Let Us Play! is the fourth album by Coldcut, released in 1997. It was their first album to be released on their own label, Ninja Tune. It was featured in the video game LittleBigPlanet for the PlayStation Portable.
Let Us Play! | ||||
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Studio album by | ||||
Released | 1997 | |||
Genre | Electronica, trip hop, hip hop | |||
Label | Ninja Tune | |||
Producer | Coldcut | |||
Coldcut chronology | ||||
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Singles from Let Us Play! | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Pitchfork | 8.9/10[2] |
Uncut | [3] |
Track listing
editLP version
editSide one
edit- "Return to Margin"
- "Atomic Moog 2000 (Post Nuclear Afterlife Lounge Mix)"
- "Noah's Toilet"
Side two
edit- "More Beats + Pieces (Daddy Rips It Up Mix)"
- "Rubaiyat"
- "Pan Opticon"
Side three
edit- "Music 4 No Musicians"
- "Space Journey"
- "Timber"
Side four
edit- "Every Home a Prison"
- "Cloned Again"
- "I'm Wild About That Thing (The Lost Sex Tapes: Position 1)"
CD version
editDisc one
edit- "Return to Margin"
- "Atomic Moog 2000 (Post Nuclear Afterlife Lounge Mix)"
- "More Beats + Pieces (Daddy Rips It Up Mix)"
- "Rubaiyat"
- "Pan Opticon"
- "Music 4 No Musicians"
- "Noah's Toilet"
- "Space Journey"
- "Timber"
- "Every Home a Prison" [featuring Jello Biafra]
- "Cloned Again"
- "I'm Wild About That Thing (The Lost Sex Tapes: Position 1)"
Disc two
edit- "Atomic Moog 2000 (Bullet Train)"
+"interactive toybox full of Coldcut games, toys & videos"
VHS version
edit- "Return To Margin"
- "Atomic Moog 2000 (Post Nuclear After Life Lounge)"
- "Noah’s Toilet"
- "More Beats and Pieces (Daddy Rips It Up Mix)"
- "Rubaiyat"
- "Pan Opticon"
- "Music 4 No Musicians"
- "Space Journey"
- "Timber"
- "Every Home a Prison"
- "Cloned Again"
- "I’m Wild About That Thing (The Lost Sex Tapes: Position 1)"
References
edit- ^ John Bush. "Let Us Play! review by AllMusic". AllMusic. Retrieved 21 January 2019.
- ^ James Wisdom (26 January 1999). "Let Us Play! review by Pitchfork". Pitchfork. Retrieved 21 January 2019.
- ^ Bonner, Michael (October 1997). "Coldcut: Let Us Play". Uncut. No. 5. p. 77.