Korean

edit

Etymology

edit
Korean numbers (edit)
 ←  12 13 14  → 
    Native isol.: 열셋 (yeolset)
    Native attr.: 열세 (yeolse)
    Sino-Korean: 십삼 (sipsam)
    Hanja: 十三

Sino-Korean word from 十三

Pronunciation

edit
Romanizations
Revised Romanization?sipsam
Revised Romanization (translit.)?sibsam
McCune–Reischauer?sipsam
Yale Romanization?sip.sam

Numeral

edit

십삼 (sipsam) (hanja 十三)

  1. (Sino-Korean numeral) thirteen
    Synonyms: 열셋 (yeolset, thirteen, native nominal numeral), 열세 (yeolse, thirteen, native determiner numeral)

Usage notes

edit

In modern Korean, numbers are usually written in Arabic numerals.

The Korean language has two sets of numerals: a native set of numerals inherited from Old Korean, and a Sino-Korean set which was borrowed from Middle Chinese in the first millennium C.E.

Native classifiers take native numerals.

Some Sino-Korean classifiers take native numerals, others take Sino-Korean numerals, while yet others take both.

Recently loaned classifiers generally take Sino-Korean numerals.

For many terms, a native numeral has a quantifying sense, whereas a Sino-Korean numeral has a sense of labeling.

  • 반(班) (se ban, three school classes, native numeral)
  • 반(班) (sam ban, Class Number Three, Sino-Korean numeral)

When used in isolation, native numerals refer to objects of that number and are used in counting and quantifying, whereas Sino-Korean numerals refer to the numbers in a more mathematical sense.

  • 하나 주세 (hana-man deo juse-yo, Could you give me just one more, please, native numeral)
  • 더하기 ? (il deohagi ir-eun?, What's one plus one?, Sino-Korean numeral)

While older stages of Korean had native numerals up to the thousands, native numerals currently exist only up to ninety-nine, and Sino-Korean is used for all higher numbers. There is also a tendency—particularly among younger speakers—to uniformly use Sino-Korean numerals for the higher tens as well, so that native numerals such as 일흔 (ilheun, “seventy”) or 아흔 (aheun, “ninety”) are becoming less common.

  NODES
Note 3