Robert Louis Fosse (/ˈfɒsi/; June 23, 1927 – September 23, 1987) was an American choreographer, dancer, filmmaker, and stage director. Known for his work on stage and screen, he is arguably the most influential figure in the field of jazz dance in the twentieth century.[1] He received numerous accolades including an Academy Award, a BAFTA Award, three Primetime Emmy Awards, nine Tony Awards, and the Palme d'Or.
Bob Fosse | |
---|---|
Born | Robert Louis Fosse June 23, 1927 Chicago, Illinois, U.S. |
Died | September 23, 1987 Washington, D.C., U.S. | (aged 60)
Occupations |
|
Years active | 1947–1987 |
Spouses | Mary Ann Niles
(m. 1947; div. 1951) |
Partner | Ann Reinking (1972–1978) |
Children | Nicole Fosse |
Fosse started his career acting in the musical productions of Call Me Mister (1947), Billion Dollar Baby (1951), and Pal Joey (1952). He transitioned into directing and choreographing musical works, winning Tony Awards for choreographing The Pajama Game (1954), Damn Yankees (1955), Redhead (1959), Little Me (1963), Sweet Charity (1966), Pippin (1972), Dancin' (1978), and Big Deal (1986), as well as for directing Pippin. He also worked on Bells Are Ringing (1956), New Girl in Town (1958), How to Succeed in Business Without Really Trying (1961), and Chicago (1975).
On film, he played Hortensio in the MGM musical Kiss Me, Kate (1953) and had his directorial debut with the musical Sweet Charity (1969). He won the Academy Award for Best Director for the musical drama Cabaret (1972). He was Oscar-nominated for directing the dramas Lenny (1974) and All That Jazz (1979), the latter of which won the Palme d'Or at the Cannes Film Festival. He is also known for directing the concert film Liza with a Z (1972), which earned him the Primetime Emmy Award for Outstanding Directing for a Variety Special, and his final film Star 80 (1983).
Fosse forged an uncompromising modern style, characterized by finger-snapping, tilted bowler hats, fishnet stockings, splayed gloved fingers, turned-in knees and toes, shoulder rolls and jazz hands. Fosse's third wife was the actor–dancer Gwen Verdon, with whom he collaborated on a number of theater and film projects.
Early life
editFosse was born in Chicago, Illinois, on June 23, 1927, to a Norwegian-American father, Cyril Kingsley Fosse, a traveling salesman for The Hershey Company,[2] and an Irish-American mother, Sarah Alice "Sadie" (née Stanton) Fosse. He was the fifth of six children.[3][4][5]
He was drawn to dance and took lessons. When he was 13 years old, Fosse performed professionally in Chicago with Charles Grass, as "The Riff Brothers".[6] They toured vaudeville and movie houses in Chicago, as well as USO theaters and Eagles Clubs.[7] Many of these performances included shows at burlesque clubs, such as the Silver Cloud and Cave of Winds. Fosse himself is quoted with saying "I was sixteen years old, and I played the whole burlesque wheel." However, many of the women and promoters did not care that Fosse was underage working in adult clubs or that he would be exposed to sexual harassment from the burlesque women. Much of the erotica he saw would inspire his future work. In 1943, at the age of 15, Fosse would come to choreograph his first dance number and earn his first full credit as a choreographer in a film, Hold Evry'thing! A Streamlined Extravaganza in Two Parts, which featured showgirls wearing strapless dresses and performing a fan dance, inspired by his time in burlesque houses.[8]
After graduating from Amundsen High School[9][10][11] in 1945, Fosse was recruited into the U.S. Navy toward the end of World War II at Naval Station Great Lakes, where he was sent to be prepared for combat. Fosse petitioned his manager, Frederick Weaver, to advocate on his behalf to his superiors after his own failed attempts to be placed in the Special Services Entertainment Division.[8] Fosse was soon placed in the variety show Tough Situation, which toured military and naval bases in the Pacific Ocean.[citation needed]
Career
edit1947–1953: Contract with MGM
