Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages.

Giuliana Calandra in the 1973 nunsploitation film Story of a Cloistered Nun

Criteria

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The main conflict of the story is usually of a religious or sexual nature, such as religious oppression or sexual suppression due to living in celibacy. The Inquisition is another common theme. These films, although often seen as pure exploitation films, often contain criticism against religion in general and the Catholic Church in particular. Indeed, some protagonist dialogue voiced feminist consciousness and rejection of their subordinated social role. Many of these films were made in countries where the Catholic Church is influential, such as Italy and Spain. One atypical example of the genre, Killer Nun (Suor Omicidi), was set in then present-day Italy (1978).

Background

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Nunsploitation, along with nazisploitation, is a subgenre that ran a parallel course alongside women in prison films in the 1970s and 1980s. As with prison films, they are set in isolated, fortress-like convents where the all-female population turns to lesbianism and perversity. The element of religious guilt allows for lurid depictions of "mortifying the flesh" such as self-flagellation and painful, masochistic rituals. The mother superior is usually a cruel and corrupt warden-like martinet who enforces strict discipline (more opportunities for whippings and medieval-style punishments) and often lusts after her female charges. An equally sadistic and lecherous priest is often included to add an element of masculine menace to the story.

Some segments from the Scandinavian silent film Häxan (1922) may be seen as a precursor for this genre. A recent act of cinematic nunsploitation is in Robert Rodriguez's Machete (2010), where Lindsay Lohan portrays a gun-toting nun.[1] An even more recent example is Darren Lynn Bousman's nunsploitation horror film St. Agatha (2018).[2]

Among other examples of European exploitation cinema over the last sixty years, nunsploitation genre movies are discussed in Mendik and Mathij's recent overview volume on this general trend within regional cinema genres, cultures, and audience consumption. Chris Fujiwara penned a detailed piece in American pop culture journal Hermenaut, discussing genre examples, such as Killer Nun (1978), The Nun and the Devil (1973) and Flavia the Heretic (1974).

Historical basis

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Some films, such as the X-rated The Devils, based on a book by Aldous Huxley and directed by Ken Russell, have some basis in fact. Huxley based his original historical account, The Devils of Loudun, on a reported case of mass hysteria and demonic possession that allegedly took place at a French convent in the seventeenth century. Given that the genre was the product of the sixties and seventies, with an occasional contemporary example like the recent Sacred Flesh (1999), there has been little further resort to possible historical source material, like Aelred of Hexham (1110–1167) and his account of the Nun of Watton, for example. Another example might be the life of sister Benedetta Carlini, a 17th-century Italian lesbian nun.

Circa 1986, Graciela Daichman collected stories about aberrant medieval religious women,[3] but since that time, there have been few other serious historical attempts to explore what factual basis might exist for the literary depictions that often served as the basis for nunsploitation cinema. In 2010, Craig Monson wrote Nuns Behaving Badly, which dealt with the social and sexual lives of religious women in sixteenth- and seventeenth-century Italy, but such work remains rare.[4] However, recent work on the dramaturgy of demonic possession in medieval Europe may be useful to comprehend the social, psychological and behavioural context of such acts.[5]

In Japan

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Catholic nun exploitation films have been a subgenre of Japanese exploitation film since at least the early 1970s. Though Christianity was never a dominant religion in Japan, Japan did encounter Christian missionaries. By taking a minority religion as their subject, it has been suggested that these "shockingly perverse and wildly blasphemous" Catholic nun films are "a way of thumbing one's nose at organized religion without attacking the more sacred beliefs of the general society".[6] Some entries in this genre include Norifumi Suzuki's School of the Holy Beast (1974), Masaru Konuma's Cloistered Nun: Runa's Confession (1976), Kōyū Ohara's Sins of Sister Lucia (1978), and Wet Rope Confession: Convent Story (1979), Hiroshi Mukai's Nun: Secret (1978), Nobuaki Shirai's Nun Story: Frustration in Black (1980), and Mamoru Watanabe's Rope of Hell: A Nun's Story (1981) and Electric Bible: Sister Hunting (1992).[7] In 1995, big-busted AV idol Mariko Morikawa starred in director Sachi Hamano's Big Tit Monastery (巨乳修道院), another Japanese variation on the nunsploitation genre.[8] Chrono Crusade billed itself as "nuns with guns".

