Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
3.5Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine di pensieri e di affetti io mi ritrovo!” (Ferrando) / No. 27 Cavatina “Tradito, schernito dal perfido cor” (Ferrando) / Recitativo “Bravo: questa è constanza” (Don Alfonso, Ferrando, Guglielmo)4:41Wolfgang Amadeus MozartThe OperasMozart; SoltiAlbum + Compilation
Decca Classics (“DECCA” in white uppercase on a blue-over-red rectangular block; until 1999, for use outside of North America only)478 3703

Relationships

recording engineer:James Lock (engineer) (from 1973-07 until 1974-02)
Kenneth Wilkinson (engineer) (from 1973-07 until 1974-02)
bass vocals:Gabriel Bacquier (French baritone) (from 1973-07 until 1974-02)
Tom Krause (bass-baritone) (from 1973-07 until 1974-02)
tenor vocals:Ryland Davies (tenor) (from 1973-07 until 1974-02)
orchestra:London Philharmonic Orchestra (LPO) (from 1973-07 until 1974-02)
conductor:Sir Georg Solti (conductor) (from 1973-07 until 1974-02)
recorded at:Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-07 until 1974-02)
recording of:Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando) (from 1973-07 until 1974-02)

Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando)

composer:Wolfgang Amadeus Mozart (classical composer)
librettist:Lorenzo Da Ponte
part of:Così fan tutte: Atto II (number) (order: 19)
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