Tomoyuki Itamura (Japanese: 板村 智幸, Hepburn: Itamura Tomoyuki) is a Japanese director, animator, and storyboard artist. He joined OLM in 2004 as an in-between animator and left in 2007 to join Shaft. Itamura took over the Monogatari series from Tatsuya Oishi as his television directorial debut with Nisemonogatari. With Akiyuki Shinbo, Itamura directed all subsequent televised installments until he left the studio following Owarimonogatari II.
Tomoyuki Itamura 板村 智幸 | |
---|---|
Born | Japan |
Occupation(s) | Animator, director, storyboard artist |
Years active | 2004–present |
Employer(s) | OLM (2004–2007) Shaft (2007–2017) |
Known for | Monogatari series (2011–2017)[a] |
Career
editItamura joined OLM in 2002, and he first served as an in-between animator on the studio's Pokémon Chronicles television series.[1] In 2006, he storyboarded two episodes of Ray the Animation,[2] and the following year left the studio, where he then joined Shaft. That year, he debuted as an episode director with the 3rd episode of Sayonara, Zetsubou-Sensei, and in 2008 debuted as a project director under the chief direction of Akiyuki Shinbo with Mahō Sensei Negima!: Shiroki Tsubasa Ala Alba.[3] In 2012, Itamura succeeded Tatsuya Oishi as the successor to Shaft's adaptation of the Monogatari series following Oishi's decision to animate the Kizumonogatari novels in film format (which was completed in 2017).[4]
Itamura was chosen to take over the Monogatari series succeeding Tatsuya Oishi due to Shinbo's faith in his abilities. In particular, Shinbo mentioned that he had been aware of Itamura since he joined Shaft, and the former believed that episode 2 of Bakemonogatari (which Itamura directed) was very good.[5] Itamura stayed with the Monogatari series for the rest of its run until 2017 with Owarimonogatari II with the exception of Kizumonogatari that Oishi had directed. Shinbo took over as sole director for the final part of the Final Season books, Zoku Owarimonogatari, and Itamura went independent of Shaft. He spent a few years working around at various studios until finally settling around Bones and Liden Films where he directed his first series outside of Shaft, The Case Study of Vanitas at the former and Call of the Night at the latter (with Tetsuya Miyanishi, who had worked on Monogatari under Itamura, serving as a co-director). Both works, like Monogatari, involve vampires, which led to Itamura humorously saying that he seemed to have a connection to vampire stories.[6] Although not his debut as a series director, The Case Study of Vanitas was Itamura's first work not under the chief direction of Shinbo, and he wanted to make a cool work even as an independent director.[6]
Style
editItamura's style, specifically as the director of the Monogatari series, has been described as being much more minimalistic than his predecessor Tatsuya Oishi, with analysis of his style placing emphasis on sharp color contrasts, shifts in stylistic artistry,[7] changes in overall color schemes, and the implementation of "chapter breaks" that make use of the "adaptive nature" of the series.[8] However, as Itamura was given the opportunity to take over the Monogatari series following Oishi's footsteps, Itamura's identity as a director can be seen as developing throughout the series.[9] Initially, Itamura incorporated (but more sparingly) similar visual language as far as on-screen text usage as his predecessor, such as having Kanji text flash as non-sequiturs, puns, wordplay, and so forth.[9] In Monogatari Series Second Season, Itamura attempts to use more text and flashes than previously, and using them in a wider variety of circumstances and performing a wider variety of jobs.