"Solo e pensoso", Hob. XXIVb:20 | | - Francesca Aspromonte, Il giardino armonico, Giovanni Antonini
- Arleen Augér, Christopher Hogwood, Händel and Haydn Society
- Sophie Bevan, The Mozartists, Ian Page
- Edith Mathis, Orchestre de Chambre de Lausanne, Armin Jordan
- Angelica Tuccari, Orchestra Sinfonica "Alessandro Scarlatti" di Napoli della RAI, Massimo Pradella
| | Aria | | | |
"Son pietosa, son bonina", Hob. XXXII:1b | | | | | | | |
6 Sonaten, Wq 63, no. 1 in C major, H 70: I. Allegretto tranquillamente | | | | | | | |
6 Sonaten, Wq 63, no. 1 in C major, H 70: II. Andante ma innocentemente | | | | | | | |
6 Sonaten, Wq 63, no. 1 in C major, H 70: III. Tempo di minuetto con tenerezza | | | | | | | |
6 Sonaten, Wq 63, no. 2 in D minor, H 71: I. Allegro con spirito | | | | | | | |
6 Sonaten, Wq 63, no. 2 in D minor, H 71: II. Adagio sostenuto | | | | | | | |
6 Sonaten, Wq 63, no. 2 in D minor, H 71: III. Presto | | | | | | | |
6 Sonaten, Wq 63, no. 3 in A major, H 72: I. Poco allegro ma cantabile | | | | | | | |
6 Sonaten, Wq 63, no. 3 in A major, H 72: II. Andante lusingando | | | | | | | |
6 Sonaten, Wq 63, no. 3 in A major, H 72: III. Allegro | | | | | | | |
6 Sonaten, Wq 63, no. 4 in B minor, H 73: I. Allegretto grazioso | | | | | | | |
6 Sonaten, Wq 63, no. 4 in B minor, H 73: II. Largo maestoso | | | | | | | |
6 Sonaten, Wq 63, no. 4 in B minor, H 73: III. Allegro siciliano e scherzando | | | | | | | |
6 Sonaten, Wq 63, no. 5 in E-flat major, H 74: I. Allegro di molto | | | | | | | |
6 Sonaten, Wq 63, no. 5 in E-flat major, H 74: II. Adagio assai mesto e sostenuto | | | | | | | |
6 Sonaten, Wq 63, no. 5 in E-flat major, H 74: III. Allegretto arioso ed amoroso | | | | | | | |
6 Sonaten, Wq 63, no. 6 in F minor, H 75: I. Allegro di molto | | | | | | | |
6 Sonaten, Wq 63, no. 6 in F minor, H 75: II. Adagio affettuoso e sostenuto | | | | | | | |
6 Sonaten, Wq 63, no. 6 in F minor, H 75: III. Fantasia. Allegro moderato | | | | | | | |
6 sonatine nuove: Allegretto in B-flat major, Wq. 63 no. 10, H. 295 | | | | | | | |
6 sonatine nuove: Allegretto in D major, Wq. 63 no. 9, H. 294 | | | | | | | |
6 sonatine nuove: Allegro in G major, Wq. 63 no. 7, H. 292 | | | | | | | |
6 sonatine nuove: Andante in F major, Wq. 63 no. 11, H. 296 | | | | | | | |
6 sonatine nuove: Largo in E major, Wq. 63 no. 8, H. 293 | | | | | | | |
6 sonatine nuove: Prestissimo in D minor, Wq. 63 no. 12, H. 297 | | | | | | | |
8 Variations on G. Sarti: "Come un'agnello" from "Fra i due litiganti" for Piano in A major, K. 454a/460 | | | | | | | |
A Fugal Concerto, op. 40 no. 2: I. Moderato | | | | | | | |
A Fugal Concerto, op. 40 no. 2: II. Adagio | | | | | | | |
A Fugal Concerto, op. 40 no. 2: III. Allegro | | | | | | | |
Acis und Galatea, K. 566: Aufzug I | | | | | | | |
Acis und Galatea, K. 566: Aufzug II | | | | | | | |
Adagio for Glass Armonica in C major, K. 617a/356 | | | | | | | |
Adagio for Violin and Orchestra in E major, K. 261 | | | | | | | |
Air (Hornpipe) in D minor, HWV 461 | | | | | | | |
Air and Variations in B-flat major | | | | | | | |
Air in B-flat major, HWV 469 | | | | | | | |
Air in F major, HWV 464 | | | | | | | |
Air Lentement in G minor, HWV 467 | | | | | | | |
Alceste, HWV 45: Act I. Accompagnato. Ye happy people | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act I. Air. Gentle Morpheus, son of night | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act I. Air. Ye swift minutes as ye fly | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act I. Grand entree | | - Michael Laird, The English Concert, Trevor Pinnock
- Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- E. Power Biggs, Royal Philharmonic Orchestra, Sir Charles Groves
| | | | | |
Alceste, HWV 45: Act I. O bless, ye pow'rs above | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act I. Still caressing and caress'd | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act I. Triumph, Hymen, in the pair | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. "Enjoy the Sweet Elysian Grove" | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- Mark Padmore, The English Concert, Andrew Manze
