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A number of overlapping punk rock subgenres have developed since the emergence of punk rock (often shortened to punk) in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits.
Afro-punk
editAfro-punk (sometimes spelled AfroPunk) refers to the participation of African Americans in the punk and alternative music cultures. Afro-punks represent a majority in the punk culture in predominantly black regions of the world that have burgeoning punk communities, such as in parts of Africa. There are many punk rock bands with black members, and several with lineups that are all black.[1]
Anarcho punk
editAnarcho-punk is punk rock that promotes anarchism. The term anarcho-punk is sometimes applied exclusively to bands that were part of the 1970s/1980s anarcho-punk movement in the United Kingdom. Some, however, use the term to refer to any punk music with anarchist lyrical content.
Art punk
editArt punk or avant punk refers to punk rock and post-punk music of an experimental bent, or with connections to art school, the art world, or the avant-garde.
Christian punk
editChristian punk (or Christ punk, as it is called in reference to crust punk) is punk rock with some degree of Christian lyrical content. Given the edginess of punk and some of its subgenres, such as hardcore punk, many bands have been rejected by the Christian music industry. Due to the message and nature of Christian punk, many traditional punks ridicule it.
Crust punk
editCrust punk (also known as Crust or Stenchcore[2]) is a subgenre which evolved in the early-1980s in England,[3] and has songs with dark and pessimistic lyrics that linger on political and social ills. Crust is partly defined by its "bassy" and "dirty" sound. It is often played at a fast tempo with occasional slow sections. Vocals are usually guttural and may be grunted, growled or screamed. While the term was first associated with Hellbastard, Amebix have been described as the originators of the style, along with Discharge and Antisect.[4]
Deathrock
editDeathrock is a subgenre of punk rock incorporating horror elements and spooky atmospherics, that emerged on the West Coast of the United States in the early 1980s. Deathrock songs use simple chords, echoing guitars and prominent bass. Drumming emphasizes repetitive, post-punk beats within a 4
4 time signature. To create atmosphere, scratchy guitars are sometimes used. Lyrics can vary, but are typically introspective and surreal, and deal with the dark themes of isolation, gloom, disillusionment, loss, life, death, etc.; as can the style, varying from harsh and dark to upbeat, melodic and tongue-in-cheek. Deathrock lyrics and other musical stylistic elements often incorporate the themes of campy horror and sci-fi films, which in turn leads some bands to adopt elements of rockabilly and surf rock.
Egg punk
editEgg punk is an Internet-based subgenre of punk rock that emerged during the 2010s referring to bands with a lo-fi recording style and satirical tone. The genre is influenced by new wave band Devo and historically referred to as Devo-core. The origins of egg punk are attributed both to a community of DIY midwestern American punk rock artists from the early 2010s and their subsequent characterization as "egg punk" by a series of internet memes circulated in the late 2010s.
Garage punk
editGarage punk is punk rock heavily influenced by garage rock. Other influences include soul music, beat music, surf rock, power pop and psychedelic rock. Often it uses lo-fi aesthetics over catchy melodies.
Glam punk
editGlam punk (also called glitter punk) fuses elements of punk rock and glam rock, commonly reflected in image.
Hardcore punk
editHardcore punk (or hardcore) music is generally faster and more aggressive than earlier punk rock.[5] Hardcore, which originated in the late 1970s, was heavily involved with the rise of the independent record labels in the 1980s, and with the DIY ethics in underground music scenes. It has influenced a number of music genres which have experienced mainstream success, such as alternative rock, grunge, alternative metal, metalcore, thrash metal, and post-hardcore.
Horror punk
editHorror punk mixes Gothic and punk rock sounds with morbid or violent imagery and lyrics, which are often influenced by horror films or science fiction B-movies. The genre is similar to, and sometimes overlaps with, deathrock, although horror punk music is typically more aggressive and melodic than deathrock. Some horror punk bands dress up in black clothes, skeleton costumes, and skull face paint.
Nazi punk
editNazi punk (also known as hatecore) is punk rock that promotes neo-Nazism. The term Nazi punk can also refer to a neo-Nazi who is part of the punk subculture. Rock Against Communism is a related genre. Skrewdriver and Skullhead are notable examples.[6][7]
Oi!
editOi! is a working class street-level subgenre of punk rock that originated in the United Kingdom in the 1970s. It had a goal of uniting punks, skinheads, and other working class youths.
Peace punk
editPeace punk is a subgenre of punk rock with anti-war lyrics. The lyrics in peace punk advocate nonviolence and also often equality, freedom, animal liberation, veganism, ecology, human rights and anarchy. The lyrics are against racism, sexism, homophobia, war, poverty, capitalism, the government and the military. Most peace punk bands are also anarcho-punk bands.
