THE VOYAGES OF DOCTOR DOLITTLE
THE
POPSIPETEL
PICTURE-HISTORY OF
KING JONG THINKALOT
THE
POPSIPETEL
PICTURE-HISTORY OF
KING JONG THINKALOT
Copyright, 1922, by
Frederick A. Stokes Company
All rights reserved, including that of translation
into foreign languages
First Printing, | August 18, 1922 |
Second Printing, | November 10, 1922 |
Third Printing, | February 28, 1923 |
Fourth Printing, | June 20, 1923 |
Fifth Printing | August 16, 1923 |
Sixth Printing, | November 30, 1923 |
Seventh Printing, | April 18, 1925 |
Eighth Printing | March 19, 1926 |
Ninth Printing | July 30, 1927 |
Tenth Printing | April 11, 1928 |
Eleventh Printing | June 19, 1929 |
Twelfth Printing | September 12, 1930 |
Thirteenth Printing, | August 10, 1931 |
Fourteenth Printing, | September 1, 1933 |
Printed in the United States of America
To
- Colin
- and
- Elizabeth
- and
CONTENTS
PART ONE
1 |
I | 3 |
II | 8 |
III | 15 |
IV | 24 |
V | 32 |
VI | 41 |
VII | 45 |
VIII | 50 |
IX | 55 |
X | 60 |
XI | 65 |
XII | 70 |
XIII | 75 |
XIV | 80 |
XV | 84 |
PART TWO
I | 88 |
II | 91 |
III | 95 |
IV | 99 |
V | 105 |
VI | 111 |
VII | 116 |
VIII | 121 |
IX | 126 |
X | 129 |
XI | 135 |
XII | 140 |
PART THREE
I | 144 |
II | 151 |
III | 155 |
IV | 160 |
V | 167 |
VI | 172 |
VII | 177 |
VIII | 184 |
IX | 193 |
PART FOUR
I | 198 |
II | 205 |
III | 221 |
IV | 225 |
V | 233 |
VI | 239 |
VII | 245 |
PART FIVE
I | 253 |
II | 262 |
III | 266 |
IV | 271 |
V | 275 |
VI | 282 |
VII | 287 |
VIII | 291 |
IX | 300 |
X | 308 |
PART SIX
I | 314 |
II | 322 |
III | 328 |
IV | 332 |
V | 340 |
VI | 346 |
VII | 350 |
ILLUSTRATIONS
The Popsipetel Picture-History of King Jong Thinkalot (in colors) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
Frontispiece | |
PAGE | ||
"I would sit on the river-wall with my feet dangling over the water" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
5 | |
"And in her right foot she carried a lighted candle!" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
22 | |
"'Being a good noticer is terribly important'" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
53 | |
A traveler arrives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
77 | |
"On the bed sat the Hermit" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
101 | |
"Sat scowling down upon the amazed and gaping jury" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
115 | |
"'What else can I think?'" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
133 | |
"'Boy, where's the skipper?'" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
147 | |
"In these lower levels we came upon the shadowy shapes of dead ships" (in colors) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
162 | |
"The Doctor started chatting in Spanish to the bed-maker" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
175 | |
"Did acrobatics on the beast's horns" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
189 | |
"'He talks English!'" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
201 | |
"I was alone in the ocean!" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
226 | |
"It was a great moment" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
257 | |
The Terrible Three . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
279 | |
"Working away with their noses against the end of the island" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
293 | |
"The Whispering Rocks" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
295 | |
"Had to chase his butterflies with a crown upon his head" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
317 | |
"'Tiptoe incognito,' whispered Bumpo" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
353 |
This work is in the public domain in the United States because it was published before January 1, 1929.
The longest-living author of this work died in 1947, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 76 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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