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We Still Kill the Old Way (1967 film)

For the 2014 film, see We Still Kill the Old Way (2014 film).

We Still Kill the Old Way (Italian: A ciascuno il suo; lit. 'To each his own') is a 1967 Italian crime film directed by Elio Petri. It is based on the novel To Each His Own by Leonardo Sciascia.[1][3]

We Still Kill the Old Way
Italian film poster
Directed byElio Petri
Screenplay by
Based onTo Each His Own
by Leonardo Sciascia
Produced byGiuseppe Zaccariello
Starring
CinematographyLuigi Kuveiller
Edited byRuggero Mastroianni
Music byLuis Enriquez Bacalov
Production
company
Cemofilm[1]
Distributed by
Release date
  • 24 February 1967 (1967-02-24) (Italy)[2]
Running time
92 minutes
CountryItaly
LanguageItalian

Plot

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The death threats against the local pharmacist Arturo Manno do not surprise any of his friends because he is a known womanizer in his small town. They do not take his reports seriously until Manno, together with his friend Antonio Roscio, is killed while hunting one early morning. Suspicion falls on the father and two brothers of the Manno's underage servant Rosina, with whom Manno had an affair. Professor Laurana, who had seen one of the extortion letters, does not believe in the guilt of these illiterate men since the letters had been made with clippings from the Osservatore Romano, a Vatican newspaper with only two local subscribers.

Laurana asks his lawyer friend Rosello to take care of the prisoners, and begins his own research, also motivated by his secret love for Luisa Roscio, the widow of Manno's murdered companion. Roscio's father, who had been against his son's marriage to Luisa from the beginning, hands him over Roscio's diary, which has pages missing. From a friend and member of the Palermo city council, Laurana learns that Roscio had been fearing for his life because he was collecting evidence against a corrupt prominent citizen from Laurana's hometown. Roscio had been convinced that the death threats against Manno were a cover-up and that Roscio himself was actually the person in danger. Luisa, who rejects Laurana's advances but seemingly supports his research, tells him that she suspects her cousin Rosello to be involved in the case.

Laurana meets with Rosello, who takes him in his car to a mysterious appointment. Laurana, who realises that his own life is in danger now, pretends that he has left a diary with the details of his research in Palermo. The angry Rosello takes him back to the village and throws him out of the car. The next day, Laurana tells Luisa that he had only been bluffing and that his alleged diary doesn't exist. Luisa takes him to a place by the seaside, where she leaves him after again rejecting his blunt advances. A group of local men beats up Laurana, kills him and lets his body disappear. Some time later, Rosello and Luisa marry, watched by Rosello's and Laurana's acquaintances, who comment disparagingly on the scheme but also on Laurana's naivety.

Cast

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Awards

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References

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  1. ^ a b c "A ciascuno il suo". Cinematografo (in Italian). Retrieved 24 December 2023.
  2. ^ Curti, Roberto (2021). Elio Petri: Investigation of a Filmmaker. McFarland. p. 117. ISBN 9781476680347.
  3. ^ "A Ciascuno il Suo". Chicago Reader. 22 January 2008. Retrieved 1 October 2020.
  4. ^ "A ciascuno il suo". Festival de Cannes. Retrieved 24 December 2023.
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