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Carl August Peter Cornelius (24 December 1824 – 26 October 1874) was a German composer, writer about music, poet and translator.
Peter Cornelius | |
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| Born | 24 December 1824 |
| Died | 26 October 1874 (aged 49) |
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Life
editHe was born in Mainz to Carl Joseph Gerhard (1793–1843) and Friederike (1789–1867) Cornelius, actors in Mainz and Wiesbaden. From an early age he played the violin and composed, eventually studying with Tekla Griebel-Wandall and composition with Heinrich Esser in 1841. He lived with his painter uncle Peter von Cornelius in Berlin from 1844 to 1852,[1] and during this time he met prominent figures such as Alexander von Humboldt, the Brothers Grimm, Friedrich Rückert and Felix Mendelssohn.
His early compositions included chamber and church music and secular songs, among which stands the Stabat Mater for soloists, choir, and orchestra, composed in 1849. Cornelius's first mature works (including the opera Der Barbier von Bagdad) were composed during his brief stay in Weimar (1852–1858). His next place of residence was Vienna, where he lived for five years. It was in Vienna that Cornelius began a friendship with Richard Wagner. At the latter's behest, Cornelius moved to Munich in 1864, where he married and fathered four children.[1]
During his last few years in Berlin, Cornelius wrote music criticism for several major Berlin journals and entered into friendships with Joseph von Eichendorff, Paul Heyse and Hans von Bülow. Despite his long-standing association with Wagner and Franz Liszt (the latter on occasion sought Cornelius's advice when it came to matters of orchestration), Cornelius's relations with the so-called "New German School" of composition were sometimes rocky. For instance, he did not attend the premiere of Tristan und Isolde, using the premiere of his own opera Der Cid as an excuse.
Cornelius's third and final operatic project, Gunlöd, based on the Norse eddas, was left incomplete at his death (from diabetes) in Mainz. He was buried in the city's Hauptfriedhof, and his grave can still be seen there.
Legacy
edit
The Mainz Conservatory was renamed the Peter Cornelius Conservatory in 1936.[2] The state of Rhineland-Palatinate honors musical achievements with the Peter Cornelius Award since 1951.
A bust created by Hugo Lederer in 1930 is displayed in Park Drususwall, Mainz.
Several streets and squares are named after him in Mainz (Peter-Cornelius-Platz) and across other German cities such as Berlin,[3] Frankfurt am Main, Augsburg and Weimar, as well as in Vienna, Salzburg, and Waalwijk, Netherlands.
The Peter Cornelius Archive is an extensive collection maintained by the Mainz City Library, consisting of the composer’s personal items, documents, and musical works. It includes around 50 original music manuscripts, 58 notebooks with diaries, sketches, and poems, personal memorabilia like death masks, and over 2,600 letters. The archive, enriched by contributions from Cornelius's family, is open to the public for research.[4]
In Britain to this day, Cornelius's best-known work is "The Three Kings" ("Die Könige"), a song for solo voice and piano originally from his 1856 song cycle, Weihnachtslieder. The song's melody line is accompanied by the chorale tune of "Wie schön leuchtet der Morgenstern" ("How brightly shines the morning star"), written by Philipp Nicolai in 1597. An English translation made in 1928 by H.N. Bate ("Three Kings from Persian lands afar...") was arranged by Ivor Atkins in 1957 for solo voice and choir, and this version was included in the first volume of the popular David Willcocks and Reginald Jacques compilation Carols for Choirs in 1961.
Selected works
edit- Stabat mater for soloists, chorus and orchestra (1849)
- Brautlieder (1856)
- Weihnachtslieder, Op. 8 (1856)
- Der Barbier von Bagdad, opera buffa (1858)
- Der Cid, opera (1865)
- Requiem ("Seele, vergiß sie nicht"), after a poem of Hebbel (1872)
- String quartets
- Gunlöd, unfinished opera in three acts based on the story Hávamál in the version found in the Edda;[5] completed by Karl Hoffbauer for its 1879 publication; premiered at the Hoftheater Weimar on May 6, 1891 with new orchestrations by Eduard Lassen. A different completed version by Max Hass (vocal score) and Waldemar von Baußnern (orchestrations) premiered on 15 December 1906 at the Cologne Opera.[6]
- Mass in D minor, CWV 91 for two soloists, chorus and organ, strings
References
edit- ^ a b Chisholm 1911.
- ^ "Über das Peter-Cornelius-Konservatorium". pck-mainz.de. Retrieved 9 November 2023.
- ^ kaupertmedia. "Corneliusstraße 1-38 in Berlin - KAUPERTS". berlin.kauperts.de (in German). Retrieved 9 November 2023.
- ^ "Kalliope | Verbundkatalog für Archiv- und archivähnliche Bestände und nationales Nachweisinstrument für Nachlässe und Autographen". kalliope-verbund.info. Retrieved 8 November 2023.
- ^ Griffel, Margaret Ross (2018). Operas in German: A Dictionary. Rowman & Littlefield Publishers. p. 200-201. ISBN 9781442247970.
- ^ Glauert, Amanda (2002). "Gunlöd". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.O009317.
Cited sources
edit- Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica. Vol. 7 (11th ed.). Cambridge University Press. pp. 167–168.
External links
edit
- Works by or about Peter Cornelius at the Internet Archive
- Works by Peter Cornelius at LibriVox (public domain audiobooks)
- Free scores by Peter Cornelius at the International Music Score Library Project (IMSLP)
- Free scores by Peter Cornelius in the Choral Public Domain Library (ChoralWiki)
- Free scores at the Mutopia Project
- Peter Cornelius Mahler Foundation
- Cornelius, Peter (in German) Oesterreichisches Musiklexikon