[9] Whereas Oishi may have used paragraphs of text from the novel, or short fragments of sentences or Kanji, Itamura began to employ on-screen text as chapter titles (the aforementioned chapter breaks) or to represent character dialogues and thoughts.[10] however, in Tsukimonogatari, and in the rest of the series, the visual language changes to its final form in Itamura's care.[9] Rather than use Oishi's method of solidly-colored screens with text, Itamura used paper collage-like transitions that emphasized certain parts of the text by highlighting them.[9] Shifting away from using such transitions for tempo and visual emphasis, the final works in Itamura's Monogatari tenure instead make use of on-screen text to provide to the narrative itself, often showcasing unreliable narration from the perspective of a character or insight into their experiences.[10]
Reflecting on the eight years Itamura was a part of the Monogatari series, he said that he happened to join the production of Bakemonogatari at just the right time to work closely with Oishi, which he described as being a good learning experience.[11] He discussed with Shinbo in regard to him taking over the television series starting with Nisemonogatari, and understood that he wouldn't be able to imitate Oishi's style even if he wanted to.[12] Oishi himself was supportive of Itamura experimenting with his own style and finding his own version of the series through his work, though Itamura did, at first, use similar formats to Oishi at the beginning of his tenure on the series due to the circumstances of time and experience.[12] Some creators are able to create their works simply by reading the scenario they're given; though, Itamura describes himself as capable of working only after doing research.[12] In Sayonara, Zetsubou-Sensei, he was in charge of a segment that featured rakugo, so he went to a play in-person and watched ''Tiger & Dragon'' for research;[13] and in Owarimonogatari, he looked into ball-jointed dolls and cricket to use as motifs and gags.[12] Sound director Youta Tsuruoka described Itamura similarly, saying that Itamura was a director who worked more on "logic" whereas Oishi was more "intuitive."[14]
Works
editTelevision series
editIn "Director(s)" column highlights Itamura's directorial works.
Year | Title | Director(s) | Studio | SB[b] | ED[c] | Other roles and notes | Ref(s) |
---|---|---|---|---|---|---|---|
2002 | Pokémon Chronicles | Kunihiko Yuyama (chief) | OLM | No | No | In-between animator | [1] |
2005 | To Heart 2 | Norihiko Sutō | OLM | No | No | In-between animator | [15] |
2005 | Guyver: The Bioboosted Armor | Katsuhito Akiyama | OLM | No | No | In-between animator | [16] |
2006 | Ray the Animation | Naohito Takahashi | OLM | Yes | No | [2] | |
Utawarerumono | Tomoki Kobayashi | OLM | No | No | In-between animator | [17] | |
2007 | Negima!? | Akiyuki Shinbo Shin Oonuma (chief) |
Shaft | No | No | Assistant episode director | [18] |
Sayonara, Zetsubou-Sensei | Akiyuki Shinbo | Shaft | No | Yes | Key animator | [19][20] | |
Ef: A Tale of Melodies | Shin Oonuma | Shaft | No | No | 2nd key animator | [21] | |
2008 | (Zoku) Sayonara, Zetsubou-Sensei | Akiyuki Shinbo Yukihiro Miyamoto (chief episode) |
Shaft | Yes | Yes | Key animator | [22][23][24] |
Hidamari Sketch x 365 | Akiyuki Shinbo | Shaft | No | Yes | [25] | ||
Ef: A Tale of Melodies | Shin Oonuma | Shaft | Yes | No | [26] | ||
2009 | Maria Holic | Yukihiro Miyamoto (series) | Shaft | Yes | Yes | [27][28] | |
(Zan) Sayonara, Zetsubou-Sensei | Akiyuki Shinbo Yukihiro Miyamoto (chief episode) |
Shaft | Yes | No | [29] | ||
2009 | Bakemonogatari | Akiyuki Shinbo Tatsuya Oishi (series) |
Shaft | Yes | Yes | Assistant episode director Key animator |
