company toured the U.S., Canada, France, Germany, and Scotland as well as starting to build the Education arm of the company with a six-week National Endowment for the Humanities institute.

In 1997, the Shenandoah Shakespeare Express introduced the Young Company Theatre Camp, a three-week intensive summer program for high school students. Currently known as the ASC Theatre Camp.[10]

Shenandoah Shakespeare

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The Blackfriars Playhouse, interior

Shenandoah Shakespeare Express changed its name to Shenandoah Shakespeare in 1999 and moved to Staunton, Virginia.

In September 2001, the Blackfriars Playhouse – the world's first re-creation of Shakespeare's indoor theatre – opened in Staunton, Virginia[11][12] and ASC Education hosted its first Blackfriars Conference.

In 2014, another replica of the Blackfriars theatre, called the Sam Wanamaker Playhouse, was opened in London.

American Shakespeare Center

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In 2005, Shenandoah Shakespeare changed its name to the American Shakespeare Center to reflect its focus on being a center for performance and research. Also in 2005, the first Actors' Renaissance Season debuted. The Actors' Renaissance Season uses Shakespeare's rehearsal conditions (self-directed, self-designed, short rehearsal period) as well as his staging conditions to delve deeper into the plays. The Actors' Renaissance Season is also an opportunity to explore rarer titles of the early modern period.[5]

In 2005, the Bob Carlton musical, Return to the Forbidden Planet, which was loosely based on Shakespeare's The Tempest and the science-fiction classic movie from the late 1950s, Forbidden Planet, was produced by the touring company, then called the Blackfriars Stage Company. The performances incorporated acoustic music, a piano, and a three-sided thrust stage, all of which were selected to maximize audience engagement.[2]

The American Shakespeare Center celebrated its 25th anniversary in 2013.

Due to the COVID-19 Pandemic, the theatre remodeled their structure of administration and producing seasons. The theatre co-implemented a distributed leadership model in 2022. A fairly new concept across the theatrical field, a managing group of department heads that represent diverse perspectives, needs, and expertise that make major decisions for the company together through consensus. The artistic seasons have switched from 16 different titles in 5 distinct seasons, 52 weeks a year, to 8 titles in 4 seasons throughout the year. The company still maintains its Actors Renaissance Season, now in the fall.

In 2023 the American Shakespeare Center will celebrate the 35th anniversary of the company. In honor of the 400th anniversary of the first printing of Shakespeare’s works all five of the Shakespeare plays in ASC’s 2023 artistic year were published in the First Folio, including four which had never been published before. 2023 will also include Eurydice by Sarah Ruhl, The Complete Works of William Shakespeare (Abridged) [Revised] (Again) by the Reduced Shakespeare Company, and A Christmas Carol by Charles Dickens.

January of 2024 the ASC announced veteran actor and director Vanessa Morosco would be joining the company as the new Executive Director. Chair of the board of trustees, Kim West said "Vanessa embodies the energy, hope and joy of our mission to illuminate the plays of Shakespeare and his contemporaries, both classical and modern. Her leadership as executive director will help to ensure that the lights in our beautiful theater continue to burn brightly." Morosco, when speaking of the theater states, "As the American Shakespeare Center, we share light, share ideas, share joy, and share community."[13] The ASC's 2024 season included Shakespeare's Julius Caesar, A Midsummer Night's Dream, Macbeth, and The Merry Wives of Windsor. Additional titles included a new adaptation of Pride and Prejudice by playwright Emma Whipday, The Complete Works of William Shakespeare (Abridged) [Revised] (Again) by the Reduced Shakespeare Company, Dracula: A Comedy of Terrors by Gordon Greenberg and Steve Rosen. The company will perform A Christmas Carol by Charles Dickens in December to close out their performing year.