Punk pathetique
editPunk pathetique or Fun punk is a subgenre of British punk rock (principally active circa 1980–1982) that involved humour and working class cultural themes. Musically it was related to (and had crossover with) the Oi! subgenre.
Queercore
editQueercore is a subgenre of punk that emerged in the 1980s after the publication of the zine J.D.s in Toronto. As a genre, queercore explores issues of gender identity, gender expression, and sexuality. Festivals such as Queeruption feature music, art, film, performance art and DIY-aesthetic.
Riot Grrrl
editRiot Grrrl is a feminist punk/indie rock genre and subculture, whose popularity peaked in the 1990s. The subculture features elements such as female-centric bands, concerts and festivals; collectives, support groups, workshops, self-defense courses, activism and fanzines.
Skate punk
editSkate punk (also known as skatepunk, skate-punk, skate-thrash, surf punk, skate rock or skate-core) is a subgenre of punk that is derived from hardcore punk. Skate punk most often describes the sound of melodic hardcore bands from the 1990s with an aggressive sound, and similar-sounding modern bands. Skate videos have traditionally featured this aggressive style of punk rock.
Street punk
editStreet punk is a working class subgenre of punk rock which emerged in the early 1980s, partly as a rebellion against the perceived artistic pretensions of the first wave of British punk. Street punk developed from the Oi! genre, and then continued to go beyond the confines of the original Oi! style.
Taqwacore
editTaqwacore is a punk rock subgenre dealing with Islam and its culture, originally conceived in Michael Muhammad Knight's 2003 novel The Taqwacores. The name is a portmanteau of hardcore and the Arabic word Taqwa, which is usually translated as "piety" or the quality of being "God-fearing". Although Muslim punk rock dates back to at least the 1979 founding of the British band Alien Kulture. Knight's novel was instrumental in encouraging the growth of a contemporary North American Muslim punk movement. Taqwacore bands often challenge Islam as it exists, promoting a very liberal-progressive agenda.
Trallpunk
editTrallpunk is a subgenre of punk known for fast drumming, a melodic sound and often politically oriented lyrics. It emerged from the late-1980s Swedish hardcore punk scene.
Punk rock fusion subgenres
edit2 Tone
edit2 Tone (or Two Tone) was a music genre created in England in the late 1970s by fusing elements of ska, punk rock, rocksteady, reggae and new wave. The 2 Tone sound was developed by young musicians in Coventry, West Midlands, England.[8] The genre is the precursor of the third wave ska scene of the 1980s and 1990s.
Anti-folk
editAnti-folk (sometimes antifolk or unfolk) is a subgenre of folk music and punk rock that seeks to subvert the earnestness of politically charged 1960s folk music. The defining characteristics of this anti-folk are difficult to identify, as they vary from one artist to the next. Nonetheless, the music tends to sound raw or experimental; it also generally mocks perceived seriousness and pretension in the established mainstream music scene.
Celtic punk
editCeltic punk is punk rock fused with influences from Celtic music. Often, the bands add Celtic instruments such as bagpipes, fiddle, tin whistle, accordion, mandolin or banjo. Celtic punk bands often play covers of traditional Irish or Scottish folk songs, as well as original compositions.[9]
Scottish Gaelic punk
editScottish Gaelic punk is a subgenre of punk rock in which bands sing some or all of their music in Scottish Gaelic. The Gaelic punk scene is, in part, an affirmation of the value of minority languages and cultures. Gaelic punk bands express political views, particularly those related to anarchism and environmentalism.
Chicano punk
editChicano punk is music by punk bands of Mexican American ethnicity. The subgenre originated in Chicago's Pilsen and Little Village neighborhoods during the mid-1990s and later spread to the Los Angeles punk scene.
Spanish raw punk
editSpanish raw punk is punk fused with the combination of Spanish punk and d-beat. The genre is also very rare and underground due to the level of demonstration. Often, bands add some type of crude lyrics in which they protest against police brutality, religion and government.
Melodic punk
editMelodic punk is a type of punk that is melodic and up-beat.
Dark cabaret
editDark cabaret may be a simple description of the theme and mood of a cabaret performance, but more recently has come to define a particular musical genre which draws on the aesthetics of the decadent, risqué German Weimar-era cabarets, burlesque and vaudeville shows with the stylings of post-1970s goth and punk music.
Latin punk
editLatin Punk is a subgenre of punk rock influenced by Latin American Rock en Español, Latino punk, Ska, and regional musical genres such as Bossa Nova, Samba, Cumbia and Boleros, among others. Although originally a subgenre born in the Latin Americas and Spain, the Latin Punk subgenre has grown internationally, providing Latin rock musicians abroad a connection to their roots.