editAfter his discharge, Fosse moved to New York City in 1947 with the ambition of being the new Fred Astaire. He began to study acting at the American Theatre Wing, where he met his first wife and dance partner, Mary Ann Niles (1923–1987).[12] His first stage role was in Call Me Mister, along with Niles.[13] Fosse and Niles were regular performers on Your Hit Parade in its 1950–1951 season. Dean Martin and Jerry Lewis saw their act in New York's Pierre Hotel and scheduled the couple to appear on The Colgate Comedy Hour in 1951.[14]
During the late 1940s and early 1950s, Fosse transitioned from film to theatre. In 1948, Tony Charmoli danced in Make Mine Manhattan, but gave the part to Fosse when the show toured nationally. Charmoli also found Fosse work as a dancer on the TV shows he was working on when Fosse returned from the tour.[15] Fosse told an interviewer, "Jerry [Jerome Robbins] started me doing choreography. He gave me my first job as a choreographer and I'm grateful for that."[16]
Fosse was signed to an MGM contract in 1953.[17] His early screen appearances as a dancer included Give a Girl a Break, The Affairs of Dobie Gillis and Kiss Me Kate, all released in 1953. Fosse's choreography of a short dance sequence in Kiss Me Kate and dance with Carol Haney brought him to the attention of Broadway producers.[18] In Kiss Me Kate, Fosse starred alongside Howard Keel, Kathryn Grayson, and Ann Miller. Fosse played Hortensio within The Taming of the Shrew dance sequences.[19]
1954–1958: Work as a choreographer
editIn 1954, Fosse choreographed his first musical, The Pajama Game, followed by My Sister Eileen and George Abbott's Damn Yankees in 1955. It was while working on Damn Yankees that he first met rising star Gwen Verdon, whom he married in 1960. For her work in Damn Yankees, Verdon won her first Tony Award for Best Actress in a Musical in 1956.[20] She had previously won a Tony for Best Performance by a Featured Actress in a Musical for Can-Can (1954). In 1957, Fosse choreographed New Girl in Town, also directed by Abbott, and Verdon won her second Tony Award for Best Actress in a Musical in 1958.[20]
In 1957, Fosse choreographed the film version of The Pajama Game starring Doris Day. The next year, Fosse appeared in and choreographed the film version of Damn Yankees, in which Verdon reprised her stage triumph as the character Lola. Fosse and Verdon were partners in the mambo number "Who's Got the Pain".[21] In 1959, Fosse directed and choreographed the musical Redhead.[22] For his work on Redhead, Fosse won the Tony Award for Best Choreography while Verdon won her third Tony Award for Best Actress in a Musical. Redhead won the Tony Award for best musical.[23] Fosse's next feature was supposed to be the musical The Conquering Hero based on a book by Larry Gelbart, but he was replaced as director/choreographer.
In 1961, Fosse choreographed the satirical Broadway musical How to Succeed in Business Without Really Trying starring Robert Morse. The story revolves around an ambitious man, J. Pierrepont Finch (Morse), who, with the help of the book How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company. The musical was an instant hit.[24][25] In 1963, Fosse was nominated for two Tony Awards for Best Choreography and Best Direction of a Musical for the musical Little Me, winning the former.[12] He choreographed and directed Verdon in Sweet Charity in 1966.[26]
1969–1979: Transition as a film director
editFosse directed five feature films. His first, Sweet Charity (1969) starring Shirley MacLaine, is an adaptation of the Broadway musical he had directed and choreographed. In 1972, Fosse directed his second theatrical film, Cabaret, starring Liza Minnelli, Michael York and Joel Grey. The film is based on the 1966 musical of the same name. In the traditional manner of musical theater, called an "integrated musical", every significant character in the stage version sings to express his or her own emotion and to advance the plot. In the film version, the musical numbers are entirely diegetic. The film focuses on a romance between Sally Bowles (Minnelli), who performs at the Kit Kat Klub, and a young British idealist, Brian Roberts, played by York. The story is set during the final decline of Weimar Germany. The film was an immediate success among audiences and critics alike. The film won eight Academy Awards, including Best Director. Liza Minnelli and Joel Grey both won Oscars for their roles in Cabaret.[27] That same year they collaborated on the concert film Liza with a Z, earning Fosse an Emmy Award for both direction and choreography.[12]