In other media

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Toronto-based stage artist Jamieson Child, directed in 2015 the stage musical Kill Sister, Kill: A Dark New Musical, as homage to the exploitation genre.[9] The 2019 show Watchmen featured a female police officer who dresses as a nun to avoid being recognised. Later episodes reveal that the character took her costume inspiration from a fictional in-universe nunsploitation film titled Nun With a Motherfucking Gun.

Examples of nunsploitation films

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See also

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Notes

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  1. ^ Krystal Clark (July 19, 2010). "Lindsay Lohan Is a Gun Toting Nun in Machete Photo". Screen Crave. Archived from the original on March 3, 2016. Retrieved July 21, 2010.
  2. ^ "St. Agatha (2018) – Review | Nun Horror Movie". Heaven of Horror. February 4, 2019. Retrieved February 13, 2019.
  3. ^ Daichman, Graciela S. (1986). Wayward nuns in medieval literature (1st ed.). Syracuse, N.Y.: Syracuse University Press. ISBN 0815623798.
  4. ^ Craig Monson: Nuns Behaving Badly: Tales of Music, Magic, Art and Arson in the Convents of Italy: University of Chicago Press: 2010.
  5. ^ Brian Levack: The Devil Within: Exorcism and Possession in the Christian West: New Haven: Yale University Press: 2013.
  6. ^ Thomas Weisser; Yuko Mihara Weisser (1998). Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books: Asian Cult Cinema Publications. p. 497. ISBN 1-889288-52-7.
  7. ^ Weisser.
  8. ^ 巨乳修道院. Japanese Film Database (in Japanese). Retrieved June 3, 2007.
  9. ^ "Nunsploitation Heads to NYC In "Kill Sister, Kill"". August 3, 2015.
  10. ^ 10 great nunsploitation films|BFI
  11. ^ The Best Nunsploitation Films, Ranked - Vulture
  12. ^ Review: Randy nuns run amok in failed nunsploitation parody 'The Little Hours' - The San Diego Union-Tribune
  13. ^ "2011 Online Catalogue Nunsploitation films". www.videoscreams.com. Retrieved August 15, 2019.
  14. ^ Nunsploitation Reigns in New Trailers for Paul Verhoeven's Benedetta and Mickey Reece's Agnes - The Film Stage
  15. ^ What Nunsploitation Films Are Saying About The Catholic Church | HuffPost Entertainment
  16. ^ "Sister Death (Hermana Muerte): Netflix Film Review". October 26, 2023.
  17. ^ "Review | In Sydney Sweeney's 'Immaculate,' nunsploitation is back". Washington Post. March 21, 2024. ISSN 0190-8286. Retrieved March 24, 2024.

Bibliography

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  • Graciela Daichman: Wayward Nuns in Medieval Literature: Syracuse: Syracuse University Press: 1986: ISBN 0-8156-2379-8.
  • Chris Fujiwara: "Convent Erotica" Hermenaut 12.
  • Brian Levack: The Devil Within: Exorcism and Possession in the Christian West: New Haven: Yale University Press: 2013.
  • Ernest Mathijs and Xavier Mendik: Alternative Europe: Eurotrash and Exploitation Cinema Since 1945: London: Wallflower: 2004: ISBN 1-903364-93-0.
  • Craig Monson: Nuns Behaving Badly: Tales of Music, Magic, Art and Arson in the Convents of Italy: Chicago: University of Chicago Press: 2010.
  • Anticristo: The Bible of Naughty Nun Sinema and Culture: Guildford: FAB: 2000: ISBN 1-903254-03-5.
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