[30][31][32][33] |
2010 | Arakawa Under the Bridge | Akiyuki Shinbo Yukihiro Miyamoto (series) |
Shaft | Yes | Yes | [34] | |
Arakawa Under the Bridge x Bridge | Akiyuki Shinbo Yukihiro Miyamoto (series) |
Shaft | Yes | No | [35] | ||
And Yet the Town Moves | Akiyuki Shinbo | Shaft | Yes | Yes | Key animator | [36][37][38] | |
2011 | Puella Magi Madoka Magica | Akiyuki Shinbo Yukihiro Miyamoto (series) |
Shaft | No | No | Opening director and storyboard | [39] |
Ground Control to Psychoelectric Girl | Akiyuki Shinbo (chief) Yukihiro Miyamoto (series) |
Shaft | Yes | Yes | Key animator | [40][41] | |
Hidamari Sketch x SP | Akiyuki Shinbo | Shaft | No | Yes | [42] | ||
2012 | Nisemonogatari | Akiyuki Shinbo Tomoyuki Itamura (series) |
Shaft | Yes | Yes | Key animator Assistant episode director |
[4][43][44][45][46] |
Nekomonogatari (Black) | Akiyuki Shinbo (chief) Tomoyuki Itamura |
Shaft | Yes | Yes | Key animator | [47][48][49] | |
2013 | Monogatari Series Second Season | Akiyuki Shinbo (chief) Tomoyuki Itamura |
Shaft | Yes | Yes | Key animator | [50][51][52] |
2014 | Hanamonogatari | Akiyuki Shinbo (chief) Tomoyuki Itamura |
Shaft | Yes | Yes | Key animator | [53][54][55] |
Mekakucity Actors | Akiyuki Shinbo (chief) Yuki Yase |
Shaft | No | No | 2nd key animator | [56] | |
Tsukimonogatari | Akiyuki Shinbo (chief) Tomoyuki Itamura |
Shaft | Yes | Yes | [57][58] | ||
2015 | Owarimonogatari | Akiyuki Shinbo (chief) Tomoyuki Itamura |
Shaft | Yes | Yes | [4][59][60] | |
2016 | March Comes In like a Lion | Akiyuki Shinbo Kenjirou Okada (series) |
Shaft | Yes | No | [61] | |
2017 | Owarimonogatari II | Akiyuki Shinbo (chief) Tomoyuki Itamura |
Shaft | Yes | Yes | [62][63][64] | |
2019 | Carole & Tuesday | Shinichirō Watanabe (chief) Motonobu Hori |
Bones | Yes | No | [65] | |
Ahiru no Sora | Keizō Kusakawa (chief) Shingo Tamaki |
Diomedéa | Yes | No | [66] | ||
2021 | Godzilla Singular Point | Atsushi Takahashi | Bones | Yes | No | [67] | |
The Case Study of Vanitas | Tomoyuki Itamura | Bones | Yes | No | Ending director and storyboard | [68][69] | |
2022 | Call of the Night | Tomoyuki Itamura Tetsuya Miyanishi (chief) |
Liden Films | Yes | No | Ending director and storyboard Assistant episode director Key animator |
[70][71][72] |
TBA | Call of the Night 2 | Tomoyuki Itamura | Liden Films | TBA | TBA |
OVAs
editYear | Title | Director(s) | Studio | SB[b] | ED[c] | Other roles and notes | Ref(s) |
---|---|---|---|---|---|---|---|
2009 | Mahō Sensei Negima!: Shiroki Tsubasa Ala Alba (#3) | Akiyuki Shinbo (chief) Tomoyuki Itamura |
Shaft Studio Pastoral |
Yes | No | [3] |
ONAs
editYear | Title | Director(s) | Studio | SB[b] | ED[c] | Other roles and notes | Ref(s) |
---|---|---|---|---|---|---|---|
2016 | Koyomimonogatari | Akiyuki Shinbo (chief) Tomoyuki Itamura |
Shaft | Yes | Yes | [73][74][75] | |
2020 | Super Shiro | Masaaki Yuasa (chief) Tomohisa Shimoyama (chief) |
Science SARU | Yes | No | [76] |
Films
editYear | Title | Director(s) | Studio | SB[b] | ED[c] | Other roles and notes | Ref(s) |
---|---|---|---|---|---|---|---|
2006 | Dōbutsu no Mori | Jōji Shimura | OLM | No | No | In-between animator | [77] |
2012 | Puella Magi Madoka Magica the Movie: Beginnings | Akiyuki Shinbo (chief) Yukihiro Miyamoto |
Shaft | Yes | Yes | [78] | |
Puella Magi Madoka Magica the Movie: Eternal | Akiyuki Shinbo (chief) Yukihiro Miyamoto |
Shaft | Yes | Yes | [79] | ||
2018 | I Want to Eat Your Pancreas | Shinichirō Ushijima | Studio VOLN | Yes | Yes | [80] |
Notes
editWorks cited
edit- Rubin, Lucy Paige (2017). Between Comedy and Despair: The House Style of Studio Shaft (Bachelor of the Arts). Wesleyan University. Retrieved May 24, 2021.
