Petworth House is a late 17th-century Grade I listed country house in the parish of Petworth, West Sussex, England. It was built in 1688 by Charles Seymour, 6th Duke of Somerset, and altered in the 1870s to the design of the architect Anthony Salvin.[2] It contains intricate wood-carvings by Grinling Gibbons (d. 1721). It is the manor house of the manor of Petworth. For centuries it was the southern home for the Percy family, earls of Northumberland.
| Petworth House | |
|---|---|
 Petworth House, west façade | |
| Type | Country house, Baroque |
| Location | Petworth, West Sussex |
| Coordinates | 50°59′17″N 0°36′40″W / 50.9881°N 0.6110°W |
| OS grid reference | SU975218 |
| Built | 1688 |
| Owner | National Trust |
Listed Building – Grade I | |
| Designated | 1 June 1984 |
| Reference no. | 1000162 |
Petworth is famous for its extensive art collection made by the Northumberland and Seymour/Somerset families and George Wyndham, 3rd Earl of Egremont (1751–1837), containing many works by his friend J. M. W. Turner. It also has an expansive deer park, landscaped by Capability Brown, which contains a large herd of fallow deer.
History
editMedieval Manor House
editThe manor of Petworth first came into the possession of the Percy family as a royal gift from Adeliza of Louvain, the widow of King Henry I (1100–1135), to her brother Joscelin of Louvain.[3] He later married the Percy heiress and adopted the surname Percy. His descendants became the earls of Northumberland, the most powerful family in northern England. The Percy family, whose primary seat was at Alnwick Castle in Northumberland, bordering Scotland, intended Petworth to be for their occasional residence only.
The site was previously occupied by a fortified manor house built by Henry de Percy, 1st Baron Percy (1273–1314), in 1308–09, the chapel and undercroft of which still survive as part of the current house.[3]
However, in the 16th century, the Percy family came into conflict with the crown as the staunchly Catholic family fell foul of the English Reformation which resulted in Petworth being briefly taken from them by King Henry VIII, restored to them by Queen Mary I before the wider family came under scrutiny during the reign of Queen Elizabeth I. Thomas Percy, 7th Earl of Northumberland, allied the family to Mary, Queen of Scots, and led the 1569 Rising of the North against Elizabeth with the aim of deposing her and placing Mary on the throne – this failed and led to his execution for treason in 1572. His younger brother, Henry Percy, 8th Earl of Northumberland, would regain his title from the Queen after begging her mercy and was granted his freedom on the condition that the family be confined to Petworth where they could be observed by the court. The house at Petworth was therefore transformed and expanded to become the permanent home of the family with grand stables erected and a pleasure garden laid out at this time.[3][4] A part of this era manor house, a 'Lost' North wing, was discovered during archaeological excavations in 2012–15 under the lawn at the front of the house having been demolished in 1692.[3][4]
Baroque House
editIn 1670 Josceline Percy, 11th Earl of Northumberland (1644–1670), died without a male heir, and thus his considerable fortune and estates of Petworth House, Alnwick Castle, Syon House and Northumberland House were inherited by his 2-year-old daughter and sole heiress, Lady Elizabeth Percy (1667–1722). In 1682, at the age of 16 and already twice widowed, she married the 20-year-old Charles Seymour, 6th Duke of Somerset (1662–1748), whose family seat was Marlborough Castle in Wiltshire. They became one of the wealthiest couples in England.[3]
It was the 6th Duke, nicknamed 'the Proud Duke', and the Duchess who rebuilt the house between 1688 and 1702 in the Baroque style that favoured order and symmetry.[5] It was very much inspired by the Palace of Versailles and aimed to establish Petworth as a rival to these European palaces.[3][a]