Shakespeare's New Contemporaries (SNC)

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In April 2017, the American Shakespeare Center launched an international playwrighting competition to develop a canon of new plays that are inspired by and in conversation with the work of William Shakespeare.[14][15] Each new play will be performed in rotating repertory with the Shakespeare play it corresponds with. Each round names the Shakespeare plays to serve as "jumping off points" for playwrights.[16]

Plays[17][18]

  • Round 1: Anne Page Hates Fun by Amy E. Witting (Performed February 7 – April 14, 2018) – In conversation with The Merry Wives of Windsor
  • Round 1: 16 Winters or the Bear's Tale by Mary Elizabeth Hamilton (Performed May 1 – June 8, 2019) – In conversation with The Winter's Tale
  • Round 2: Keene by Anchuli Felicia King – In conversation with Othello
  • Round 2: The Defamation of Cicely Lee by Emma Whipday – In conversation with Cymbeline
  • Round 3: Thrive, or What You Will by L M Feldman – In conversation with Twelfth Night

As of Fall 2022, new cycles of the SNC Initiative are currently on hold as they work through titles paused by the COVID-19 pandemic.

Blackfriars Playhouse

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The Blackfriars Playhouse, exterior

In Staunton, the ASC constructed the Blackfriars Playhouse, the first modern re-creation of Shakespeare's original indoor theatre, the Blackfriars Theatre.[19] As no reliable plans of that theatre are known,[20] architect Tom McLaughlin based the design on plans for other 17th-century theatres, his own trips to England to view surviving halls of the period, Shakespeare's stage directions and other research and consultation.[21] The chosen dimensions of 50 feet (15 m) by 70 feet (21 m) were derived from the research of theatre historian Irwin Smith.[22]

Construction began on the playhouse in early 2000, as part of a three-building construction plan that would also include a re-creation of the 1614 Globe Theatre and a Center for Research and Education. The theater was built with timber sourced by Dreaming Creek.[23]

The playhouse was completed at a cost of $3.7 million,[24] and opened in September 2001.[22] Built inside a brick shell, it is a wood-pegged, post-and-beam structure,[21] made of Virginia oak,[20] with a hammerbeam roof.[22] The seating capacity is 300.[21] Raked benches in a pit and two levels of galleries place the audience close to the actors,[22] and even seating on the stage is possible.[24] Unlike the original Blackfriars, the theatre has no painted decorations except at the back of the stage, and no windows in the auditorium. Electrical lighting reflected off the ceiling is used to simulate daylight,[22] and lights simulating candles are mounted on sconces,[21] and on wrought-iron chandeliers.[25]

In 2012, the Blackfriars Playhouse appeared in BBC's documentary Shakespeare Uncovered, which aired in the U.S. in early 2013.[26]

Shakespeare's staging conditions

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The American Shakespeare Center gives its audiences some of the same experiences that an Elizabethan playgoer would have enjoyed by following the basic principles of Renaissance theatrical production - including Universal Lighting (audience and actors share the same pool of light), Doubling (one actor playing multiple roles in a show), cross-gender casting (men playing female characters and vice versa), and minimal sets.[5]

Productions

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For resident theatre companies, according to Zelda Fichandler, "repertory is destiny" - a theatre company acquires its audience by the productions it presents.[27] Most of the productions at the American Shakespeare Center's are from Shakespeare's canon; however, each year several productions are works by his contemporary playwrights or more modern plays that relate directly to the Shakespeare canon or work well using Shakespeare's staging conditions.

Educational programming

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ASC Education offers workshops, performances, staged readings, lectures, a biennial international conference, teacher training, archival materials for scholarly research, and summer programs for teens and adults.

Mary Baldwin University

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The ASC is in partnership with Mary Baldwin University in the one-of-a-kind MLitt/MFA Shakespeare and Performance graduate program for actors, directors, teachers, and dramaturgs. The program's graduates have gone on to doctoral work, tenure-track faculty positions, and professional theatre careers.[28]

Organization

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Administration

  • Ralph Alan Cohen, co-founder and director of mission, Shakespeare scholar
  • Brandon Carter, Artistic Director, December 2021 - February 2024[29][30]
  • Vanessa Morosco, Executive Director, January 2024 - Present[13]

Advisory board

Honors

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In 2008, Virginia governor Tim Kaine honored American Shakespeare Center co-founders Jim Warren and Ralph Alan Cohen with the Governor's Awards for the Arts.[32]

