예수의 묘사
그림 형태 속 예수의 묘사는 초기 교회에서 논란이 있었다.[1][2] 예술 속 그의 묘사는 이후 그 이후로 크게 안정적으로 유지하고 있는 자신의 외모에 대한 기존의 표준화 된 양식에 도달하기 위해 몇 세기가 걸렸다. 변종도 볼 수 있지만 예수의 대부분의 그림은 지금은 거의 보편적으로 예수와 관련된 특성들을 가지고 있다.
예
편집-
A representation of Jesus as the sun-god Helios/Sol Invictus riding in his chariot. Mosaic of the 3rd century on the Vatican grottoes under St. Peter's Basilica.
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Mural painting from the catacomb of Commodilla. One of the first bearded images of Jesus, late 4th century.
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Jesus depicted on an early 8th-century Byzantine coin. After the Byzantine iconoclasm all coins had Christ on them.
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11th-century Christ Pantocrator with the halo in a cross form, used throughout the Middle Ages. Characteristically, he is portrayed as similar in features and skin tone to the culture of the artist.
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Christ in majesty, still with no beard, from an English 12th century illuminated manuscript.
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An unusual image of Jesus as a medieval knight bearing an attributed coat of arms based on the Veil of Veronica
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The Baptism of Christ, by Piero della Francesca, 1449.
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Christ as Man of Sorrows by Andrea Mantegna
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An traditional Ethiopian depiction of Jesus and Mary with distinctively "Ethiopian" features.
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Jesus, aged 12, in discussion with scholars at the Temple, by José Ribera.
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A mural depicting the baptism of Jesus in a typical Haitian rural scenery, Cathédrale de Sainte Trinité, Port-au-Prince, Haiti.
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The Crucifixion of Christ, painted by Titian.
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Trevisani's depiction of the typical baptismal scene with the sky opening and the Holy Spirit descending as a dove, 1723.
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19th-century Russian icon of Christ Pantocrator.
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Head of Jesus (1890) by Enrique Simonet.
조각
편집-
Michelangelo's Pietà shows Mary holding the dead body of Jesus
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Cristo de la Concordia in Bolivia, claimed to be the largest statue of Jesus ever made
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Cristo del Otero, above Palencia, Spain
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Statue at Santuario di Oropa, Italy
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Christ the Redeemer of the Andes, 4-ton bronze statue, in the mountains on a road between Chile and Argentina
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Infant Jesus of Prague, one of several miniature statues of an infant Christ that are much venerated by the faithful
같이 보기
편집각주
편집- ↑ Philip Schaff commenting on Irenaeus, wrote, 'This censure of images as a Gnostic peculiarity, and as a heathenish corruption, should be noted'. Footnote 300 on Contr. Her. .I.XXV.6. ANF
- ↑ Synod of Elvira, 'Pictures are not to be placed in churches, so that they do not become objects of worship and adoration', AD 306, Canon 36
- ↑ “Construction progressing on new Jesus statue along I-75”. 《WCPO》. 2012년 6월 15일. 2013년 6월 29일에 원본 문서에서 보존된 문서. 2012년 9월 7일에 확인함.
출처
편집- Cartlidge, David R., and Elliott, J.K.. Art and the Christian Apocrypha, Routledge, 2001, ISBN 0-415-23392-5, ISBN 978-0-415-23392-7, Google books
- Every, George; Christian Mythology, Hamlyn 1988 (1970 1st edn.) ISBN 0-600-34290-5
- Grabar, André; Christian iconography: a study of its origins, Taylor & Francis, 1968, ISBN 0-7100-0605-5, ISBN 978-0-7100-0605-9 Google books
- Grigg, Robert, "Byzantine Credulity as an Impediment to Antiquarianism", Gesta, Vol. 26, No. 1 (1987), pp. 3–9, The University of Chicago Press on behalf of the International Center of Medieval Art, JSTOR
- James Hall, A History of Ideas and Images in Italian Art, 1983, John Murray, London, ISBN 0-7195-3971-4
- Hellemo, Geir. Adventus Domini: eschatological thought in 4th-century apses and catecheses. BRILL; 1989. ISBN 90-04-08836-9 ISBN 978-90-04-08836-8.
- G Schiller, Iconography of Christian Art, Vol. I, 1971 (English trans from German), Lund Humphries, London, ISBN 0-85331-270-2
- Eduard Syndicus; Early Christian Art; Burns & Oates, London, 1962
- David Talbot Rice, Byzantine Art, 3rd edn 1968, Penguin Books Ltd
- Zanker, Paul. de:Paul Zanker. The Mask of Socrates, The Image of the Intellectual in Antiquity, University of California Press, 1995 Online Scholarship editions