The grounds and wider parkland were also managed at this time with the parkland being home to quarries and proving an industrial and working landscape supporting the building works and the house. Around the house were planted more formal gardens including an avenue of lime trees approaching the house, a canal gardens and fishponds, parterre, great greenhouse and Orangerie. Completing the formal gardens was a Quarter Piece Lawn and Rampart terraces comprising a series of walks carved into the hill and accompanied by carved seats, stairs and statues.[4]
Split inheritance challenges and Capability Brown
editSince 1750 the house and estate have been owned by the prominent Wyndham family, descended from Sir Charles Wyndham, 4th Baronet (1710–1763), of Orchard Wyndham in Somerset, a nephew and co-heir of Algernon Seymour, 7th Duke of Somerset (1684–1750). As part of the inheritance and splitting-up of the great Percy inheritance, which had been a source of contention between the 7th Duke and his father the 6th Duke, in 1749[7] after the death of the 6th Duke, King George II granted the 7th Duke four extra titles in the peerage, including Baron Cockermouth and Earl of Egremont, with the latter two created with special remainder to Sir Charles Wyndham,[7] the intended and actual recipient of Petworth, Cockermouth Castle and Egremont Castle. Following the 7th Duke's death in 1750, his lands and titles were split between his daughter, Lady Elizabeth Seymour and her husband Sir Hugh Smithson, 4th Baronet (d.1786), and Charles Wyndham through the 7th Duke's deceased brother-in-law Sir William Wyndham. The former inherited the northern Percy estates, including Alnwick Castle and Syon House, together with the titles Baron Warkworth of Warkworth Castle and Earl of Northumberland[7] and whose descendants are the current Dukes of Northumberland based at Alnwick Castle. The latter inherited Petworth and some estates in Sussex, Cumbria and Yorkshire as earls of Egremont.[5]
The 2nd Earl was responsible for the collections of Rococo mirrors and antique statues that exist in the house today[8] and was responsible for commissioning Lancelot 'Capability' Brown to landscape the parkland during the 1750s and 1760s.[3] The works involved the demolition of the formal gardens that preceded it, the landscaping of the wider parkland to raise the profile of the lawn in front of the house, infill quarries, smooth over the terraced walks and digging out buildings in the parkland down to foundation level. Archaeological investigations seemed to suggest that the turf was removed prior to the levelling works so they could be replaced after the works were completed and aiding the current natural look to the landscape.[4]
House of Art
editIt was George Wyndham, 3rd Earl of Egremont (1751–1837), who solidified the house's reputation as one of fine art. He inherited the house in 1763 and began what has been termed a 'Golden Age' of Petworth when he expanded his collection of contemporary art and expanded and changed the house in order to display it best, in particular through the addition of the North Gallery in 1824–5.[9] He was patron to many contemporary artists including J. M. W. Turner and John Constable who were frequent guests to the house and painted the house and its parkland frequently - this has more recently helped inform restorations to the house and parkland.[9][5]
The 3rd Earl bequeathed Petworth and Cockermouth Castle to his illegitimate son and adopted heir Col. George Wyndham (1787–1869), but who could not inherit the title of Earl of Egremont so was instead created Baron Leconfield by Queen Victoria in 1859.
The title of Earl of Egremont instead passed to his nephew George Wyndham, 4th Earl of Egremont (1786–1845), who, while not inheriting Petworth, instead received the (not inconsiderable) entailed Wyndham estates including Orchard Wyndham, still owned today by the Wyndham family. He attempted to make up for the loss of Petworth by building his own stately home in Devon called Silverton Park, which was widely deemed hideous[by whom?] and was demolished in 1901.
