Altar Gent (atau Anak Domba Allah, bahasa Belanda: Het Lam Gods) adalah altar dari abad ke-15 yang sangat besar yang disimpan di Katedral Santo Bavo, Gent. Altar ini mulai dibuat pada pertengahan dasawarsa 1420-an dan diselesaikan sebelum tahun 1432. Seniman yang membuat altar ini adalah Hubert dan Jan van Eyck.

Altar Gent

Pembuatan altar ini ditugaskan oleh Wali Kota Gent Jodocus Vijd dan istrinya, Lysbette.

Referensi

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  • Ainsworth, Maryan Wynn. From Van Eyck to Bruegel: Early Netherlandish painting in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1999. ISBN 978-0-3000-8609-6
  • Borchert, Till-Holger. Van Eyck. London: Taschen, 2008. ISBN 3-8228-5687-8
  • Borchert, Till-Holger. Van Eyck to Durer: The Influence of Early Netherlandish painting on European Art, 1430–1530. London: Thames & Hudson, 2011. ISBN 978-0-5210-8831-2
  • Boorman, Stanley (ed). Studies in the Performance of Late Medieval Music. Cambridge: Cambridge University Press, 1983. ISBN 0-521-08831-3
  • Burroughs, Bryson. "A Diptych by Hubert van Eyck". The Metropolitan Museum of Art Bulletin, Volume 28, No. 11, Pt 1, 1933
  • Campbell, Lorne. The Fifteenth-Century Netherlandish Schools. London, National Gallery, 1998. ISBN 978-0-3000-7701-8
  • Charney, Noah. Stealing the Mystic Lamb. New York: Public Affairs. 2010. ISBN 978-1586-48800-0
  • Clark, Kenneth. The Nude: A Study in Ideal Form. Princeton University Press, 1972. ISBN 978-0691-01788-4
  • Deam, Lisa. "Flemish versus Netherlandish: A Discourse of Nationalism". Renaissance Quarterly, Volume 51, No. 1, Spring 1998
  • Dhanens, Elisabeth. Hubert and Jan van Eyck. New York: Tabard Press. 1980. ISBN 978-0-9144-2700-1
  • Hammer, Karl. Secret of the sacred panel. London: Stacey international, 2010. ISBN 978-1-9067-6845-4
  • Harbison, Craig. "The Art of the Northern Renaissance". London: Laurence King Publishing, 1995. ISBN 978-1-78067-027-0
  • Homa, Ramsay. "Jan van Eyck and the Ghent Altar-Piece". The Burlington Magazine, Volume 116, No. 855, 1974
  • Honour, Hugh; Fleming, John. "A World History of Art". London: Laurence King Publishing, 2005. ISBN 1-85669-451-8
  • Jolly, Penny. "Jan van Eyck's Italian Pilgrimage: A Miraculous Florentine Annunciation and the Ghent Altarpiece". Zeitschrift für Kunstgeschichte. 61. Bd., H. 3, 1998
  • Kurtz, Michael. America and the Return of Nazi Contraband. Cambridge: Cambridge University Press, 2004. ISBN 978-0-521-84982-1
  • Lane, Barbara. The Altar and the Altarpiece, Sacramental Themes in Early Netherlandish Painting. London: Harper & Row, 1984. ISBN 978-0-0643-0133-6
  • McNamee, W.B. "The Origin of the Vested Angel as a Eucharistic Symbol in Flemish Painting". The Art Bulletin, Volume 53, No. 3, 1972
  • Meiss, Millard. "'Nicholas Albergati' and the Chronology of Jan van Eyck's Portraits". The Burlington Magazine, Volume 94, No. 590, 1952
  • Nash, Susie. Northern Renaissance art. Oxford: Oxford University Press, 2008. ISBN 978-0-1928-4269-5
  • Pächt, Otto. Van Eyck and the Founders of Early Netherlandish Painting. 1999. London: Harvey Miller Publishers. ISBN 978-1-8725-0128-4
  • Reitlinger, Gerald. The Economics of Taste, Vol I: The Rise and Fall of Picture Prices 1760–1960. London: Barrie and Rockliffe, 1961
  • Ridderbos, Bernhard; van Buren, Anne; van Veen, Henk. Early Netherlandish paintings: Rediscovery, Reception and Research. Amsterdam: Amsterdam University Press, 2004. ISBN 90-5356-614-7
  • Schmidt, Peter. Het Lam Gods. Leuven: Uitgeverij Davidsfonds, 2005. ISBN 90-77942-03-3
  • Seidel, Linda. "The Value of Verisimilitude in the Art of Jan van Eyck". Yale French Studies: Special Issue: "Contexts: Style and Values in Medieval Art and Literature", 1991
  • Snyder, James. "Jan van Eyck and Adam's Apple". The Art Bulletin, Volume 58, No. 4, 1976
  • Voll, Karl. Die Altniederländische Malerei von Jan van Eyck bis Memling. Poeschel & Kippenberg, 1906
  • Wolff, Martha; Hand, John Oliver. Early Netherlandish painting. National Gallery of Art Washington; Oxford University Press, 1987. ISBN 978-0-5213-4016-8


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