In 1973, Fosse's work on Pippin won him the Tony Award for Best Direction of a Musical.[28] He was director and choreographer of Chicago in 1975, which also starred Verdon.[29] In 1974, Fosse directed Lenny, a biographical film about the controversial standup comedian Lenny Bruce portrayed by Dustin Hoffman. Fosse was again nominated for Best Director, Hoffman also received a nomination for Best Actor.[30] Fosse performed a song and dance in Stanley Donen's 1974 film version of The Little Prince. According to AllMusic, "Bob Fosse stops the show with a slithery dance routine."[citation needed] In 1977, Fosse had a small role in the romantic comedy Thieves.[31]
In 1979, Fosse co-wrote and directed a semi-autobiographical film All That Jazz (1979), starring Roy Scheider, which portrayed the life of a womanizing, drug-addicted choreographer and director in the midst of triumph and failure. Ann Reinking appears in the film as the protagonist's lover, protégée and domestic partner. All That Jazz won four Academy Awards, earning Fosse his third Oscar nomination for Best Director.[32] It also won the Palme d'Or at the 1980 Cannes Film Festival.[33] Vincent Canby of The New York Times described the film as "Mr. Fosse's answer to 8½ in which Federico Fellini wittily examined his own life at a point when he feared his creativity was at an end".[34]
1980–1986: Final works
editFosse's final film, Star 80 (1983), was a biographical movie about Dorothy Stratten, a Playboy Playmate who was murdered. The film is based on a Pulitzer Prize-winning article. The film was screened out of competition at the 34th Berlin International Film Festival.[35] Critic Roger Ebert in his four star review of the film, wrote, "Although his Broadway musicals have been upbeat entertainments, he seems to see the movie camera as a device for peering into our shames and secrets...This is an important movie. Devastating, violent, hopeless, and important, because it holds a mirror up to a part of the world we live in, and helps us see it more clearly."[36]
In 1986, Fosse wrote, choreographed and directed the Broadway production of Big Deal, which was nominated for five Tony awards, winning for Best Choreography, as well as five more for the revival of Sweet Charity at the nearby Minskoff Theater, winning a Tony Award for Best Revival.[8] Fosse began work on a film about gossip columnist Walter Winchell that would have starred Robert De Niro as Winchell. The Winchell script was written by Michael Herr. Fosse died before starting the Winchell project.[37]
Innovations
editNotable distinctions of Fosse's style included the use of turned-in knees, the "Fosse Amoeba", sideways shuffling, rolled shoulders and jazz hands.[38] With Astaire as an influence, Fosse used props such as bowler hats, canes and chairs. His trademark use of hats was influenced by his own self-consciousness, according to Martin Gottfried in his biography of Fosse, "His baldness was the reason that he wore hats, and was doubtless why he put hats on his dancers."[24] Fosse used gloves in his performances because he did not like his hands. Some of his most popular numbers include "Steam Heat" (The Pajama Game) and "Big Spender" (Sweet Charity). The "Rich Man's Frug" scene (starring a young Ben Vereen) in Sweet Charity is another example of his signature style.
For Damn Yankees, Fosse was inspired by the "father of theatrical jazz dance", Jack Cole.[24] In 1957, Verdon and Fosse studied with Sanford Meisner to develop a better acting technique. According to Michael Joosten, Fosse once said: "The time to sing is when your emotional level is too high to just speak anymore, and the time to dance is when your emotions are just too strong to only sing about how you 'feel.'"[39]
In Redhead, Fosse used one of the first ballet sequences in a show that contained five different styles of dance: Fosse's jazz, a cancan, a gypsy dance, a march and an old-fashioned English music hall number. During Pippin, Fosse made the first television commercial for a Broadway show.[18]