On September 12, 2013, the Staunton, Virginia, City Council passed a resolution honoring the 25th anniversary of the American Shakespeare Center, acknowledging its growth from a touring troupe performing Richard III fourteen times in rural Virginia into an international Shakespeare center that has:

  • Performed in 47 U.S. states and five other countries
  • Built the world's first re-creation of Shakespeare's indoor theatre
  • Become the hub of scholarship on early modern performance at the biennial Blackfriars Conference[33][34]

Shakespeare's Globe awarded American Shakespeare Center co-founder Ralph Alan Cohen with the Sam Wanamaker Award in June 2014.[35]

In 2015, The Folger Shakespeare Library awarded the American Shakespeare Center with its Shakespeare Steward Award for its contributions in Shakespeare education.[36]

In 2016, the Arts Council of the Shenandoah Valley awarded the American Shakespeare Center its Circle of Excellence Award.[37]

In 2017, the Virginia Commission for the Arts named the American Shakespeare Center one of its "50 for 50 Arts Inspirations" in the category of Bedrock Institutions.[38]

See also

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References

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  1. ^ "Theatre Profiles: American Shakespeare Center". Theatre Communications Group. Archived from the original on May 18, 2015. Retrieved May 13, 2015.
  2. ^ a b Davis, Deryl (October 2005). "Shakespeare Rocks". Stage Directions. 18 (10). New York, NY: Timeless Communications: 110–113. ISSN 1047-1901. ProQuest 2265143.(subscription required)
  3. ^ Siegel, Robert (September 7, 2001). "Blackfriars Playhouse". All Things Considered. NPR. Retrieved May 15, 2015.
  4. ^ Virchow, Tory Talbot (August 19, 2012). "Shedding Light on the American Shakespeare Center: A Few Highlights of a Remarkable Weekend". Shenandoah Press. Archived from the original on July 26, 2013. Retrieved March 5, 2013.
  5. ^ a b c Wren, Celia (February 2006). "Currents: They Do It Like the King's Men Did-Almost". American Theatre. 23 (2). New York, NY: Theatre Communications Group: 44–47. ISSN 8750-3255. ProQuest 2408823.(subscription required)
  6. ^ a b "ASC - History". American Shakespeare Theatre. Archived from the original on May 31, 2013. Retrieved March 5, 2013.
  7. ^ "On the Road with William Shakespeare". Staunton News Leader. December 14, 1988. Archived from the original on May 18, 2015. Retrieved March 4, 2013.
  8. ^ Cook, Hardy M. (July 1, 1992). "The Shenandoah Shakespeare EXPRESS at the FolgerCURRENT". Shakespeare Electronic Conference. Vol. 3, no. 157. Retrieved March 5, 2013.
  9. ^ Gowen, Anne (July 10, 1992). "Shakespeare Express speeds to success". The Washington Times.
  10. ^ "ASC Theatre Camp". American Shakespeare Center. Retrieved January 17, 2023.
  11. ^ Nash, Eric P. (October 21, 2001). "A Virginia Theater true to Shakespeare". The New York Times. Retrieved March 5, 2013.
  12. ^ Francisco, Dr. Virginia (October 11, 2001). "Here's the scoop on our new theatre". Staunton News Leader.
  13. ^ a b Calello, Monique. "American Shakespeare Center announces new executive director". The News Leader. Retrieved October 9, 2024.
  14. ^ Schuessler, Jennifer (April 21, 2017). "Theater to Commission 38 Modern Riffs on Shakespeare". The New York Times. ISSN 0362-4331. Retrieved October 26, 2017.
  15. ^ "American Shakespeare Center Launches Playwriting Competition". AMERICAN THEATRE. April 21, 2017. Retrieved October 26, 2017.
  16. ^ "Submit". Shakespeare's New Contemporaries. Retrieved October 26, 2017.
  17. ^ Center, American Shakespeare (May 31, 2018). "Meet The First New Contemporaries". American Shakespeare Center. Retrieved December 6, 2019.