Open to public: National Trust
editThe house and deer park were handed over to the nation in 1947 by Edward Wyndham, 5th Baron Leconfield (1883–1967), and are now managed by the National Trust under the name Petworth House & Park.[3] The Leconfield Estates would continue to own much of Petworth and the surrounding area and the family would be able to continue living in part of Petworth House. It was John Wyndham, 6th Baron Leconfield and since 1963 also 1st Baron Egremont,[5] who negotiated the gift of the contents of the house, in particular the paintings and sculptures, into the property of the National Trust in lieu of accumulated death duties. The current Lord and Lady Egremont continue a tradition of unbroken occupancy at Petworth House today with Max Egremont and his family living in the south wing, allowing much of the remainder of the House to be open to the public.[5] Lady Egremont has restored the gardens.[10] In its 2018/2019 Annual Report, the Trust reported that Petworth House received 178,760 visitors.[11] In its 2022 Annual Report, the Trust reported that Petworth House received 147,079 visitors in 2021–22, having had a dip in numbers to 88,600 due to the COVID-19 pandemic in 2020–21.[12]
Today's building houses an important collection of paintings and sculptures, including 19 oil paintings by J. M. W. Turner (some owned by the family, some by Tate Britain), who was a regular visitor to Petworth, paintings by Anthony van Dyck and Joshua Reynolds, carvings by Grinling Gibbons and Ben Harms, classical[13] and neoclassical sculptures (including ones by John Flaxman and John Edward Carew), and wall and ceiling paintings by Louis Laguerre. There is also a terrestrial globe by Emery Molyneux, believed to be the only one in the world in its original 1592 state.[14]
Petworth Park
edit
The 283-hectare (700-acre) landscaped park, known as Petworth Park, contains a large herd of fallow.[15] It is one of the more famous in England, largely on account of a number of pictures of it which were painted by Turner. There is also a 12-hectare (30-acre) woodland garden, known as the Pleasure Ground[16] and some unusual ha-has.[17] The landscaped park and pleasure grounds of Petworth are Grade I listed on the Register of Historic Parks and Gardens.[18]
Petworth House is home to the Petworth House Real Tennis Club (many such private estates held real tennis courts). Petworth Park is also a cricket venue, for the refounded Petworth Park Cricket Club.
Surrounding area
editAs was usual for a mediaeval manor house, it was built in its original form next to the parish church (to provide the lord of the manor with enhanced spiritual benefits), around which developed a village, now grown to a sizeable town. Such position is unusual for a country mansion of its size and date, which were frequently later re-built on new more private sites away from the original manor house, or the church[b] and village were on occasion demolished to provide the desired privacy. Petworth House and Park are thus today situated immediately adjacent to the town of Petworth, with its shops and restaurants.
As an insight into the lives of past estate workers the Petworth Cottage Museum has been established in High Street, Petworth, furnished as it would have been in about 1910.
Visitor facilities
edit
Since being opened to the public, the house has attracted a significant number of visitors each year to see the art collections, explore the parkland and pleasure grounds. As such, the National Trust opened and run a number of facilities for visitors at the site.
The trust run two car parks for visitors, a main car park ideally placed for the house and pleasure gardens and a more northern car park for the wider deer park. With the exception of a visitor reception near to the main car park and a food and beverage kiosk in the old fire station, the visitor amenities are all located within the old service block for the house. This service wing contains the site shop, a second-hand bookshop,[19] a cafe in the old Audit Room (which opened originally as a sculpture gallery before being used as a hall for large gatherings of the estate staff and servants),[20] toilets and a seasonal art gallery. The service wing also contains a few of the historic kitchen rooms preserved for the public to view.[21]
In addition to publishing a general visitor guidebook, the trust also publishes an in-depth guide to the different art pieces within the house and detailing in more detail the family history associated with the collection. They also have a virtual guide for visitors in addition to the volunteer room stewards present around the house.[22] They also announced in 2021 the opening of a second shop within the house selling books related to the art works in the house and art supplies.[19]
Filming location
edit
Petworth House has been used extensively as a location for film and TV productions. Included in the credits are Barry Lyndon (1975), Silver Bears (1977), Elizabeth: The Golden Age (2007), Maleficent (2014), Mr Turner (2014), Rebecca (2020),[23] and Bridgerton (2022).[citation needed] Napoleon, starring Joaquin Phoenix and Vanessa Kirby filmed at Petworth in March 2022.[24]
Notes
edit- ^ "In 1682 Petworth passed by marriage from the Percies to the 6th Duke of Somerset and it is to him the Proud Duke that we owe by far the larger part of the existing house."[6]
- ^ As was the case for example at Castle Hill, Filleigh, in Devon.
References
edit- ^ Per photograph in Nicolson, Nigel, Great Houses of Britain, London, 1978, p. 166.
- ^ Historic England. "Petworth House (1225989)". National Heritage List for England. Retrieved 12 November 2014.
