User:Visarga/Para-triska-vivarana Old Notes

New notes

User:Visarga/Para-triska-vivarana

Old notes

• Pasyanti, Madhiyama and Vaikhari
• Sambandha - the guru-disciple relationship (6 types)
• The various meanings of Anuttara
• The triad of pramatri, pramana, prameya
• The various meanings of Kaula
• Kaulika Siddhi
• The four energies Kechari, Gochari, Dikcari, Bhucari
• Aham and Maha
• The four Anda
• The Siva-Sakti-Nara diagram, Iccha-Jnana-Kriya
• The 3 worlds : bhava, abhava, atibhava
• The triad Para, Para-apara, Apara
• The four subjects - cit pramata, citta pramata, prana pramata and deha pramata
• The triad of satta (existence), Sambandha (relation), Arthakriya (purpose)
• The Vama system, the five Ms (meat, fish, wine, mudra, maithuna)
• The 5x5 Matrika Table for the first 25 phonemes
• Mala
• On Tattvas, Prithivi
• The phonematic emanation
• Creation as Evolution
• Bimba-Pratibimba
• The two overlapping triangles of Siva trikona and Sakti trikona, (pramata, prameya, pramana)
• Aspects of manifestation - udyoga, avabhasa, carvana, vilopana
• The quanta of Fire, Sun and Moon of
• The six branches of yoga is K.S.
• Esoteric Nyasa (5 zones)
• Bhakti
• The force centers (chakras) in K.S.
• the five means of knowledge (pramāṇas): perception, inference (three types of inference), testimony, etc
• bhāsā - the light of Consciousness, without obstacles
• aham is Mātṛkā
• visarga, the virile energy, permeates the universe
• anuttara is to be attained by visarga
• mālinī, its role in the apparition of thoughts
• centering on the I-consciousness in the heart and navel
• kechari sāmya - identity with the Divine Consciousness
• to be called vira or yoginī one must have attained kechari sāmya - identity with the Divine Consciousness
• śat-tarka - pure reasoning leading to liberation of one's self and of the others; immediately precedes samādhi in Trika-yoga
• bindu and visarga - the same creative energy, related to the phases of resorption and respectively emission
• kalā and svara - the same realities of the phonematic sound, in internal and external aspect
• the four aspects of manifetation: udyoga, avabhāsa, carvaṇa and vilāpana; their substrate is brahman or sāmarasya
• the 16 forms (kalā) of experience (pramiti) : (pramātā, pramāṇa, prameya and māyā) x (udyoga, avabhāsa, carvaṇa and vilāpana); the 17th form of experience is parā-śakti or svātantrya
• the divisions of the subject(fire/Agni), knowledge (sun/Surya) and object (moon/Soma)
• the two types of spanda: general (sāmānya spanda) and particular (viśeṣa spanda)
• the six limbs of yoga according to Śaivāgama
• anuttara - transcendence but not separation
• amṛitabīja - description and effects
• parā and aparā - definitions
• "everything in in the form of everything else" - principle - sarvasarvātmakatā vapuḥ
• the heart - the essential nature of the phenomenal reality, is brahman; hṛdaya is also identified with "icchā after ānanda", a form known as pure consciousness - bodhamaya; hṛdaya is defined as union of akula and the pulsating kulaśakti, and all those who a re joined in this primal state

• ānandaśakti is the base of the rise of pure icchāśakti; pure icchāśakti is implicit in ānanda; the creative desire is well linked with kulaśakti; leves of icchā
• Brahman - virile principle full of the mass of bliss - ānandaśaktighanaṃ
• yāmala, union of a vira and a yogini, conduces to experience of the beatitude of the Self
• using breath as support for calming the mind in meditation - the mind is "permeated" by vāyu
• lingam(male organ) - associated with jñānaśakti and yoni(female organ) associated with kriyāśakti
• phoneme "sa" - the third brahma of the formule 'auṃ tat sat'
• hṛdayaṃ - the place of repose of the Lord, source of all creative energy
• uccāra - short definition - by the recitation of the mantra, the yogi becomes tottaly absorbed in prāṇa
• 8 deities presiding over the groups of phonemes - Yogīśvari, Brāhmī, Maheśvarī, Kaumārī, Vaiṣṇavī, Vārāhī, Aindrī, Cāmuṇḍā
• the triangle of śaktis : parā(uppper), aparā(left) and parāparā(right), presided by Parātītā devi - transcendence(center)
• phisical union of a couple is kriyāmudrā; spiritual union of deities is jñānamudrā and does not entail an actual intercourse; a vira and a yoginī unite without ejaculation, even as they exprience orgasm* to be called vira or yoginī one must have attained kechari sāmya - identity with the Divine Consciousness
• stages of intercourse: pervasion of parā, pervasion of parāparā and pervasion of aparā
• smarānanda - bliss of sexual union by recollection
• amṛtakalās - the four vowels ṛ, ṝ, ḷ, ḹ - when they are dissolved inside, the entire objectivity is unified with one's Self; also known as śunya-catuṣa - the four void vowels
• caturdaśa - the number "40", described as the triad: parā, parāparā and aparā plus the 36 tattvas; the 36 tattvas are purified by supreme triad
• ū (ūnatā) is the intermediate point between jñānaśakti and kriyaśakti
• sāmānya spanda is identified with akula; is is also equated to vimarśa-śakti of the Divine
• the 16 vowels - a short review
• the five kind of experients (physica, pranic, subtle, inner self, supreme self); five bodies : spanda śarira, śākta śarira, puryaṣṭaka śarira, prāṇa śarira, sthūla śarira
• śūnyātiśūnya (vyomasamādhi) - the void inbetween the stage of jñāna and kriyā; its stages are represented by the void vowels
• puryaṣṭaka - definition