  18. ^ "American Shakespeare Center Introduces the Bard's New Contemporaries". AMERICAN THEATRE. April 15, 2019. Retrieved December 6, 2019.
  19. ^ Blackfriars Playhouse, American Shakespeare Center, archived from the original on July 3, 2009, retrieved June 20, 2009
  20. ^ a b Skinner, David (November 2007). "Shakespearetown". Humanities. National Endowment for the Humanities. Retrieved February 2, 2014.
  21. ^ a b c d Lebovich, William (November 14, 2001). "Blackfriars Shakespearean Playhouse". Architecture Week. Retrieved February 2, 2014.
  22. ^ a b c d e Cohen, Ralph Alan (2005). "Shenandoah Shakespeare and the Building of the Third Blackfriars Playhouse". In Radulescu, Domnica; Stadter Fox, Maria (eds.). The Theater of Teaching and the Lessons of Theater. Lanham, MD: Lexington Books. p. 155. ISBN 978-0-739-11033-1.
  23. ^ "Theaters, Centers & Public Places: Blackfriars Playhouse". Dreaming Creek. Retrieved May 13, 2015.
  24. ^ a b Klein, Michael (July 14, 2002). "There's much ado about the Bard in Virginia". philly.com. Philadelphia Media Network. Archived from the original on February 21, 2014. Retrieved February 2, 2014.
  25. ^ Clayton, Sarah (October 14, 2001). "Virginia: In the historic town of Staunton, the stage is set for a Shakespearean renaissance". The Baltimore Sun. Archived from the original on February 2, 2014. Retrieved February 2, 2014.
  26. ^ "Shakespeare Uncovered". PBS. Retrieved March 4, 2013.
  27. ^ Fichandler, Zelda (2003). "Whither (or Wither) Art? A Resident Theatre Pioneer Gauges the Artistic Pulse of the Contemporary American Theatre". American Theatre. 20 (5). New York, NY: Theatre Communications Group: 28. ISSN 8750-3255. Archived from the original on May 18, 2015. Retrieved May 14, 2015.
  28. ^ "Shakespeare and Performance". Mary Baldwin College. Archived from the original on May 12, 2015. Retrieved May 14, 2015.
  29. ^ "Brandon Carter is named artistic director of American Shakespeare Center". Washington Post. ISSN 0190-8286. Retrieved January 17, 2023.
  30. ^ Center, American Shakespeare (February 20, 2024). "American Shakespeare Center Announces Departure of Artistic Director, Brandon Carter". American Shakespeare Center. Retrieved October 9, 2024.
  31. ^ MacGregor, Sue (April 27, 2012). "The Reunion: Globe Theatre". BBC. Retrieved May 14, 2015.
  32. ^ "Gov. Kaine announces Governor's Awards for the Arts". Richmond Times-Dispatch. Retrieved November 9, 2017.
  33. ^ "It's Shakespeare Week all over Staunton". Augusta Free Press. Archived from the original on September 21, 2013. Retrieved September 19, 2013.
  34. ^ "Staunton City Council Proclamation". Frequency.com. Archived from the original on September 21, 2013. Retrieved September 19, 2013.
  35. ^ "ASC co-founder honored". The News Leader. Retrieved November 9, 2017.
  36. ^ "American Shakespeare Center Wins Shakespeare Steward Award". Retrieved November 9, 2017.
  37. ^ "Contact Us". www.jmu.edu. Retrieved November 9, 2017.
  38. ^ Powell, Avery. "American Shakespeare Center honored as a bedrock institution of Virginia". Retrieved November 9, 2017.

Further reading

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  • Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford: Oxford University Press, 2000. ISBN 978-0-198-18681-6 OCLC 43323659
  • Lenhardt, Allison K. 2012. "The American Shakespeare Center's 'Actors' Renaissance Season': Appropriating Early Modern Performance Documents and Practices". Shakespeare Bulletin. 30, no. 4: 449-467. ISSN 1931-1427 OCLC 5183429508
  • Don Weingust. 2014. "Authentic Performances or Performances of Authenticity? Original Practices and the Repertory Schedule". Shakespeare. 10, no. 4: 402-410. ISSN 1745-0918 OCLC 5689070844
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