- Kushida, Makoto, ed. (2017). 〈物語〉Febri ["Monogatari" Febri] (in Japanese). Ichijinsha. ASIN B075QWP3NZ.
References
edit- ^ a b Pokémon Chronicles (in Japanese). Event occurs at ending credits; episode 16. 動画 - 板村智幸 [In-between animator - Tomoyuki Itamura]
- ^ a b Ray the Animation (in Japanese). Event occurs at ending credits; episodes 9, 11. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ a b Mahō Sensei Negima!: Shiroki Tsubasa Ala Alba (in Japanese). Event occurs at ending credits; episodes 3. 監督 - 板村智幸 [Director - Tomoyuki Itamura]
- ^ a b c Foronda, Anthony (October 2, 2015). "Anime Spotlight - Owarimonogatari". Anime News Network. Retrieved July 27, 2020.
- ^ Kushida 2017, p. 116.
- ^ a b Shimizu, Daisuke (September 23, 2021). セクシーかつ上品な『ヴァニタス』の妙味は、どのようにもたらされたのか──TVアニメ『ヴァニタスの手記』板村智幸(監督)インタビュー [How was the Sexy yet Elegant Appeal of "Vanitas" Created? An Interview with Tomoyuki Itamura (Director) of the TV Anime "The Case Study of Vanitas"]. Da Vinci (in Japanese). Retrieved December 25, 2024.
- ^ Creamer, Nick (January 18, 2017). "The Secret of Studio SHAFT". Anime News Network. Retrieved February 7, 2021.
- ^ Creamer, Nick (September 2, 2017). "A Monogatari Art Exhibition, Part 2". Crunchyroll. Retrieved February 7, 2021.
- ^ a b c d e Rubin 2017, p. 117.
- ^ a b Rubin 2017, p. 118.
- ^ Kushida 2017, p. 3.
- ^ a b c d Kushida 2017, p. 4.
- ^ Kushida 2017, p. 5.
- ^ Kushida 2017, p. 121.
- ^ To Heart 2 (in Japanese). Event occurs at ending credits; episode 1. 動画 - 板村智幸 [In-between animator - Tomoyuki Itamura]
- ^ Guyver: The Bioboosted Armor (in Japanese). Event occurs at ending credits; episodes 1, 5, 11, 15, 19, 23, 26. 動画 - 板村智幸 [In-between animator - Tomoyuki Itamura]
- ^ Utawarerumono (in Japanese). Event occurs at ending credits; episode 1. 動画 - 板村智幸 [In-between animator - Tomoyuki Itamura]
- ^ Negima!? (in Japanese). Event occurs at ending credits; episode 25. 演出協力 - 板村智幸 [Assistant episode director - Tomoyuki Itamura]
- ^ Sayonara, Zetsubou-Sensei (in Japanese). Event occurs at ending credits; episode 3. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ Sayonara, Zetsubou-Sensei (in Japanese). Event occurs at ending credits; episodes 3, 6, 10. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ Ef: A Tale of Melodies (in Japanese). Event occurs at ending credits; episode 12. 第2原画 - 板村智幸 [2nd key animator - Tomoyuki Itamura]
- ^ (Zoku) Sayonara, Zetsubou-Sensei (in Japanese). Event occurs at ending credits; episodes 2, 7, 10, 13. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ (Zoku) Sayonara, Zetsubou-Sensei (in Japanese). Event occurs at ending credits; episodes 7, 13. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ (Zoku) Sayonara, Zetsubou-Sensei (in Japanese). Event occurs at ending credits; episode 10. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ Hidamari Sketch x 365 (in Japanese). Event occurs at ending credits; episodes 5, 10. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ Ef: A Tale of Melodies (in Japanese). Event occurs at ending credits; episodes 6, 10. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Maria Holic (in Japanese). Event occurs at ending credits; episode 4. 絵演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ Maria Holic (in Japanese). Event occurs at ending credits; episodes 4, 7, 9. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ (Zan) Sayonara, Zetsubou-Sensei (in Japanese). Event occurs at ending credits; episodes 5, 7–8. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Bakemonogatari (in Japanese). Event occurs at ending credits; episodes 2–3, 11, 14. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ Bakemonogatari (in Japanese). Event occurs at ending credits; episodes 7–10. 演出協力 - 板村智幸 [Assistant episode director - Tomoyuki Itamura]