Personal life
editMarriage and relationships
editFosse married dance partner Mary Ann Niles (1923–1987) on May 3, 1947, in Detroit.[40] In 1952, a year after he divorced Niles, he married dancer Joan McCracken in New York City;[41] this marriage lasted until 1959, when it also ended in divorce.[42]
His third wife was dancer and actress Gwen Verdon, whom he met choreographing Damn Yankees, in which she starred.[43] In 1963, they had a daughter, Nicole Fosse, who later became a dancer and actress. Fosse's extramarital affairs put a strain on the marriage and by 1971 they were separated, although they remained legally married until his death in 1987. Verdon never re-partnered.[24][44][45] During their joint career, Fosse would continually take blame from critics while Gwen Verdon would get praise, no matter how much influence Verdon had on a production. However, Verdon always looked out for him and the Fosse family image, hosting grandiose cast parties and being Fosse's personal press secretary throughout their marriage.[8]
Fosse met dancer Ann Reinking during the run of Pippin in 1972. According to Reinking, their romantic relationship ended "toward the end of the run of Dancin'" (1978).[46] Reinking acted in his musical drama film All That Jazz which is loosely based on his life.[47]
Illness and substance abuse
editIn 1961, Fosse's epilepsy was revealed when he had a seizure onstage during rehearsals for The Conquering Hero.[24] Fosse's time outside of the rehearsal studio or theater was seldom spent alone. As stated in the biography Fosse by Sam Wasson, "nights alone were murder on Fosse". To alleviate loneliness and insomnia brought on by his prescribed amphetamines, Fosse would often contact dancers he would work with and try to date them, making it hard for many to refuse his advances, but also giving him the affirmation of success he sought.[8]
Death
editFosse died of a heart attack on September 23, 1987, at George Washington University Hospital while the revival of Sweet Charity was opening at the nearby National Theatre.[3] He had collapsed in Verdon's arms near the Willard Hotel.[48] As he had requested, Verdon and Nicole Fosse scattered his ashes in the Atlantic Ocean off Quogue, Long Island, where Fosse had been living with his girlfriend of four years.[49] A month after his death, Verdon fulfilled Fosse's request for his friends to "go out and have dinner on me" by hosting a star-studded, celebrity-filled evening at Tavern on the Green with Verdon, Reinking, Roy Scheider, Ben Vereen, and E. L. Doctorow attending.[50]
Stage credits
editYear | Title | Director | Choreographer | Performer | Venue | Notes | Ref. |
---|---|---|---|---|---|---|---|
1947 | Call Me Mister | No | No | Yes | U.S. tour | Role; as chorus member | |
1948 | Make Mine Manhattan | No | No | Yes | U.S. tour | Role; as ensemble member | |
1950 | Dance Me a Song | No | No | Yes | Royale Theatre, Broadway | Role; as dancer | [51] |
1951 | Billion Dollar Baby | No | No | Yes | Alvin Theatre, Broadway | Role; as Champ Watson | [52] |
1952 | Pal Joey | No | No | Yes | Broadhurst Theatre, Broadway | Role; as Joey Evans (understudy) | [53] |
1954 | The Pajama Game | No | Yes | No | [54] | ||
1955 | Damn Yankees | No | Yes | No | Adelphi Theatre, Broadway | [55] | |
1956 | Bells Are Ringing | No | Yes | No | Alvin Theatre, Broadway | [56] | |
1958 | New Girl in Town | No | Yes | No | 46th Street Theatre, Broadway | [57] | |
1959 | Redhead | Yes | Yes | No | [58] | ||
1961 | The Conquering Hero | No | Yes | No | ANTA Theatre, Broadway | Uncredited | [59] |
1961 | How to Succeed in Business Without Really Trying | No | Yes | No | 46th Street Theatre, Broadway | [60] | |
1962 | Little Me | Yes | Yes | No | Lunt-Fontanne Theatre, Broadway | [61] | |
1963 | Pal Joey | No | No | Yes | New York City Center, Broadway | Role; as Joey Evans | [62] |
1965 | Pleasures and Palaces | Yes | Yes | No | Fisher Theatre, Detroit | [63] | |
1966 | Sweet Charity | Yes | Yes | No | Palace Theatre, Broadway | [64] | |
1972 | Pippin | Yes | Yes | No | Imperial Theatre, Broadway | Also book writer | [65] |
1972 | Liza | Yes | Yes | No | Winter Garden Theatre, Broadway | [66] | |