- ^ a b c d e f g h "Petworth House and Park: History". National Trust. Retrieved 23 July 2021.
- ^ a b c d Dommett, Tom (2015). "Petworth Park's hidden past". Sussex Archaeological Collections. 153: 83–112. doi:10.5284/1085964.
- ^ a b c d e "The Petworth family tree". National Trust. Retrieved 23 July 2021.
- ^ Nicolson, Nigel (1978). The National Trust Book of Great Houses of Britain. London: Granada. p. 165. ISBN 978-0-586-05604-2.
- ^ a b c Debrett's Peerage, 1968, p. 1037, Duke of Somerset.
- ^ Garnett, Oliver; Owen, Diana (2006). Petworth: A souvenir guide. Swindon: The National Trust. p. 2. ISBN 9781843592228.
- ^ a b Garnett, Oliver; Owen, Diana (2006). Petworth: A souvenir guide. Swindon: The National Trust. p. 16. ISBN 9781843592228.
- ^ Lane Fox, Robin. "The countess who gave Petworth House its garden". Financial Times.
- ^ National Trust Annual Report 2018/19 (PDF) (Report). National Trust. p. 75.
- ^ National Trust Annual Report 2022 (Report). National Trust. p. 104.
- ^ Russell, Miles (2016). "Sanctioning Memory: Changing Identity. Using 3D laser scanning to identify two 'new' portraits of the Emperor Nero in English antiquarian collections". Internet Archaeology (42). doi:10.11141/ia.42.2.
- ^ "Petworth House: Globe". Ye Olde Sussex Pages. Archived from the original on 8 August 2008. Retrieved 7 February 2008.
- ^ "National Trust Petworth House and Park". web page. National Trust. Retrieved 20 April 2012.
- ^ "Petworth House and Park, Sussex". web page. Tourist Information UK. Archived from the original on 10 June 2012. Retrieved 20 April 2012.
{{cite web}}: CS1 maint: unfit URL (link) - ^ "Petworth". web page. Capability Brown 300. Archived from the original on 21 June 2017. Retrieved 30 December 2018.
{{cite web}}: CS1 maint: unfit URL (link) - ^ Historic England, "Petworth House (1000162)", National Heritage List for England, retrieved 2 November 2017
- ^ a b "Shopping at Petworth House". The National Trust. Retrieved 23 July 2021.
- ^ "National Trust Petworth Audit Room Café". The National Trust. Retrieved 23 July 2021.
- ^ Lewis, Anna (14 July 2020). "Petworth house has re-opened - here are the new rules you need to know before your visit". Sussex Live. Reach plc. Retrieved 23 July 2021.
- ^ "Petworth House downloadable house tour". The National Trust. Retrieved 23 July 2021.
- ^ "Explore the film locations of Rebecca". National Trust. 22 November 2022.
- ^ Stack, Joe (25 July 2023). "Ridley Scott film Napoleon featuring Joaquin Phoenix and Vanessa Kirby". Sussex Express. Retrieved 25 July 2023.
Further reading
edit- Aldsworth, F. G. (1980). "Archaeological and Historical Notes : Petworth House and the formal gardens" (PDF). Sussex Archaeological Collections. 118: 373–377.
- Batho, Gordon (1957). "The Percies at Petworth, 1574-1632". Sussex Archaeological Collections. 95: 1–27. doi:10.5284/1085431.
- Batho, Gordon (1958). "Notes and documents on Petworth House". Sussex Archaeological Collections. 96: 108–134. doi:10.5284/1086110.
- Dommett, Tom (2018). "Capability Brown at Petworth". Sussex Archaeological Collections. 156: 219–241. doi:10.5284/1086848.
- Raeder, Joachim (2000). Die antiken Skulpturen in Petworth House (West Sussex). Corpus Signorum Imperii Romani Great Britain. Vol. 3, 9. Mainz: Philipp von Zabern. ISBN 3-8053-2448-0.
- Turner, Roger (1999). Capability Brown and the Eighteenth Century English Landscape (2nd ed.). Chichester, UK: Phillimore. pp. 130–132. ISBN 978-1-86077-114-9.
External links
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