Wikipedia

Mamta (1966 film)

Mamta (transl. "Mother's Love") is a 1966 Indian drama film directed by Asit Sen, written by Nihar Ranjan Gupta and Krishan Chander,[1] and with music composed by Roshan and written by Majrooh Sultanpuri.[4] The movie stars Suchitra Sen, Ashok Kumar and Dharmendra. The film about middle class fears and class conflict, has lead actress Suchitra Sen in a double role.

Mamta
Film poster
Directed byAsit Sen
Written byKrishan Chander (dialogues)[1]
Story byNihar Ranjan Gupta
Based onUttar Falguni (1963)
Produced byCharu Chitra
StarringSuchitra Sen
Ashok Kumar
Dharmendra
CinematographyAnil Gupta
Edited byTarun Dutta
Music byRoshan
Distributed byChhayabani
Release date
  • 1966 (1966)
Running time
160 minutes
CountryIndia
LanguageHindi[2][3]
Box officeest. ₹120 million ($16 million)

The film is also noted for its music by Roshan and lyrics by Majrooh Sultanpuri, in songs like, Rahen Na Rahen Hum sung by Lata Mangeshkar and her hit duet, Chuppa Lo Yun Dil Mein Pyar Mera with Hemant Kumar.[5]

The film was a remake of Asit Sen's own Bengali film, Uttar Falguni (1963),[6] also starring Suchitra Sen.[7]

Plot

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Monish Rai comes from a wealthy family and is in love with Devayani, who is from a poor family. Monish wants to travel abroad for higher studies, and this will be funded by his family. He fears that his family will not approve of Devayani and will refuse to fund his foreign studies if he makes known his intention to marry her. Therefore, he and Devayani agree to delay their wedding until Monish returns to India.

Financial problem overwhelm Devayani's father not long after Monish leaves for England. He has been taking new loans to repay old loans, and most of these new loans have come from a certain Rakhal, who poses as a friend and well-wisher of Devayani's father. Rakhal is in fact a vile and dissolute man, and he has his eye on the beautiful Devayani. At a timely moment, Rakhal makes his irresistible proposal to Devayani's father. A simple and rather gullible man, Devayani's father thinks that marrying Rakhal would be a good thing for Devayani because Rakhal is a rich man and Devayani will live a comfortable life. He agrees to give his daughter in marriage to Rakhal. A horrified Devayani tells her father that she does not want to marry at all, but to live with him and take care of him in his old age. This cuts no ice at all with the father, and the wedding date is fixed. A desperate Devayani even approaches Monish's mother for financial assistance, but is refused.

The wedding takes place. Rakhal, who is significantly older than Devayani, makes some effort to court her, but she finds him repulsive. Rakhal soon begins to find Devayani's sour and rejectionist attitude tiresome, and he returns to his drinking and gambling cronies. He also resorts to violence when he feels insulted by Devayani's attitude. Rakhal had inherited much wealth from his father, but he is a wastrel with a fondness for drink, cards and dancing girls. He splurges money on his many bad habits and the truth is that much of his money is now gone. Devayani soon becomes pregnant and gives birth to a baby girl, Suparna. Devayani's father dies just around this time, leaving her with nowhere to turn to for succour. Her husband is briefly put in jail after a drunken brawl at a brothel, and it becomes known that his money is finished. Unhappy with her marriage and her circumstances, Devayani runs away and becomes a devadasi, or temple dancer, performing for a male clientele. She is however tracked down by Rakhal, who attempts to kidnap his daughter Suparna on more than one occasion. In order to ensure separation of father and daughter, Devayani leaves Suparna in an orphanage run by Christian missionaries, making the stipulation that Suparna should not be placed for adoption, and that she will contribute for Suparna's upkeep when possible. Devayani relocates and throws herself wholeheartedly into the project of earning a living by singing and dancing for a male audience at a traditional-style kotha (song and dance performances to a male audience, with few if any instances of sex work).

Monish returns to the city after completing his education. He has already heard of Devayani's wedding. He is unable to forget her, and he remains unmarried all his life. Once, on the street, he sees a woman who looks like Devayani and calls out to her, but she turns away and quickly sits inside a nearby taxi with no sign of recognition and drives away. Monish is told by others that the person he has seen is a Lucknow-based tawaif, Pannabai.