Cowpunk
editCowpunk (also known as country punk) combines punk rock with country music in sound, subject matter, attitude, and style. The term has also been applied to several bands that play a fast form of Southern rock.
Dance-punk
editDance-punk (also known as disco punk, funk punk or indie-dance) mixes punk rock with disco, funk and electro music. Emerging in the late 1970s, it is influenced by the post-punk and No Wave movements and, more recently, the post-punk revival and art punk movements.
Folk punk
editFolk punk combines elements of folk music and punk rock. Its subgenres include Celtic punk and Gypsy punk. Folk punk generally takes one of two forms: either traditional folk music played in a punk rock style, or music incorporating the themes of punk rock but played on acoustic instruments (sometimes adding additional folk instruments such as mandolins, accordions, banjos or violins).[10]
Gypsy punk
editGypsy punk mixes traditional Romani music, Klezmer or Eastern European music with punk rock. It typically features violin, acoustic guitar, accordion, and tenor saxophone, along with electric guitar, bass, and drums.
Pop-punk
editPop-punk (also known as punk-pop and other names) is a fusion genre that combines elements of punk rock with pop music and/or power pop, to varying degrees. It is not clear when the term pop-punk was first used, but pop-influenced punk rock had been around since the mid- to late-1970s.[11]
Punk blues
editPunk blues is a fusion of punk rock, blues rock and blues music. It also can be influenced by garage rock.
Punk jazz
editPunk jazz describes the amalgamation of elements of the jazz tradition (usually free jazz and jazz fusion of the 1960s and 1970s) with the instrumentation or conceptual heritage of punk rock and hardcore punk.
Punk metal
editPunk metal fuses elements of heavy metal music with punk rock. Bands described as punk metal include Amen,[12] Motörhead,[13] Warfare,[14] Corrosion of Conformity,[15] Manic Street Preachers,[16] English Dogs,[17] Sum 41,[18] and L7.[19]
Rapcore
editRapcore is a fusion genre, combining elements of hardcore punk and hip hop music.[20][21] The two genres have a shared history, originating from oppressed, marginalized and disenfranchised young people, despite generally having distinctly separate ethno-cultural roots.[20] During the 1980s, Chuck D, of hip hop group Public Enemy, was inspired by Black Flag vocalist Henry Rollins,[20] while Beastie Boys began as a hardcore band, before transitioning into hip hop despite retaining their hardcore influence.[22] Furthermore, many bands in the New York hardcore scene at this time began incorporating elements of hip hop.[23][24]
Rapcore was pioneered acts including Biohazard,[25] Dog Eat Dog,[26] downset.,[27] E.Town Concrete[21] and Every Day Life.[28] Notable subsequent acts include Deez Nuts,[29] Fever 333[30] and Stray From the Path.[31]
Ska punk and ska-core
editSka punk is a fusion music genre that combines ska and punk rock, often playing down the former's R&B roots. Ska-core is a subgenre of ska punk, blending ska with hardcore punk. The more punk-influenced style often features faster tempos, guitar distortion, onbeat punk-style interludes (usually the chorus), and nasal, gruff, or shouted vocals. The more ska-influenced style features a more developed instrumentation and a cleaner vocal and musical sound.
Synthpunk
editSynthpunk (also known as Electropunk) is a music genre combining elements of electronic music and punk rock. A number of bands use electronics and punk music together although the methods and resulting sounds can differ greatly. This has even led to the creation of more genres such as digital hardcore.
Grindcore
editGrindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks.
See also
editReferences
edit- ^ Holley, Santi Elijah (15 August 2019). "'We still need to be seen': behind the rise of black punk culture". The Guardian. Retrieved 12 March 2021.
- ^ Cunha, Ricardo. "Crust: the other side of the coin". Retrieved 30 June 2018.
- ^ "In Crust We Trust". Retrieved 19 July 2018.
- ^ Von Havoc, Felix (1 January 1984). "Rise of Crust". Profane Existence. Archived from the original on 15 June 2008. Retrieved 16 June 2008.
- ^ Blush, Stephen (9 November 2001). American Hardcore: A Tribal History. Feral House. ISBN 0-922915-71-7.
- ^ Egan, Vincent (October 2007). "Rip It Up and Start Again: Post Punk 1978–1984. By Simon Reynolds. Faber and Faber, 2005. 752 pp. ISBN: 0571215696". Popular Music. 26 (3): 528–529. doi:10.1017/s0261143007003479. ISSN 0261-1430. S2CID 162841387.