- ^ Bakemonogatari (in Japanese). Event occurs at ending credits; episode 11. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ Bakemonogatari (in Japanese). Event occurs at ending credits; episodes 11–12, 14. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Arakawa Under the Bridge (in Japanese). Event occurs at ending credits; episode 9. 絵コンテ / 演出 - 板村智幸 [Storyboard artist / Episode director - Tomoyuki Itamura]
- ^ Arakawa Under the Bridge x Bridge (in Japanese). Event occurs at ending credits; episode 4. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ And Yet the Town Moves (in Japanese). Event occurs at ending credits; episodes 1, 7. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ And Yet the Town Moves (in Japanese). Event occurs at ending credits; episode 7. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ And Yet the Town Moves (in Japanese). Event occurs at ending credits; episode 7. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Puella Magi Madoka Magica (in Japanese). Event occurs at opening credits. OP演出 / OP絵コンテ - 板村智幸 [OP director / OP storyboard artist - Tomoyuki Itamura]
- ^ Ground Control to Psychoelectric Girl (in Japanese). Event occurs at ending credits; episodes 1, 9. 演出 / 絵コンテ - 板村智幸 [Episode director / Storyboard artist - Tomoyuki Itamura]
- ^ Ground Control to Psychoelectric Girl (in Japanese). Event occurs at ending credits; episode 9. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ Hidamari Sketch x SP (in Japanese). Event occurs at ending credits; episode 1. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ Nisemonogatari (in Japanese). Event occurs at ending credits; episodes 1, 3, 8. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Nisemonogatari (in Japanese). Event occurs at ending credits; episodes 1, 8. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ Nisemonogatari (in Japanese). Event occurs at ending credits; episode 8. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ Nisemonogatari (in Japanese). Event occurs at ending credits; episode 11. 演出協力 - 板村智幸 [Assistant episode director - Tomoyuki Itamura]
- ^ Sherman, Jennifer (December 7, 2012). "Nekomonogatari Black Anime's Promo Streamed". Anime News Network. Retrieved July 27, 2020.
- ^ Nekomonogatari (Black) (in Japanese). Event occurs at ending credits; episodes 3–4. 絵コンテ / 演出 - 板村智幸 [Storyboard artist / Episode director - Tomoyuki Itamura]
- ^ Nekomonogatari (Black) (in Japanese). Event occurs at ending credits; episode 4. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ "[〈物 語 〉 モノガタリ シリーズ セカンドシーズン]". Media Arts Database (in Japanese). Agency for Cultural Affairs. Retrieved September 7, 2020.
- ^ Monogatari Series Second Season (in Japanese). Event occurs at ending credits; episodes 1, 5. 絵コンテ / 演出 - 板村智幸 [Storyboard artist / Episode director - Tomoyuki Itamura]
- ^ Monogatari Series Second Season (in Japanese). Event occurs at ending credits; episode 23. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ Nelkin, Sarah (March 24, 2014). "Monogatari 2nd Season's Hanamonogatari 1st Promo Streamed". Anime News Network. Retrieved July 27, 2020.
