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Graffiti writing is often seen{{by whom|date=November 2016}} as having become intertwined with [[hip hop culture]] and the myriad international styles derived from [[Philadelphia]] and [[New York City Subway]] graffiti. However, there are many other instances of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in [[latrine]]s, railroad [[boxcar]]s, [[rapid transit|subways]], and bridges. The example with the longest known history, dating back to the 1920s and continuing into the present day, is [[Texino]].{{Citation needed|date=October 2015}}
 
Some graffiti have their own poignancy. In [[World War II]], an inscription on a wall at the fortress of [[Verdun]] was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:<ref name=reagan/><ref>{{cite web|url=httphttps://www.nytimes.com/1985/08/14/opinion/words-from-a-war.html|title=Words From a War|date=14 August 1985|work=The New York Times|accessdate=2 January 2017}}</ref>
 
<blockquote><poem>Austin White – Chicago, Ill – 1918
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<ref name=rfi>{{Cite web|url=http://www.rfi.fr/actuen/articles/112/article_3517.asp |title=RFI – Graffiti gets into the Grand Palais |publisher=Rfi.fr |accessdate=2010-07-29}}</ref>
 
<ref name=rohter>{{Cite news| url=httphttps://www.nytimes.com/2009/03/30/arts/design/30arts-TOASTINGGRAF_BRF.html | work=The New York Times | title=Toasting Graffiti Artists | first=Larry | last=Rohter | date=2009-03-30 | accessdate=2010-04-02}}</ref>
 
<ref name=urbana>{{cite web|url=http://www.urbanartcore.eu/trespass-urban-art-book/ |author= |title=Trespass: Uncommissioned Urban Art |publisher=Urbanartcore.eu |date= |accessdate= |archiveurl = |archivedate = |deadurl=no}}</ref>
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<ref name=reuters>{{Cite news|title=Taiwan graffiti artist colors in legal gray area |publisher=Reuters |date=2008-09-25 |url=http://in.reuters.com/article/idINTRE48O0YC20080925 | first=Ralph | last=Jennings | accessdate=2011-01-16}}</ref>
 
<ref name=nyt>{{Cite news|title=Singapore Swings; Michael Fay's Torture's Over; Watch for the Docudrama |publisher=New York Times |date=8 May 1994 |url=httphttps://query.nytimes.com/gst/fullpage.html?res=940DE1DA1539F93BA35756C0A962958260 | first=Philip | last=Shenon | accessdate=2010-04-02}}</ref>
 
<ref name=wsj>{{cite web |url= http://blogs.wsj.com/korearealtime/2011/05/31/rat-graffiti-becomes-a-political-stew/?fb_ref=article_top&fb_source=profile_oneline |title=Rat Graffiti Becomes a Political Stew|author=Jaeyeon Woo|date=31 May 2011 |work=Korea Real Time (Wall Street Journal) |publisher=Dow Jones & Company, Inc |accessdate=6 June 2011}}</ref>
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