- ^ Sabin, Roger, ed. (11 September 2002). Punk Rock: So What?. doi:10.4324/9780203448403. ISBN 978-1-134-69906-3.
- ^ "Jerry Dammers interview by Alexis Petrides". Mojo. January 2002. Retrieved 18 October 2007.
- ^ Buckley, P. (2003). The Rough Guide to Rock. London: Rough Guides. p. 798.
- ^ Sweers, B. (2005). Electric Folk: The Changing Face of English Traditional Music. Oxford University Press. pp. 197–8.
- ^ "The Modpoppunk Archives". Punkmodpop.free.fr. 8 July 2011. Archived from the original on 12 August 2011. Retrieved 19 August 2011.
- ^ Adam Brennan & Paul Brannigan (19 December 2019). "The Class of 2000: Where Are They Now?". Loudersound. Retrieved 30 October 2023.
- ^ Phillips, William; Cogan, Brian (2009). Encyclopedia of Heavy Metal Music (1st ed.). Greenwood. p. 220. ISBN 978-0313348006.
- ^ "Warfare – Metal Anarchy". Metal Invader. Retrieved 21 February 2024.
- ^ Huey, Steve (9 March 2018). "Corrosion of Conformity Biography by Steve Huey". AllMusic. Retrieved 11 October 2022.
- ^ Rowley, Scott (February 2013). "Condemned To Rock 'N' Roll". Classic Rock Magazine. Classic Rock Magazine.
Manic Street Preachers were a punk-metal explosion of great lyrics and killer riffs – Morrissey meets Michael Schenker – who threatened to split after one album.
- ^ Glasper, Ian. Burning Britain: The History of UK Punk 1980–1984. p. 236.
- ^ The Greenwood Encyclopedia of Rock History: The grunge and post-grunge years, 1991–2005. Greenwood Press. 2006.
- ^ New Statesman and Society. December 1992: 33.
{{cite journal}}: Missing or empty|title=(help) - ^ a b c Partridge, Christopher (2015). Mortality and Music Popular Music and the Awareness of Death. Bloomsbury Publishing.
There are conspicuous parallels between the cultures of hardcore and hip hop. Indeed, to some extent, this accounts for the fusion of the two in innovative genres such as rapcore. As Adam Horowitz of the Beastie Boys put it, 'when you think about it, hardcore and hip hop aren't that different. The attitude is the same? Similarly, Chuck D (Public Enemy) has recommended that his fans read the work of Henry Rollins: 'He's an inspiration.' As in some hardcore, hip hop's culture of death emerged from the experience of oppression, marginalization and disenfranchisement. That said, there are some significant differences between the two cultures, the principal of which is that the roots of hip hop need to be traced back into the history of Black America. That is to say, hip hop is, to a large extent, the product of a particular historical experience of exploitation and suffering.
- ^ a b Oliver, Bobby. "15 New Jersey hardcore bands to rattle your cage". NJ.com. Retrieved 18 November 2024.
- ^ Thomas, Laviea. "Adam Yauch's favourite punk songs". Retrieved 18 November 2024.
- ^ Sanneh, Kelefa (9 March 2015). "How Hardcore Conquered New York". The New Yorker. Archived from the original on 4 January 2019. Retrieved 7 June 2021.
- ^ Kiryushkin, Alexander. "6 Legends of the New York Hardcore Scene That Defined the Genre". Retrieved 18 November 2024.
- ^ NAVIDSON, WILL. "SEE PRO VIDEO OF ORIGINAL BIOHAZARD LINEUP'S FIRST SHOW IN 12 YEARS". Revolver. Retrieved 18 November 2024.
- ^ Hatfield, Amanda. "Life of Agony & Dog Eat Dog announce Northeast tour with Kings Never Die". Retrieved 18 November 2024.
- ^ Estrada, Kevin. "HARD KNOCKS". LA Weekly. Retrieved 18 November 2024.
- ^ Powell, Mark Allan (2002). Encyclopedia of Contemporary Christian Music Volume 1. Hendrickson Publishers. p. 71.
The Christian group Every Day Life should probably be credited with inventing rapcore, the musical style that would take over the world and briefly become the most popular (and despised) genre on the airwaves at the turn of the millennium.
- ^ "Deez Nuts". Beat Magay. 10 March 2011. Retrieved 13 August 2019.
- ^ Robertson, Daryl. ""Using the pick actually saved my hands": Fever 333 bassist April Kae on the downside of multitasking as an artist and her love for the new Fender Player II Precision Bass". Retrieved 18 November 2024.
- ^ "HEAR STRAY FROM THE PATH CHANNEL DEFTONES ON NEW SONG WITH STICK TO YOUR GUNS SINGER". Revolver. Retrieved 18 November 2024.