1975 | Chicago | Yes | Yes | No | 46th Street Theatre, Broadway | Also book writer | [67] |
1978 | Dancin' | Yes | Yes | No | Ambassador Theatre, Broadway | [68] | |
1986 | Big Deal | Yes | Yes | No | Broadway Theatre, Broadway | [69] | |
1986 | Sweet Charity | Yes | Yes | No | Minskoff Theatre, Broadway | [70] |
Filmography
editFilm
editYear | Title | Director | Writer | Choreographer | Actor | Notes | Ref. |
---|---|---|---|---|---|---|---|
1953 | The Affairs of Dobie Gillis | No | No | No | Yes | Role; as Charlie Trask | [71] |
1953 | Kiss Me Kate | No | No | No | Yes | Role; as Hortensio | [71] |
1953 | Give a Girl a Break | No | No | No | Yes | Role; as Bob Dowdy | [71] |
1955 | My Sister Eileen | No | No | Yes | Yes | Role; as Frank Lippincott | [71] |
1957 | The Pajama Game | No | No | Yes | No | [71] | |
1958 | Damn Yankees | No | No | Yes | Yes | Role; as Mambo Dancer (uncredited) | [71] |
1969 | Sweet Charity | Yes | No | Yes | No | Directorial Debut | [71] |
1972 | Cabaret | Yes | No | Yes | No | [71] | |
1974 | The Little Prince | No | No | Yes | Yes | Role; as The Snake | [71] |
1974 | Lenny | Yes | No | No | Yes | Role; as The Interviewer (uncredited) | [71] |
1977 | Thieves | No | No | No | Yes | Role; as Mr. Day | [71] |
1979 | All That Jazz | Yes | Yes | Yes | No | [71] | |
1983 | Star 80 | Yes | Yes | No | No | [71] |
Television
editYear | Title | Director | Choreographer | Actor | Notes | Ref. |
---|---|---|---|---|---|---|
1949-50 | 54th Street Revue | No | No | Yes | Role; as dancer | [71] |
1950 | The George Burns and Gracie Allen Show | No | No | Yes | Role; as himself Episode: "Gracie the Artist" |
[71] |
1951 | The Colgate Comedy Hour | No | Yes | No | Episodes S1E22 & S1E37 | [71] |
1959 | The Dinah Shore Chevy Show | No | Yes | No | Episode S4E1 | [71] |
Startime | Yes | Yes | No | Episode: "The Wonderful World of Entertainment" | [71] | |
1961 | The Seasons of Youth | No | Yes | No | Television special | [71] |
1970 | The Ed Sullivan Show | No | Yes | No | Episode S23E19 | [71] |
1972 | Liza with a Z | Yes | No | No | Television special | [71] |
1982 | Pippin: His Life and Times | No | Yes | No | Television film | [71] |
Awards, honors, and legacy
editAt the 1973 Academy Awards, Fosse won the Academy Award for Best Director for Cabaret. That same year he won Tony Awards for directing and choreographing Pippin and Primetime Emmy Awards for producing, choreographing and directing Liza Minnelli's television special Liza with a Z. Fosse was the only person to win all three major industry awards in the same year.
Fosse was inducted into the National Museum of Dance in Saratoga Springs, New York, on April 27, 2007. The Los Angeles Dance Awards, founded in 1994, were called the "Fosse Awards", and are now called the American Choreography Awards. The Bob Fosse–Gwen Verdon Fellowship was established by their daughter, Nicole Fosse, in 2003 at the Alvin Ailey American Dance Theater.
Reinking and Verdon kept Fosse's unique choreography alive after his death. Reinking played the role of Roxie Hart in the New York revival of Chicago, which opened in 1996. She choreographed the dances in Fosse style for that revival. In 1999, Verdon served as artistic consultant on a Broadway musical designed to showcase examples of classic Fosse choreography. Called simply Fosse, the three-act musical revue was conceived and choreographed by Chet Walker, directed and co-conceived by Richard Maltby, Jr., and co-directed, co-choreographed by co-conceived by Ann Reinking. Verdon and Fosse's daughter, Nicole, received a special thanks credit. The show won a Tony for best musical.[72]
Fosse/Verdon is an eight-part American miniseries starring Sam Rockwell as Fosse and Michelle Williams as Verdon. The series, which tells the story of the couple's troubled personal and professional relationship, is based on the biography Fosse by Sam Wasson.[73] It premiered in eight parts on April 9, 2019, on FX. At the 71st Primetime Emmy Awards, Fosse/Verdon received seventeen nominations, including Outstanding Limited Series and acting nominations for Rockwell, Williams, and Qualley. Williams won the Emmy for Outstanding Actress in a Limited Series.
