Antke Engel (born 21 September 1965 in Hamburg) is a German philosopher and publicist. Together with Sabine Hark, she is one of the pioneers of Butler reception in Germany,[1] teaches as a visiting professor for Queer Studies at various universities and is the founder and director of the Institute for Queer Theory[2] in Berlin.
Career
editAntke Engel studied philosophy, education and geography in Bielefeld and Hamburg. In 1995, she obtained her Magistra Artium in Philosophy at the University of Hamburg with the thesis "Abschied von der Binarität? Die Kategorie Geschlecht im feministisch-philosophischen Diskurs".[3] In 2001, she received her doctorate in philosophy from the University of Potsdam with a queer-theoretical thesis published under the title "Wider die Eindeutigkeit".[4] She has been a visiting professor at the Universities of Hamburg (2003/04 and 2005), Vienna (2011),[5] at the Alice Salomon University of Applied Sciences Berlin (2015) and the TU Darmstadt (2018/2019).[6] From 2007 to 2009 she was a Research Fellow at the Institute for Cultural Inquiry (ICI) Berlin,[7] which resulted in the publication of her second monograph "Images of Sexuality and Economy" (2009).[8][9] She held further fellowships in 1995 at the Institute for Human Sciences, in 2018 at the London School of Economics[10] and in 2018/2019 as Asa Briggs Visiting Fellow at the University of Sussex.
In 2006, Engel founded the Institute for Queer Theory (iQt), which she has headed ever since. Opened in Hamburg in the Prinzenbar of the Dock and launched with lectures by Lisa Duggan and Judith Butler, it is now located on the site of the former Berliner Kindl-Brauerei in Neukölln in the immediate vicinity of the Schwuz. As director of the iQt, Engel conceives and organises events that are oriented towards a "queer politics of representation".[11] She promotes international academic exchange through lecture series and conferences, in which experimentation with event formats and the participatory involvement of visitors play an important role.[12] Together with Jess Dorrance, she organised the project "Bossing Images: The Power of Images, Queer Art and Politics" launched by the New Society for Visual Arts between 2012 and 2016.[13]
Antke Engel is on the scientific advisory board of Femina Politica, the IPAK Research Center for Cultures, Politics and Identities in Belgrade, an associate member of the Centre for Transdisciplinary Gender Studies at Humboldt-Universität zu Berlin and a member of the College of Expert Reviewers of the European Science Foundation. From 2010 to 2012, she was on the founding board of the Fachgesellschaft Geschlechterstudien.
Publishing activities
editFrom 1990 to 1997, Engel was co-publisher, editor and author of the Hamburger Frauenzeitung, an independent feminist journal, which is now archived in the Digital German Women's Archive. As a queer theorist, she has co-edited two monographs and various anthologies, including the volume "Queering Demokratie" (2000), which documents the first international queer conference in Germany, which was organised by the Heinrich Böll Foundation in Berlin in 1998 and co-organised by Engel. With the volumes "Hegemony and Heteronormativity"[14] and "Global Justice and Desire",[15] she contributed to the international debate on Queer Studies as an editor.
Engel wrote a basic essay on the concepts of gender and sexuality in the introductory volume "Poststructuralist Social Science"[16] published by Stephan Moebius and Andreas Reckwitz as well as an essay on queer methods in the volume "Dis/Kontinutäten. Feminist Theory"[17] published several times.
Engel has also published numerous academic articles, including in Peer-Review journals such as Feministische Studien, Femina Politica, NORA - Nordic Journal of Feminist and Gender Research, Qualitative Inquiry, where her queer-theoretical method of "engaged ekphrasis" was introduced into the international discussion on qualitative social research in 2018,[18] as well as art-theoretical essays, including in Kunstforum International, FKW - Zeitschrift für Geschlechterforschung und visuelle Kultur and the e-flux Journal.
Work
editEngel coined the term "strategy of disambiguation"[19] to distinguish queer political approaches from identity or minority political strategies.[4] At the forefront of her approach is the critique of identity politics and the normalisations, hierarchisations and exclusion processes that accompany them. This distinguishes it from approaches that see queer as a shortened form of LSBTTIA understanding it as policies aimed at visibility and recognition. According to Engel, queer politics is characterised by questioning and undermining the stability and unambiguity of identity categories, norms and prevailing power constellations. Engel formulates that it is neither about a duplication nor a dissolution of the category of gender, but about making the clear differentiability of two genders and unambiguous gender categorisations generally questionable.
Engel advocates an understanding of queer theory as a critique of power and domination that aims to dismantle all relations of inequality, exploitation and dominance. She combines the critical examination of gender, sexuality and desire as dimensions of social standardisation and inequality with the aim of promoting an understanding of comprehensive justice and non-hierarchical forms of difference.[20]
Engel's academic work is characterised by the fact that she systematically combines social and cultural science approaches in her philosophical thinking. She works on post-structuralist philosophy, critique of representation and political theory (Judith Butler, Gilles Deleuze/Félix Guattari, Jacques Derrida, Michel Foucault, Ernesto Laclau/Chantal Mouffe, Teresa de Lauretis). Against the background of the image readings in "Images of Sexuality and Economy", she has developed a method of discourse analysis of visual material, which she describes as "committed ekphrasis".[21][18] It is based on analysing interwoven dynamics of power and desire that unfold in dealing with artistic works and visual material.
