Revolutions is the ninth studio album by electronic musician and composer Jean-Michel Jarre, first released in September 1988. The album reached number 2 in the UK charts, Jarre's best chart position since Oxygène. The Destination Docklands concert in London coincided with the release of the album.
The album was recorded and mixed at Croissy studio.[5] A key feature of the record is the constant presence of the Roland D-50, a digital synthesizer which Jarre called the "anti Yamaha DX7," complimenting its "warm sound."[6]Revolutions consists predominantly of the synthesizer's presets; despite dismissing the DX7 for permitting a similar reliance, Jarre defended this decision by stating that "If you like the sound of the piano, you don't try to change or twist the sound. You use it. The same goes for a violin or a clarinet. So, if there is a sound that you like in the synth, why should you go 'no, since it's in the instrument, we should not use it?' That's stupid."[6]
The song "London Kid" was a collaboration with Shadows guitarist Hank Marvin.[7] The title track contains reworked samples of an unpublished composition by Turk Kudsi Erguner, which Jarre had acquired from ethnologist Xavier Bellenger.[8] Jarre, meanwhile, claimed in a 2018 interview that Erguner was hired as a session musician before abruptly suing his past collaborators in a bid for royalties.[6] Regardless, Erguner took his case to court and won a modest indemnity.[8] Jarre removed the flute part — the Ney — from new releases of the record and from live performances, the track was later retitled as "Revolution, Revolutions".[citation needed] Jarre stated that he preferred the remixed version of the track, describing the court case with Erguner as "a good opportunity to change it."[6] The title track also featured vocoder by Jarre and Michel Geiss. The track "September" is dedicated to South AfricanANC activist Dulcie September, who was assassinated in Paris on 29 March 1988.[5]