References
edit- ^ "Bob Fosse". MasterWorks Broadway. Retrieved May 20, 2024.
- ^ Gottfried 2003, p. 11.
- ^ a b McQuiston, John T. (September 24, 1987). "Bob Fosse, Director and Choreographer, Dies". The New York Times.
Robert Louis Fosse was born in Chicago on June 23, 1927, the son of a vaudeville entertainer. He began performing on the vaudeville circuit as a child, and by the age of 13 he was a seasoned veteran of many burlesque shows. ...
- ^ "Hardcover in Brief". The Washington Post. November 18, 1990. Archived from the original on November 2, 2012. Retrieved August 7, 2008.
- ^ Garraty, John Arthur; Carnes, Mark C. (1999). American National Biography. Oxford University Press. ISBN 9780195127874.
- ^ Winkler, Kevin (March 22, 2018). "Big Deal". Oxford Scholarship Online. 1. doi:10.1093/oso/9780199336791.001.0001. ISBN 978-0-19-933679-1.
- ^ Grass, Charles (2015). "Interview by Jenai Cutcher" (MP4). Chicago Dance History Project. Chicago, IL. Retrieved January 31, 2022.
- ^ a b c d e Wasson, Sam (2013). Fosse. Boston, MA: Houghton Mifflin Harcourt. ISBN 978-0-547-99922-7. OCLC 861509029.
- ^ "Bob Fosse and Gwen Verdon Collection". Guide to the Collection. United States Library of Congress, Music Division. 1996. Archived from the original on December 2, 2009. Retrieved December 31, 2009.
Bob Fosse Personal Papers and Career Miscellany: Box 86E Front page of the Amundsen Log, 10/5/44 (Amundsen High School, Chicago), with banner: "Bob Fosse President"
- ^ "Bob Fosse". biographic sketch. Chicago Public Schools. Archived from the original on December 24, 2010.
- ^ Gottfried, Martin (1990), All his jazz: the life & death of Bob Fosse, New York City: Da Capo Press, ISBN 0-306-81284-3,
(p. 34) At dance school, he was already a heartthrob ... and it was the same way at Amundsen High ... He seemed to go out with every girl in the class ...
- ^ a b c "Bob Fosse | Biography, Style, Musicals, Movies, Awards, & Facts | Britannica". britannica.com. Retrieved November 16, 2021.
- ^ Wasson, Sam (2013). Fosse. Houghton Mifflin Harcourt. p. 44. ISBN 978-0-547-55329-0.
- ^ "The Colgate Comedy Hour". IMDb. Retrieved August 3, 2023.
- ^ Barnes, Mike (August 10, 2020). "Tony Charmoli, Emmy-Winning Choreographer for Mitzi Gaynor and Shirley MacLaine, Dies at 99". The Hollywood Reporter. Retrieved August 11, 2020.
- ^ "Showbiz Today Jerry Lewis Roasted". givethechanceakid. 1986. Archived from the original on November 4, 2021.
- ^ "Choreographer and Director Bob Fosse Dies". Los Angeles Times.
- ^ a b "Bob Fosse Biography" PBS; accessed January 27, 2010
- ^ "Kiss Me Kate". Academy Museum. Retrieved May 20, 2024.
- ^ a b "Gwen Verdon Awards", ibdb.com. Retrieved April 27, 2019.
- ^ "Looking Back at the 'Fosse/Verdon' Dancing Legends That Inspired FX Series". Variety. April 12, 2019. Retrieved May 20, 2024.
- ^ 'Redhead' Archived November 8, 2012, at the Wayback Machine PBS, accessed January 27, 2010
- ^ "'Redhead' Broadway" Playbill, accessed January 12, 2016
- ^ a b c d e Gottfried, Martin (1998). All His Jazz: The Life and Death of Bob Fosse. Da Capo Press. pp. 49, 65, 81, 85, 104, 116, 124–125, 130, 139. ISBN 978-0-306-81284-2.
- ^ "That's Dancin: Fosse on Broadway, How To Succeed in Business Without Really Trying" Archived May 24, 2013, at the Wayback Machine PBS.
- ^ "'Sweet Charity' Broadway". Playbill, accessed January 12, 2016
- ^ "'Cabaret' Awards" Turner Classic Movies, accessed April 20, 2016.
