Wikipedia

Peter Zadek

Peter Zadek (German: [ˈtsaːdɛk]; 19 May 1926 – 30 July 2009) was a German director of theatre, opera and film, a translator and a screenwriter. He is regarded as one of the greatest directors in German-speaking theater.

Peter Zadek
Born(1926-05-19)19 May 1926
Berlin, Germany
Died30 July 2009(2009-07-30) (aged 83)
Hamburg, Germany
SpouseBrigitta Blumenthal

Biography

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Peter Zadek was born on 19 May 1926[1][2][3] to a Jewish family in Berlin. In 1934, he emigrated with his family to London where he later studied at Old Vic theatre, after a year at Oxford University.[4] He began in weekly rep in Swansea and Pontypridd. He studied at the Old Vic, and his first productions included Oscar Wilde’s Salome and T. S. Eliot’s Sweeney Agonistes. Zadek caused a stir in London in the late 1950s with his productions of works by Jean Genet. Indeed, Genet was so outraged by Zadek's world première of The Balcony at the Arts in 1957 that he apparently bought a gun with the intention of shooting its director.[4] He also worked as a director for the BBC in this period.[5]

Bremen years

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Returning to Germany in 1958, Zadek worked in Theater Bremen from 1962 to 1968. In 1969, he directed the film I'm an Elephant, Madame. It was entered into the 19th Berlin International Film Festival, where it won a Silver Bear award.[6]

Shakespeare as passion

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Zadek and his partner Elisabeth Plessen, have translated many of Shakespeare's works into German for the theater as well as works of Pinter and Chekhov, among others. Zadek was renowned for productions of Shakespeare's plays and for sparking a greater interest in English drama among German audiences. Almost three years, as the German critic and connoisseur of theater history, after his arrival in Germany was Zadek in to the German scene. 14 stagings in three years and four in the following six months: „Zadek was in a rush of making“ (im Rausch des Machens), and his „Theatermut“ (theater-courage) rejected the literary Shakespeare and took his absurdly grotesque side out.[7] So Zadek's acclaimed staging of Der Kaufmann von Venedig (The Merchant of Venice) at Burgtheater in 1988 f. e. moved the story from the bankrupt businessman and the deadly pledge for the saving credit wisely and harmoniously into the modern every daylife.[8]

Illness and death

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Despite suffering from an illness, Zadek continued working in his later years. In 2008, he staged Pirandello's Naked at the St. Pauli Theater in Hamburg. Zadek's last production was Shaw's Major Barbara, performed at the Schauspielhaus Zurich in February 2009. He died on 30 July 2009 in Hamburg,[9] survived by his two children.

Head of theatres

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He headed up such major German theatres as the Schauspiel Bochum, where he shaped the Zadek-Era.[10] from 1972 to 1979. Here he paved the career of performers, Herbert Grönemeyer, today one of the most popular singer-songwriters who was then his musical director in 1976 and also an actor in roles, such as Melchior in Wedekind's Frühlings Erwachen,[11] and secondly Natias Neutert, who performed his One-Mensch-Theater.[12]

In 1984, Zadek worked at the Freie Volksbühne Berlin and got a great success with Josua Sobol’s playwright Ghetto with his discovery of the actor Ulrich Tukur (who later became staff actor within the ensemble of Deutsches Schauspielhaus) 1985–1989 at Deutsches Schauspielhaus, Hamburg. From 1992 to 1996 Zadek was appointed as one head among others at the Berliner Ensemble, the theater founded by Bertolt Brecht.[13] After German reunification the Senate of Berlin appointed a "collective" of five stage directors to serve as Intendanten (General Administrators): Peter Zadek, Peter Palitzsch (1918–2004),[14] Heiner Müller, Fritz Marquardt and Matthias Langhoff. In this former East German theater Zadek was a director who represented the West. Indeed, he brought with him an international team that formed a "Western invasion" which revived the Berliner Ensemble. In addition to bringing great actors such as Gert Voss and Eva Mattes, Zadek brought in young protégé stage directors such as British director Rosee Riggs and also appointed renowned American Berlin-based conductor Alexander Frey as Music Director of the theater. Frey was the first American to hold any position at the Berliner Ensemble, as well as being the theatre's first non-German Music Director; his historic predecessors include the composers Kurt Weill, Hanns Eisler, and Paul Dessau —all of them worked under Brecht.[15][16]

Opera director

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Zadek directed his first opera, Mozart's The Marriage of Figaro, in 1983. He also directed Kurt Weill's Aufstieg und Fall der Stadt Mahagonny at the Salzburg Festival in 1998.[17]

Acting

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Zadek acted in a small role in Rainer Werner Fassbinder's film Die Sehnsucht der Veronika Voss (Veronika Voss, 1982).[18]

Awards

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Burgtheater, Vienna, locus of his acclaimed The Merchant of Venice
 
St. Pauli Theater Hamburg
 
Schauspielhaus Zurich

Besides being chosen as "Director of the year" numerous times by the Theater heute magazine, he received the following awards:

Europe Theatre Prize

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In 2007, he was awarded the XI Europe Theatre Prize, in Thessaloniki. The prize organization stated:

In giving the award to Peter Zadek, we wanted to salute the work of an artist who, in a long career beginning in England and continuing for more than forty years in Germany, has reinvented the art of the theatre director by working at the same time both directly on the text with his chosen actors, and in pursuit of a ‘conceptual’ method of directing. Thus he has found, and continues to find, his personal vision and create with it a lively impact in each production, while retaining the principles of his ‘guiding spirits’, Shakespeare, Ibsen and Chekhov.[21]