Cast

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Box office

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The film performed well at the domestic Indian box office. It was year's 15th highest-grossing film in India, earning ₹12 million[8] ($1.9 million).[9] This was equivalent to estimated footfalls of approximately 7.2 million tickets sold in India.[10]

The film became an overseas blockbuster in the Soviet Union, selling 52.1 million tickets in 1969, making it the sixth highest-grossing Indian film ever in the Soviet Union.[11] This was equivalent to an estimated 13 million Rbls[n 1] ($14.4 million,[n 2] or ₹108 million).[n 3]

Combined, the film grossed an estimated ₹120 million ($16.3 million) worldwide. In terms of footfalls, the film sold an estimated 59.3 million tickets worldwide.

Nominations

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Music

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The songs of the films were composed by Roshan and written by Majrooh Sultanpuri.

No.TitleSinger(s)Length
1."Chahe To Mera Jiya Lele"Lata Mangeshkar03:53
2."Chupa Lo Yun Dil Mein Pyar Mera"Lata Mangeshkar, Hemant Kumar03:11
3."Hum Gavanwa Na Jayibe Ho"Lata Mangeshkar04:20
4."Instrumental" – 02:44
5."Instrumental" – 04:05
6."Rahen Na Rahen Hum (solo)"Lata Mangeshkar04:24
7."Rahen Na Rahen Hum (duet)"Mohammed Rafi, Suman Kalyanpur02:20
8."Rahte The Kabhi Jinke"Lata Mangeshkar03:43
9."In Baharon Mein"Mohammed Rafi, Asha Bhosle03:21

Notes

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  1. ^ 52.1 million tickets sold,[11] average ticket price of 25 kopecks[12]
  2. ^ 0.9 Rbl per US dollar from 1961 to 1971[13]
  3. ^ 7.5 Indian rupees per US dollar from 1967 to 1970[14]

References

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  1. ^ a b Mamta. 1966. 0:49.
  2. ^ Mamta. 0:25. 1966.{{cite AV media}}: CS1 maint: location (link)
  3. ^ "Film World". Film World. 10. T.M. Ramachandran: 65. 1974. Two eminent Urdu writers Krishan Chander and Ismat Chughtai have said that "more than seventy-five per cent of films are made in Urdu."
  4. ^ Peter Cowie (1977). World Filmography: 1967. Fairleigh Dickinson Univ Press. p. 270. ISBN 978-0-498-01565-6. Retrieved 23 February 2015.
  5. ^ "Blast From The Past: Mamta (1966)". The Hindu. 2 April 2010. Archived from the original on 29 October 2013. Retrieved 29 April 2013.
  6. ^ Ganguly, Ruman (27 November 2019). "Remakes of Bengali films: What's new in this trend?". The Times of India. Retrieved 26 June 2020.
  7. ^ "11th National Film Awards". International Film Festival of India. Archived from the original on 2 May 2017.
  8. ^ "Box Office 1966". Box Office India. 14 October 2013. Archived from the original on 14 October 2013.
  9. ^ "Official exchange rate (LCU per US$, period average) - India". World Bank. 1966. Retrieved 26 June 2020.
  10. ^ Mittal, Ashok (1995). Cinema Industry in India: Pricing and Taxation. Indus Publishing. pp. 71 & 77. ISBN 9788173870231.
  11. ^ a b Kudryavtsev, Sergey (3 August 2008). "Зарубежные популярные фильмы в советском кинопрокате (Индия)" [Popular Foreign Films (Indian) in Soviet Film Distribution]. LiveJournal. Retrieved 26 June 2020.
  12. ^ Roth-Ey, Kristin (2011). "Chapter 1: The Soviet Film Industry" (PDF). Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War. Cornell University Press. p. 48. ISBN 978-0-8014-4874-4.
  13. ^ "Archive". Central Bank of Russia (in Russian). Archived from the original on 29 December 2009. Retrieved 11 September 2012.
  14. ^ "Pacific Exchange Rate Service" (PDF). UBC Sauder School of Business. University of British Columbia. p. 3. Retrieved 8 February 2019.
  15. ^ 1st Filmfare Awards 1953
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