Ob mancher Begeisterung für die überraschenden Verbindungen der Assemblage sind Machtanalyse und Herrschaftskritik in den Hintergrund geraten. Doch ist Assemblage, auch queer assemblage, nicht nur der Inbegriff gegenhegemonialer Konstellierungen, sondern ist auch die Form, in der Machtbewegungen und Herrschaftsverhältnisse auftreten.[22]
References
edit- ^ Eva von Redecker (2011), Zur Aktualität von Judith Butler. Einleitung in ihr Werk, Springer-Verlag, p. 146, ISBN 978-3-531-16433-5
- ^ "German Think Tanks - Research and Science in Germany - Gender - Goethe-Institut". Retrieved 2018-12-25.
- ^ Yumpu.com. "Abschied von der Binarität? Die Kategorie Geschlecht ... - Antke Engel" (in German). Retrieved 2018-12-25.
- ^ a b Engel, Antke (2002), Wider die Eindeutigkeit. Sexualität und Geschlecht im Fokus queerer Politik der Repräsentation, Frankfurt am Main und New York: Campus, p. 255, ISBN 978-3-593-37117-7
- ^ Dutch Art Institute. "Antke Engel". Retrieved 2018-12-25.
- ^ Archived (Date missing) at kiva.tu-darmstadt.de (Error: unknown archive URL) Website TU Darmstadt. Retrieved 16 December 2018.
- ^ Antke Engel – Visiting Fellow Website Institute for Cultural Inquiry ICI Berlin. Retrieved 16 December 2018.
- ^ Anja Schwarz, Kateřina Kolářová (2009-10-23), "Rezension zu: Antke Engel: Bilder von Sexualität und Ökonomie. Queere kulturelle Politiken im Neoliberalismus. Bielefeld: transcript Verlag 2009.", Querelles-net, vol. 10, no. 3, ISSN 1862-054X, retrieved 2018-12-25
- ^ Antke Engel (2009), Bilder von Sexualität und Ökonomie. Queere kulturelle Politiken im Neoliberalismus, Bielefeld: Transcript, p. 258, ISBN 978-3-89942-915-2
- ^ London School of Economics and Political Science. "Antke Engel". Retrieved 2018-12-19.
- ^ "Antke Engel – Caring for Conflict" (in German). Retrieved 2018-12-25.
- ^ Antke Engel; Tanja Paulitz (2018), "Queer Studies. Machtanalyse, Herrschaftskritik und Lust an der Irritation", FB2.aktuell, vol. 4, no. 2, Darmstadt: Fachbereich 2 der TU Darmstadt, pp. 7–9
- ^ Bossing Images Projektblog. Retrieved 16 December 2018.
- ^ María do Mar Castro Varela; Nikita Dhawan; Antke Engel, eds. (2011), Hegemony and Heteronormativity: Revisiting 'The Political' in Queer Politics, London: Routledge, p. 224, ISBN 978-1-138-27041-1
- ^ Nikita Dhawan; Antke Engel; Christoph Holzhey; Volker Woltersdorff, eds. (2015), Global Justice and Desire: Queering Economy, London: Routledge, p. 218, ISBN 978-1-138-24182-4
- ^ Antke Engel (2008), Stephan Moebius; Andreas Reckwitz (eds.), "Geschlecht und Sexualität. Jenseits von Zweigeschlechtlichkeit und Heteronormativität", Poststrukturalistische Sozialwissenschaft, Frankfurt am Main: Suhrkamp, pp. 330–346, ISBN 978-3-518-29469-7
- ^ Antke Engel (2007), Sabine Hark (ed.), "Entschiedene Interventionen in der Unentscheidbarkeit. Von queerer Identitätskritik zur VerUneindeutigung als Methode", Dis/Kontinuitäten: Feministische Theorie (2 ed.), Wiesbaden: VS, pp. 285–304, ISBN 978-3-531-15217-2
- ^ a b Antke Engel (2018), Boris Traue; Mathias Blanc; Carolina Cambre (eds.), "Queer Reading as Power Play: Methodological Considerations on Discourse Analysis of Visual Material", Qualitative Inquiry, vol. 25, no. 4, Sage, pp. 338–349, doi:10.1177/1077800418789454, S2CID 149523885
- ^ Kirstin Mertlitsch (2016), Sisters - Cyborgs - Drags: Das Denken in Begriffspersonen der Gender Studies, transcript Verlag, ISBN 978-3-8394-3349-2
- ^ Antke Engel (2013), "Lust auf Komplexität. Gleichstellung, Antidiskriminierung und die Strategie des Queerversity", Feministische Studien, no. 1, Stuttgart: Lucius & Lucius, pp. 39–45
- ^ "Dr. Antke Engel - Institut für Queer Theory". Retrieved 2018-12-25.
- ^ Engel, Antke. "Begehren als Durchquerung multipler Herrschaftsverhältnisse". transversal texts. Retrieved 2024-12-05. [In light of some enthusiasm for surprising connections of the assemblage, analyses of power and critique of domination have faded into the background. Yet assemblage, also queer assemblage, is not the epitome of counter-hegemonic constellations, but is rather also the form in which movements of power and domination relations appear. (Aileen Derieg, 2011)]