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Haydn Quartet (vocal ensemble)

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The Haydn Quartet, later known as the Hayden Quartet, was one of the most popular recording close harmony quartets in the early twentieth century. It was originally formed in 1896 as the Edison Quartet to record for Edison Records; it took its new name when recording for other companies. The name was a homage to Joseph Haydn, the classical composer; the spelling was later revised to Hayden, which reflects the way it was pronounced.[1] The group disbanded in 1914.

Haydn Quartet
Founding members of the Edison Quartet, 1896
Founding members of the Edison Quartet, 1896
Background information
Also known asThe Edison Quartet
Hayden Quartet
GenresVocal group
Years active1896–1914
LabelsVictor, Edison
Past members

Formation

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The Haydn Quartet originally formed under the name "Edison Quartet" in 1896, with a membership of John Bieling (tenor), Jere Mahoney (tenor), Samuel Holland Rous (who performed under the name S. H. Dudley, baritone),[2] and William F. Hooley (bass). Mahoney was soon replaced by John Scantlebury Macdonald, who used the pseudonym Harry Macdonough.[3] They recorded as the Edison Quartet (or Edison Male Quartet), before taking the name Haydn Quartet in order to record for companies other than Edison.[4]

In 1901 they signed a contract with the Victor Talking Machine Company, and in 1902 also traveled to the UK to record for the Gramophone Company, which was Victor's affiliate.[5] The group had great success over the next decade as one of the premier recording groups of the time, on a par with the Peerless Quartet. The Haydn Quartet often sang material at a slower tempo and in a statelier fashion than other groups.[1] The ensemble also performed vaudeville and minstrel show songs, one of which, "The Camp Meeting Jubilee", released in 1904 as Victor no. 4003, includes a very early recorded use of the phrase "rockin' and rollin'", albeit used with a spiritual rather than secular connotation.[6][7]

Recordings credited to the Haydn Quartet began to be phased out in 1908.[5] After that time, Billy Murray frequently sang lead with the group, and S. H. Dudley was often replaced by Reinald Werrenrath.[4] Following the successful collaborations between Murray and the Haydn Quartet, Victor organized a new group, the American Quartet, in 1910, with Murray, Bieling and Hooley from the Haydn Quartet, and baritone Steve Porter. The group's name was spelled Hayden after 1910. The quartet disbanded in 1914.[4] As well as members participating in the American Quartet, Macdonough and Hooley, together with Reinald Werranrath and tenor Lambert Murphy, also formed the Orpheus Quartet, who recorded successfully until 1919.[8]

In his book Pop Memories 1890-1954, music archivist and statistician Joel Whitburn assessed a variety of sources such as Talking Machine World's lists of top-selling recordings, and Billboard's sheet music and vaudeville charts, to estimate the most successful recordings of the period. He concluded that the Haydn Quartet had 62 "top ten" hits in all between 1898 and 1914, and in the decade 1900-1909 had more successful recordings than any other group, behind only Macdonough and Murray, who recorded as solo artists in addition to their group performances.[4] Although Whitburn's methods of assessment have been criticized,[9] this confirms that the group were one of the most popular of their era.

Discography

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Notes

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  1. ^ with Corinne Morgan.[15]
  2. ^ a b with Billy Murray

References

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  1. ^ a b c Library of Congress: Haydn Quartet. Retrieved 24 May 2013
  2. ^ "Allan Sutton, Harry Macdonough: Victor's Singing Executive". Archived from the original on 2019-01-18. Retrieved 2011-04-13.
  3. ^ Vocal Hall of Fame: The American Quartet Archived 2013-10-17 at the Wayback Machine. Retrieved 22 May 2013
  4. ^ a b c d e Whitburn, Joel (1986). Pop Memories 1890-1954: The History of American Popular Music. Menomonee Falls, Wisconsin: Record Research, Inc. pp. 201–203. ISBN 0-89820-083-0.
  5. ^ a b c d e f g h Gage Averill, Four Parts, No Waiting : A Social History of American Barbershop Quartet, Oxford University Press, 2003, pp.70-75
  6. ^ Meloware's Antique Phonograph Record Archive Archived 2004-08-18 at the Wayback Machine
  7. ^ Larry Birnbaum, Before Elvis: The Prehistory of Rock 'n' Roll, Scarecrow Press, 2012
  8. ^ Whitburn, Pop Memories 1890-1954, p.344
  9. ^ Tim Brooks, A Discographic Deception: Joel Whitburn’s Pop Memories, 1890‑1954, review for Antique Phonograph Monthly, 1987. Retrieved 20 May 2013
  10. ^ My Bonnie Lies Over The Ocean by The Haydn Quartet (1901). Retrieved 24 May 2013
  11. ^ Guy A. Marco, Frank Andrews (1993). Encyclopedia of Recorded Sound in the United States. Garland Pub. p. 315. ISBN 978-0-8240-4782-5. "In the Sweet By and By" (#16352; 1903)
  12. ^ David J. Steffen (2014). From Edison to Marconi: The First Thirty Years of Recorded Music. McFarland. p. 39. ISBN 978-0-7864-5156-2.
  13. ^ Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954. Wisconsin, USA: Record Research Inc. p. 528. ISBN 0-89820-083-0.
  14. ^ "The jolly blacksmiths With anvil effect". Library of Congress. Retrieved August 17, 2024.
  15. ^ Steve Sullivan (2013). Encyclopedia of Great Popular Song Recordings, Volume 1. Scarecrow Press. p. 812. ISBN 978-0-8108-8296-6.
  16. ^ Don Tyler (2007). Hit Songs, 1900-1955: American Popular Music of the Pre-Rock Era. McFarland. pp. 30–31. ISBN 978-0-7864-2946-2.
  17. ^ "Sunbonnet Sue". Library of Congress. Retrieved August 17, 2024.
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