Legacy

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Following Zadek's death, British critic Michael Billington wrote in The Guardian:

"Zadek was mercurial, intuitive, even populist in his approach – and the results were sometimes astonishing. Four of his shows came to the Edinburgh International festival and he always made you re-assess a play. I recall a modern-dress Merchant of Venice in which Gert Voss's assimilated Shylock, even after his humiliation in the trial scene, coolly strolled off stage as if preparing to phone his broker. In 2004, Zadek also brought us a brilliantly witty, ironic Peer Gynt: one that suggested Ibsen anticipated Strindbergian dream-drama, Brechtian expressionism, the madhouse world of the Marat/Sade and even modern physical theatre."[22]

Billington also wrote in the same article:

"Although Zadek made his name in Germany, he never forgot his British roots. When I went to see his Berlin production of Pinter's Moonlight, he told me that he loved Pinter's work because of its origins in weekly rep and because, as he said, "it was like a combination of Agatha Christie and Kafka". But Zadek also understood Pinter's play profoundly: rarely have I seen Pinter's idea that women possess an emotional awareness denied to men so vividly expressed."[22]

In 1999 in Vienna, when he directed Hamlet with a woman in the title role, the Austrian newspaper Wiener Zeitung criticized him having too much of a "children belief in justice"[23] (Kinderglaube an Gerechtigkeit).

In 2015, the city of Bochum designated a newly built street close to the Schauspielhaus Bochum as Peter-Zadek-Straße.[24]

Filmography

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References

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  1. ^ "Zadek Peter". WIEM Encyclopedia (in Polish). Retrieved 8 June 2007.
  2. ^ "Zadek Peter". Internetowa encyklopedia PWN (in Polish). Archived from the original on 11 February 2012. Retrieved 8 June 2007.
  3. ^ "Peter Zadek". Centre for Translation and Textual Studies. Archived from the original on 26 September 2006. Retrieved 9 June 2007.
  4. ^ a b Rorrison, Hugh (3 August 2009). "Peter Zadek - Obituary". The Guardian. Retrieved 23 August 2021.
  5. ^ "Peter Zadek". inquirer.com. 1 August 2009. Retrieved 16 November 2020.
  6. ^ "Berlinale 1969: Prize Winners". berlinale.de. Retrieved 6 March 2010.
  7. ^ Cf. the chapter Zadeks Rausch in v: Theater in Deutschland 1945–1966. Seine Ereignisse — seine Menschen. S. Fischer Verlag, München 2014. ISBN 978-3-10-001461-0
  8. ^ Jenny, Urs (18 December 1988). "Die ganze Welt ist eine Börse SPIEGEL-Redakteur Urs Jenny über Peter Zadeks "Kaufmann von Venedig" am Wiener Burgtheater". Der Spiegel (in German). Retrieved 23 August 2021.
  9. ^ "Stimmen zum Tod von Peter Zadek". Der Tagesspiegel (in German). 30 July 2009. Retrieved 23 August 2021.
  10. ^ "Gusto der Gäste". Der Spiegel (in German). 24 September 1972. Retrieved 23 August 2021.
  11. ^ "Über Schröder kann man nicht singen". Zeit-Online. Retrieved 23 February 2009.
  12. ^ Cf. Neutert unterwegs in: Die Zeit, No. 32. 4 August 1978.
  13. ^ Cf. Rolf Michaelis: Mords-Musical in: Die Zeit 20 July 1984
  14. ^ Rorrison, Hugh (28 December 2004). "Obituary: Peter Palitzsch". The Guardian. Retrieved 23 August 2021.
  15. ^ Wekwerth, Manfred (2015). Erinnern ist Leben eine dramatische Autobiografie (in German). Berlin: Neues Leben. ISBN 978-3-355-01827-2. OCLC 899147315.
  16. ^ Tischer, Matthias (2009). Komponieren für und wider den Staat : Paul Dessau in der DDR (in German). Köln: Böhlau. ISBN 978-3-412-20459-4. OCLC 471671745.
  17. ^ Matussek, Matthias (26 July 1998). "Über die Wolken!". Der Spiegel (in German). Retrieved 23 August 2021.
  18. ^ "Veronika Voss". 13 May 1982 – via www.imdb.com.
  19. ^ "XI Edizione". Premio Europa per il Teatro (in Italian). Retrieved 2 January 2023.
  20. ^ "Der große Theatermagier Zadek". Frankfurter Rundschau. Frankfurt. dpa. 21 November 2008. Retrieved 12 October 2019.
  21. ^ "Europe Theatre Prize - XI Edition - premio". archivio.premioeuropa.org. Retrieved 2 January 2023.
  22. ^ a b Michael Billington "Peter Zadek's death is a loss to all European theatre", The Guardian (blog entry), 3 August 2009
  23. ^ Haider-Pregler, Hilde (25 May 1999). "Festwochen im Volkstheater: P. Zadeks "Hamlet"-Inszenierung". Bühne - Wiener Zeitung Online (in German). Retrieved 23 August 2021.
  24. ^ Westernströer, Sven (10 October 2019). "Bochum hat jetzt eine Peter-Zadek-Straße". Westfalenpost (in German). Essen. Retrieved 9 April 2020.
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