Lev Semyonovich Rubinstein (Russian: Лев Семёнович Рубинштейн; 19 February 1947 – 14 January 2024) was a Russian essayist, journalist, poet, and social activist. He was a founder and member of Moscow Conceptualism.[1][2]
Lev Rubinstein | |
|---|---|
Лев Рубинштейн | |
 Rubinstein in 2017 | |
| Born | Lev Semyonovich Rubinstein 19 February 1947 Moscow, Russian SFSR, Soviet Union |
| Died | 14 January 2024 (aged 76) Moscow, Russia |
| Alma mater | Moscow Pedagogical Institute for Correspondence Studies |
| Occupation(s) | Essayist, journalist, poet, social activist |
| Awards | Andrei Bely Prize (1999) |
Biography
editBorn on 19 February 1947 in Moscow to Jewish parents,[3] Rubinstein studied philology at Moscow Pedagogical Institute for Correspondence Studies (now: Sholokhov Moscow State University for Humanities). After graduating, he worked as a librarian and bibliographer with his alma mater, where he encountered the catalog cards that would inspire his "notecard poems". In the 1970s and 1980s, Rubinstein became a major writer in the underground Soviet literary scene, particularly for his association with Moscow Conceptualism. In his later career, Rubinstein transitioned to journalism and social activism, writing for Itogi and the Weekly Journal. He won the Andrei Bely Prize for scholarship in the humanities in 1999. Rubinstein was married to Irina Golovinskaya and had one daughter, Maria.[2]
Rubinstein was hit by a car in Moscow on 8 January 2024,[4] and died of his injuries six days later at the age of 76.[5][6][7] The driver of the car was subsequently convicted to a suspended prison term of one year and eight months and banned from driving for two-and-a-half years.[8]
Work
editRubinstein was known for his "notecard poems", wherein each stanza is represented on a separate notecard. These notecards highlight the text as both an object and a unit of expression. To read the poem, the reader must interact with the text on a physical level. Although each stanza is discrete and numbered, the cards must nonetheless be read in their prescribed order.[9][10]
Rubinstein's poems incorporate several forms of literary expression. They move between verse and prose, sometimes adopting the form of a play or even containing cues for the audience.[9] Much of the writing itself is a "quasi-quotation", a quotation that appears to be from everyday life, but is instead carefully constructed with a specific style and meter. Rubinstein often borrowed the style of important Russian writers, yet he adapted his own words to this style, hence creating quotations which were not in fact quotations.[10]
Rubinstein was often associated with the Moscow Conceptualists, a Russian artistic movement in which the ideative concept of art supersedes traditional artistic focuses. Rubinstein himself stated that "Moscow conceptualism unites the inner feeling that the world is divided, all the texts are written, the paintings are drawn. The task of the current artist is to rethink, to rename. And to name is more important than to do. To a certain extent, it is a nominative art."[2] Moscow Conceptualism is also a negative response to Russian socialist realism, centering on the "consciousness of the individual who has to live this myth" of socialist realism.[11]
Bibliography
editRubinstein's work has been translated in four English-language books:
- Catalog of Comedic Novelties, translated by Philip Metres and Tatiana Tulchinsky (New York: Ugly Duckling Presse, 2004). ISBN 9780972768443, OL 22604691M
- Compleat Catalog of Comedic Novelties, translated by Philip Metres and Tatiana Tulchinsky (New York: Ugly Duckling Presse, 2014). ISBN 9781937027421, OL 28815850M
- Here I Am: New Russian Writing, translated by Joanne Turnbull (Moscow: GLAS, 2001). ISBN 9785717200585, OL 9045720M
- Thirty-five New Pages, translated by Philip Metres and Tatiana Tulchinsky (New York: Ugly Duckling Presse, 2011).
He also appeared in a number of anthologies. His work has been published in English translation in literary journals such as Asymptote, The Cafe Review, Diode, Drunken Boat, Jacket, The Massachusetts Review, Matter, New England Review, and Poetry International.[12]
Awards
edit- 1999: Literary Andrei Bely Prize in the nomination Humanitarian Research[13]
- 2012: Literary prize NOS for his book Signs of Attention[1]
References
edit- ^ a b Премию «Нос» получил Лев Рубинштейн за книгу «Знаки внимания» Archived 22 December 2018 at the Wayback Machine // RIA Novosti (retrieved 21 December 2018)
- ^ a b c Мемория. Лев Рубинштейн [Memorial. Leo Rubinstein]. polit.ru (in Russian). Archived from the original on 19 July 2020. Retrieved 17 July 2020.
- ^ "Чем известен Лев Рубинштейн". Коммерсантъ (in Russian). 14 January 2024. Archived from the original on 15 January 2024. Retrieved 16 January 2024.
- ^ Умер поэт Лев Рубинштейн Archived 14 January 2024 at the Wayback Machine. Vedomosti (in Russian)
- ^ "Умер поэт Лев Рубинштейн". Meduza (in Russian). 14 January 2024. Archived from the original on 14 January 2024. Retrieved 14 January 2024.
- ^ "Russian poet and Kremlin critic Lev Rubinstein dies aged 76". The Guardian. 14 January 2024. ISSN 0261-3077. Archived from the original on 14 January 2024. Retrieved 14 January 2024.
- ^ Cursino, Malu (14 January 2024). "Russian poet and Putin critic Lev Rubinstein dies after car crash". BBC News. Archived from the original on 15 January 2024. Retrieved 15 January 2024.
- ^ "Russian Court Sentences Driver Who Struck Poet Lev Rubinstein". The Moscow Times. 9 April 2024. Retrieved 10 April 2024.
- ^ a b Rubinshteĭn, Lev; Metres, Philip; Tulchinsky, Tatiana; Wagner, Catherine (2014). Compleat catalogue of comedic novelties (First ed.). Brooklyn: Ugly Duckling Presse. ISBN 978-1-937027-42-1. OCLC 900180527.
- ^ a b Janecek, Gerald (2011). "The Roots and Development of Moscow Conceptualist Poetry: from VS. Nekrasov to Lev Rubinstein". New Zealand Slavonic Journal. 45 (1): 1–22. ISSN 0028-8683. JSTOR 23622173. Archived from the original on 18 July 2020. Retrieved 17 July 2020.
- ^ Rudova, Larissa (2000). "Paradigms of Postmodernism: Conceptualism and Sots-Art in Contemporary Russian Literature". Pacific Coast Philology. 35 (1): 61–75. doi:10.2307/3252067. ISSN 0078-7469. JSTOR 3252067. Archived from the original on 23 July 2020. Retrieved 17 July 2020.
- ^ "Resources – Your language my ear // Твой язык моё ухо". web.sas.upenn.edu. Archived from the original on 3 March 2019. Retrieved 17 July 2020.
- ^ Премия Андрея Белого: 1978—2004: Антология, compiled by Boris Ostanin. – Moscow, New Literary Review, 2005.
External links
edit