Summertime Groove - Hot Sounds For Cool Events

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Chain Of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
Aretha Franklin4.252:48
2Slip Away
recording of:
Slip Away
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:31
3I Like It Like That
recording of:
I Like It Like That, Part 1
lyricist and composer:
Chris Kenner
Chris Kenner1:58
4Up On The Roof
recorded in:
New York, New York, United States (on 1962-06-28)
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
George Duvivier (on 1962-06-28)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1962-06-28)
guitar:
Don Arnone (on 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1962-06-28), Bob Bushnell (on 1962-06-28) and Al Casamenti (on 1962-06-28)
keyboard:
Ernie Hayes (American pianist, organist and arranger) and Carole King (on 1962-06-28)
percussion:
George Devens (on 1962-06-28) and Bobby Rosengarden (on 1962-06-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-28) and Frank Saracco (on 1962-06-28)
trumpet:
Jimmy Nottingham (on 1962-06-28) and Jimmy Sedlar (on 1962-06-28)
baritone vocals:
Dock Green (on 1962-06-28)
bass vocals:
Tommy Evans (US r&b bass vocalist for The Drifters) (on 1962-06-28)
lead vocals:
Rudy Lewis (on 1962-06-28)
tenor vocals:
Charlie Thomas (The Drifters) (on 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Bert Keyes (piano, soul/funk producer/writer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 113) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 375)
recording of:
Up on the Roof (on 1962-06-28)
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Drifters52:36
5Just One Look
recording of:
Just One Look
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Doris Troy2:32
6Tell The Truth
Otis Redding3:09
7Down In Mexico
The Coasters3:16
8What'd I Say (Part 1)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
baritone saxophone:
Hank Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 1)
partial recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles53:11
9Mustang Sally
Wilson Pickett3:07
10Green Onions
recording of:
Green Onions
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s2:54
11Hold On! I'm Comin'
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Sam & Dave52:38
12Spanish Harlem
Ben E. King2:58
13Mercy Mercy
Don Covay2:24
14Gee Whiz (Look At His Eyes)
recorded in:
Memphis, Tennessee, United States (in 1960)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Carla Thomas (in 1960)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 29)
recording of:
Gee Whiz (Look at His Eyes) (in 1960)
lyricist and composer:
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:20
15Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:37
  NODES
chat 1
inspiration 1
INTERN 2
todo 1