- ^ Hanamonogatari (in Japanese). Event occurs at ending credits; episode 5. 絵コンテ / 演出 - 板村智幸 [Storyboard artist / Episode director - Tomoyuki Itamura]
- ^ Hanamonogatari (in Japanese). Event occurs at ending credits; episode 5. 原画 - 板村智幸 [Key animator - Tomoyuki Itamura]
- ^ Mekakucity Actors (in Japanese). Event occurs at ending credits; episode 12. 第二原画 - 板村智幸 [2nd key animator - Tomoyuki Itamura]
- ^ Loo, Egan (December 12, 2013). "Monogatari 'Final Season's' 2nd Tsukimonogatari Promo video Previews ClariS Song". Anime News Network. Retrieved July 27, 2020.
- ^ Tsukimonogatari (in Japanese). Event occurs at ending credits; episode 4. 絵コンテ / 演出 - 板村智幸 [Storyboard artist / Episode director - Tomoyuki Itamura]
- ^ Owarimonogatari (in Japanese). Event occurs at ending credits; episodes 1–2. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Owarimonogatari (in Japanese). Event occurs at ending credits; episodes 1–2, 8–9. 演出 - 板村智 [Episode director - Tomoyuki Itamura]
- ^ March Comes In like a Lion (in Japanese). Event occurs at ending credits; episode 4. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Pineda, Rafael Antonio (July 27, 2017). "Owarimonogatari Season 2 Anime Special's Trailer Previews Claris' Theme Song". Anime News Network. Retrieved July 27, 2020.
- ^ Owarimonogatari II (in Japanese). Event occurs at ending credits; episodes 1, 4, 7. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ Owarimonogatari II (in Japanese). Event occurs at ending credits; episodes 1–3, 7. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Carole & Tuesday (in Japanese). Event occurs at ending credits; episodes 14, 18, 23. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Ahiru no Sora (in Japanese). Event occurs at ending credits; episodes 10, 13, 18, 24. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Godzilla Singular Point (in Japanese). Event occurs at ending credits; episodes 4–5. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Hodgkins, Crystalyn (March 28, 2021). "The Case Study of Vanitas Manga Gets TV Anime This Summer by BONES". Anime News Network. Retrieved March 28, 2021.
- ^ The Case Study of Vanitas (in Japanese). Event occurs at ending credits; episodes 1–2, 4–7, 12–13, 23, and ending staff (エンディングスタッフ) list. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Mateo, Alex (November 10, 2021). "Kotoyama's Vampire Manga Call of the Night Gets TV Anime Next July". Anime News Network. Retrieved November 10, 2021.
- ^ Call of the Night (in Japanese). Event occurs at ending credits; episodes 9, 13, and ending animation (エンディングアニメーション) list. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Call of the Night (in Japanese). Event occurs at ending credits; ending animation (エンディングアニメーション) list. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ "Koyomimonogatari Gets Short Anime Debuting in App on January 9". Anime News Network. December 10, 2015. Retrieved July 27, 2020.
- ^ Koyomimonogatari (in Japanese). Event occurs at ending credits; episodes 1–2. 演出 - 板村智幸 [Episode director - Tomoyuki Itamura]
- ^ Koyomimonogatari (in Japanese). Event occurs at ending credits; episodes 11–12. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Super Shiro (in Japanese). Event occurs at ending credits; episode 35. 絵コンテ - 板村智幸 [Storyboard artist - Tomoyuki Itamura]
- ^ Dōbutsu no Mori (in Japanese). Event occurs at ending credits. 動画 - 板村智幸 [In-between animator - Tomoyuki Itamura]
- ^ Puella Magi Madoka Magica the Movie: Beginnings (in Japanese). Event occurs at ending credits. 演出 / 絵コンテ - 板村智幸 [Unit director / Storyboard artist - Tomoyuki Itamura]
- ^ Puella Magi Madoka Magica the Movie: Eternal (in Japanese). Event occurs at ending credits. 演出 / 絵コンテ - 板村智幸 [Unit director / Storyboard artist - Tomoyuki Itamura]
- ^ I Want to Eat Your Pancreas (in Japanese). Event occurs at ending credits. 演出 / 絵コンテ - 板村智幸 [Unit director / Storyboard artist - Tomoyuki Itamura]
External links
edit- Tomoyuki Itamura at Anime News Network's encyclopedia
- Tomoyuki Itamura at IMDb