| | Song | | | |
Alceste, HWV 45: Act IV. Air. Come, Fancy, empress of the brain | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Air. Tune your harps, all ye Nine | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Air. Ye fleeting shades, I come | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. All hail, thou mighty son of Jove! | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Ballo primo: Un peu lentement | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. L'ultimato ballo | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Recitative. From high Olympus' top, the seat of God | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Si replica il Core precedente: Thrice happy | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Symphony and Accompagnato. He comes, he rises from below | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Symphony: Larghetto | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Thrice happy who in life excel | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Act IV. Triumph, thou son of Jove | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | | | | |
Alceste, HWV 45: Ouverture | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | Overture | | | |
Alcina, HWV 34: Atto I. "Tornami a vagheggiar" (Morgana) | | | | Aria | | | |
Alcina, HWV 34: Atto II, XXII. Recitative "Ah! Ruggiero crudel" (Alcina) | | | | | | | |
Alcina, HWV 34: Atto II, XXIII. Aria "Ombre pallide, lo so, mi udite" (Alcina) | | | | | | | |
Alcina, HWV 34: Atto III, III. Aria "Credete al mio dolore" (Morgana) | | | | | | | |
Alcina, HWV 34: Ouverture | | | | | | | |
Alcina, HWV 34: Ouverture, Menuet | | | | | | | |
Alexander's Feast, HWV 75: Part I, no. 18. Aria "War, he sung, is toil and trouble" | | | | Aria | | | |
Allegretto, un poco lento | | | | | | | |
Allegro for Piano in G minor, K. 590d/312 | | | | | | | |
Allemande "La précieuse" | | | | | | | |
Allemande grave in F major | | | | | | | |
Allemande in B minor, HWV 479 | | | | | | | |
Allemande in G minor, BWV 836 | | | | | | | |
Alman (for keyboard), MB 33 | | | | | | | |
Alman (for keyboard), MB 36 | | | | | | | |
Alman (for keyboard), MB 37 | | | | | | | |
Alpestre monte, HWV 81 | | | | Cantata | | | |
Amphitryon, Z. 572 | | | | | | | |
Amphitryon, Z. 572 "The Two Sosias": IV. Scotch Tune | | | | | | | |
An Evening Hymn Upon a Ground | | | | | | | |
An Evening Hymn, Z. 193 "Now that the sun hath veiled his light" | | | | | | | |
Andante – Allegro energico – Andante – Tempo I | | | | | | | |
Andante in C major for Flute and Orchestra, K. 285e/315 | | | | | | | |
Andantino for Piano in E-flat major, K. 588b/236 | | | | | | | |
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli": II. Andante "Quia quem meruisti" - Adagio "Ora pro nobis" | | - Chamber Choir of Europe, Annemarie Kremer, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt
- Barbara Bonney, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Carolyn Sampson, The King’s Consort, Robert King
- Choir of the King’s Consort, Carolyn Sampson, The King’s Consort, Robert King
- (show 2 more)
| | | | | |
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli | | | | | | | |
Apollo et Hyacinthus, K. 38: Intrada | | | | | | | |
Aria and Variations in G major, HWV 430/4a | | | | | | | |
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" | | | | Aria | | | |
Aria in F major, HWV 410 | | | | Aria | | | |
Aria in F major, HWV 411 | | | | Aria | | | |
Aria, BWV 508 “Bist du bei mir” | | | | Aria | | | |
Arianna a Naxos, Hob. XXVIb:2 | | | | Cantata | | | |
Athalia, HWV 52: Act I | | | | | | | |
Athalia, HWV 52: Act II | | | | | | | |
Athalia, HWV 52: Act III | | | | | | | |
Bajazet, RV 703: Sinfonia: I. Allegro | | | | | | | |
Bajazet, RV 703: Sinfonia: II. Andante molto | | | | | | | |
Bajazet, RV 703: Sinfonia: III. Allegro | | | | | | | |
Ballet Music for Idomeneo, rè di Creta in B-flat major, K. 367: III. Passepied | | | | | | | |