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- ^ "The 47th Academy Awards". Oscars.org. October 6, 2014. Retrieved May 20, 2024.
- ^ Eder, Richard (February 12, 1977). "Movie Review. 'Thieves'". The New York Times. Archived from the original on August 21, 2014.
- ^ "The 52nd Academy Awards". Oscars.org. March 2022. Retrieved May 20, 2024.
- ^ "From Parasite to Anatomy of a Fall: 13 Palme d'Or-Winning Films to Rewatch Now". Vogue. June 16, 2021. Retrieved May 20, 2024.
- ^ "The Screen: Roy Scheider Stars in 'All That Jazz':Peter Pan Syndrome". The New York Times. Retrieved May 20, 2024.
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- ^ Cutcher, Jenai (May 1, 2005). Bob Fosse. The Rosen Publishing Group. pp. 21, 27. ISBN 978-1-4042-0640-3.
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- ^ Michigan, Marriage Records, 1867–1952
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- ^ Sagolla, Lisa Jo. The girl who fell down: a biography of Joan McCracken (2003), UPNE; ISBN 1-55553-573-9, p. 204: "They were wed in a simple civil ceremony by New York's deputy chief clerk at 3:30 pm on December 30, 1952."
- ^ Fosse/Verdon, Episode 2 "Who's Got the Pain?"
- ^ Berkvist, Robert (October 19, 2000). "Gwen Verdon, Redhead Who High-Kicked Her Way to Stardom, Dies at 75". The New York Times. Retrieved August 8, 2009.
- ^ Pacheo, Patrick (November 3, 2000). "Remembering Gwen Verdon – Bob Fosse's inspiration was perhaps Broadway's greatest dancer". Entertainment Weekly. Archived from the original on December 15, 2013. Retrieved August 8, 2009.
- ^ Pacheco, Patrick. "Every Step She Takes" Los Angeles Times, May 3, 1998
- ^ "Ann Reinking, Tony-Winning 'Chicago' and 'All That Jazz' Star, Dies at 71". The Hollywood Reporter. December 15, 2020. Retrieved May 20, 2024.
- ^ Hall, Charles and Stevenson, Douglas. "Bob Fosse Dies After Collapsing on D.C. Street" The Washington Post, September 24, 1987
- ^ Gottfried 2003, pp. 449–450.
- ^ Barron, James (December 20, 1987). "FOLLOW-UP ON THE NEWS; Fosse's Present Is Show-Stopper". The New York Times. ISSN 0362-4331. Retrieved April 30, 2021.
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- ^ IBDb profile: Max Goberman; accessed November 21, 2017.
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- ^ "How to Succeed in Business Without Really Trying (Broadway, 1961)". Playbill. Retrieved May 20, 2024.
- ^ "Little Me (Broadway, 1962)". Playbill. Retrieved May 20, 2024.
- ^ "Pal Joey (Broadway, 1963)". Playbill. Retrieved May 20, 2024.
- ^ Suskin, Steven. "Frank Loesser" Show Tunes : The Songs, Shows, and Careers of Broadway's Major Composers (2010), (books.google.com), Oxford University Press, ISBN 0-19-988615-6, p.242
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Further reading
edit- Beddow, Margery (1996). Bob Fosse's Broadway. Portsmouth, NH: Heinemann. ISBN 978-0-435-07002-1.
- Gottfried, Martin (2003) [1990]. All His Jazz: The Life and Death of Bob Fosse. Bantam. ISBN 978-0-553-07038-5.
- Grubb, Kevin Boyd (1989). Razzle Dazzle: The Life and Work of Bob Fosse. St. Martin's Press. ISBN 978-0-312-03414-6.
- Wasson, Sam (2013). Fosse. Houghton Mifflin Harcourt. ISBN 978-0-547-55329-0.
External links
edit- Bob Fosse at the American Film Institute Catalog
- Bob Fosse at the Internet Broadway Database
- Bob Fosse at the TCM Movie Database
- Bob Fosse at IMDb
- Bob Fosse at Playbill Vault
- Archival footage of Ann Reinking and Gary Chryst performing in Bob Fosse's Big Noise from Winnetka in 1987 at Jacob's Pillow Dance Festival.