The Harmoniemesse in B-flat major by Joseph Haydn, Hob. XXII:14, Novello 6,[1] was written in 1802. It was Haydn's last major work. It is because of the prominence of the winds in this mass and "the German terminology for a kind of wind ensemble, Harmonie,"[2] that this mass setting is called "Harmoniemesse" or "Wind Band Mass". Besides flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns in B-flat, 2 trumpets in B-flat, the mass also calls for choir, timpani, strings, and organ, the latter supplying figured bass for most of the duration.
| Harmoniemesse | |
|---|---|
| Mass by Joseph Haydn | |
| Key | B-flat major |
| Catalogue | Hob. XXII/14 |
| Composed | 1802 |
| Movements | 6 |
| Vocal | SATB choir and soloists |
| Instrumental | Orchestra |
The setting is divided into six movements.
- Kyrie Poco Adagio, B-flat major, 3/4
- Gloria Vivace assai, B-flat major, common time
- "Gratias agimus" Allegretto, E-flat major, 3/8
- "Quoniam tu solus sanctus" Allegro spiritoso, common time, B-flat major
- Credo Vivace, B-flat major, common time
- "Et incarnatus est" Adagio, E-flat major, 3/4
- "Et resurrexit" Vivace, B-flat major, common time
- "Et vitam venturi" Vivace, 6/8
- Sanctus Adagio, B-flat major, 3/4
- Benedictus Molto Allegro, F major, common time
- "Osanna" 3/4, B-flat major
- Agnus Dei Adagio, G major, 3/4
- "Dona nobis pacem" Allegro con spirito, B-flat major, cut time
The Kyrie has "the most striking 'introductory' shock in Haydn's late vocal music ... a rather long orchestral introduction ... [with] unceasing contrasts between soft and loud, and the unexpected entry of G-flat, the flat submediant, in the fifth bar."[3] The Agnus Dei makes reference both to the Adagio of Symphony No. 98 and to Mozart's Coronation Mass.[4]
The Harmoniemesse was performed at St. Peter's Basilica in the Vatican City for the Mass of the Solemnity of Pentecost on 31 May 2009, which coincided with the 200th anniversary of Haydn's death.
Recordings
edit| Soloists | Chorus and Orchestra | Conductor | Label | Year |
|---|---|---|---|---|
| Wilma Lipp, Margarita Kenney, Waldemar Kmentt, Keith Engen | Chor und Orchester der Wiener Staatsoper | Jonathan Sternberg | Nixa | 1956 |
| Erna Spoorenberg, Helen Watts, Alexander Young, Joseph Rouleau | Choir Of St. John's College, Cambridge, Academy of St. Martin in the Fields | George Guest | Decca | 1966 |
| Judith Blegen, Frederica von Stade, Kenneth Riegel, Simon Estes | Westminster Choir, New York Philharmonic | Leonard Bernstein | Sony | 1973 |
| Barbara Martig-Tüller, Ria Bollen, Adalbert Kraus, Kurt Widmer | Bachchor Mainz, Sinfonieorchester des Südwestfunks | Diethard Hellmann | Calig | 1981 |
| Joanne Lunn, Sara Mingardo, Topi Lehtipuu, Brindley Sherratt | Monteverdi Choir, English Baroque Soloists | John Eliot Gardiner | Philips | 2001 |
| Mireille Asselin, Catherine Wyn-Rogers, Jermy Budd, Sumner Thompson, | Handel and Haydn Society | Harry Christophers | CORO | 2019 |
See also
editNotes
editReferences
edit- Heartz, Daniel (2009). Mozart, Haydn and Early Beethoven: 1781 — 1802 W. W. Norton & Co. New York.
- Hughes, Rosemary (1974). Haydn. J. M. Dent & Sons Ltd. London.
- Larsen, Jans Peter; Feder, Georg (1997). The New Grove Haydn W. W. Norton & Co. New York.
- Schenbeck, Lawrence (1996). Joseph Haydn and the Classical Choral Tradition. Hinshaw Music. Chapel Hill, North Carolina.
- Sisman, Elaine Rochelle (1997). Haydn and His World. Princeton University Press. Princeton.
- Strimple, Nick (2008). Choral music in the nineteenth century. Hal Leonard. New York.
External links
edit- Mass in B-flat major, Hob.XXII:14 (Haydn, Joseph): Scores at the International Music Score Library Project
- Free scores of Harmoniemesse in the Choral Public Domain Library (ChoralWiki)
