# | Title | Rating | Length |
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A1 | Baby, Won't You Please Come Home- producer:
- Joe Adams
- bass:
- Joe Comfort (in 1961)
- drums (drum set):
- John Markham (in 1961)
- flute:
- Harry Klee (in 1961)
- guitar:
- Al Viola (in 1961)
- reeds:
- Bill Carson (in 1961)
- tenor saxophone:
- Plas Johnson (in 1961), Harold Land (in 1961) and Donald Ruffell (in 1961)
- trombone:
- Bob Pring (in 1961), Vern Friley (in 1961), Joe Howard (in 1961), Lester Robertson (in 1961) and Ken Shroyer (in 1961)
- trumpet:
- Conte Candoli (in 1961), Pete Candoli (in 1961), Conrad Gozzo (in 1961) and Jimmy Zito (in 1961)
- vocals:
- Al Hibbler (in 1961)
- orchestra:
- Gerald Wilson Orchestra (in 1961)
- conductor:
- Gerald Wilson (in 1961)
- arranger:
- Gerald Wilson
- recorded at:
- United Recording Studios in Hollywood, Los Angeles, California, United States (in 1961)
- cover recording of:
- Baby Won’t You Please Come Home (in 1961)
- writer:
- Charles Warfield and Clarence Williams
- publisher:
- Redwood Music Ltd. , Universal‐MCA Music Publishing and Universal/MCA Music Ltd.
| | 2:15 |
A2 | When the Sun Comes Out | | 2:32 |
A3 | You of All People | | 2:28 |
A4 | Laughing on the Outside (Crying on the Inside)- producer:
- Joe Adams
- bass:
- Joe Comfort (in 1961)
- drums (drum set):
- John Markham (in 1961)
- flute:
- Harry Klee (in 1961)
- guitar:
- Al Viola (in 1961)
- reeds:
- Bill Carson (in 1961)
- tenor saxophone:
- Plas Johnson (in 1961), Harold Land (in 1961) and Donald Ruffell (in 1961)
- trombone:
- Bob Pring (in 1961), Vern Friley (in 1961), Joe Howard (in 1961), Lester Robertson (in 1961) and Ken Shroyer (in 1961)
- trumpet:
- Conte Candoli (in 1961), Pete Candoli (in 1961), Conrad Gozzo (in 1961) and Jimmy Zito (in 1961)
- vocals:
- Al Hibbler (in 1961)
- orchestra:
- Gerald Wilson Orchestra (in 1961)
- conductor:
- Gerald Wilson (in 1961)
- arranger:
- Gerald Wilson
- recorded at:
- United Recording Studios in Hollywood, Los Angeles, California, United States (in 1961)
- cover recording of:
- Laughing on the Outside (Crying on the Inside) (in 1961)
- lyricist:
- Ben Raleigh
- composer:
- Bernie Wayne
- publisher:
- Gower Music, Inc.
| | 3:28 |
A5 | Dinner for One, Please James- producer:
- Joe Adams
- bass:
- Joe Comfort (in 1961)
- drums (drum set):
- John Markham (in 1961)
- flute:
- Harry Klee (in 1961)
- guitar:
- Al Viola (in 1961)
- reeds:
- Bill Carson (in 1961)
- tenor saxophone:
- Plas Johnson (in 1961), Harold Land (in 1961) and Donald Ruffell (in 1961)
- trombone:
- Bob Pring (in 1961), Vern Friley (in 1961), Joe Howard (in 1961), Lester Robertson (in 1961) and Ken Shroyer (in 1961)
- trumpet:
- Conte Candoli (in 1961), Pete Candoli (in 1961), Conrad Gozzo (in 1961) and Jimmy Zito (in 1961)
- vocals:
- Al Hibbler (in 1961)
- orchestra:
- Gerald Wilson Orchestra (in 1961)
- conductor:
- Gerald Wilson (in 1961)
- arranger:
- Gerald Wilson
- recorded at:
- United Recording Studios in Hollywood, Los Angeles, California, United States (in 1961)
- cover recording of:
- Dinner for One Please, James (in 1961)
- lyricist and composer:
- Michael Carr
| | 3:22 |
A6 | It's Monday Every Day | | 2:38 |
B1 | In the Wee Small Hours of the Morning- producer:
- Joe Adams
- bass:
- Joe Comfort (in 1961)
- drums (drum set):
- John Markham (in 1961)
- flute:
- Harry Klee (in 1961)
- guitar:
- Al Viola (in 1961)
- reeds:
- Bill Carson (in 1961)
- tenor saxophone:
- Plas Johnson (in 1961), Harold Land (in 1961) and Donald Ruffell (in 1961)
- trombone:
- Bob Pring (in 1961), Vern Friley (in 1961), Joe Howard (in 1961), Lester Robertson (in 1961) and Ken Shroyer (in 1961)
- trumpet:
- Conte Candoli (in 1961), Pete Candoli (in 1961), Conrad Gozzo (in 1961) and Jimmy Zito (in 1961)
- vocals:
- Al Hibbler (in 1961)
- orchestra:
- Gerald Wilson Orchestra (in 1961)
- conductor:
- Gerald Wilson (in 1961)
- arranger:
- Gerald Wilson
- recorded at:
- United Recording Studios in Hollywood, Los Angeles, California, United States (in 1961)
- cover recording of:
- In the Wee Small Hours of the Morning (in 1961)
- lyricist:
- Bob Hilliard
- composer:
- David Mann
- publisher:
- Better Half Music Company, Bourne Co. , Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , ヤマハミュージックEH(CM) and 日音 Synch事業部
- part of:
- The Real Book
| | 2:44 |
B2 | Don't Take Your Love From Me | | 3:25 |
B3 | I'm a Fool to Want You- producer:
- Joe Adams
- bass:
- Joe Comfort (in 1961)
- drums (drum set):
- John Markham (in 1961)
- flute:
- Harry Klee (in 1961)
- guitar:
- Al Viola (in 1961)
- reeds:
- Bill Carson (in 1961)
- tenor saxophone:
- Plas Johnson (in 1961), Harold Land (in 1961) and Donald Ruffell (in 1961)
- trombone:
- Bob Pring (in 1961), Vern Friley (in 1961), Joe Howard (in 1961), Lester Robertson (in 1961) and Ken Shroyer (in 1961)
- trumpet:
- Conte Candoli (in 1961), Pete Candoli (in 1961), Conrad Gozzo (in 1961) and Jimmy Zito (in 1961)
- vocals:
- Al Hibbler (in 1961)
- orchestra:
- Gerald Wilson Orchestra (in 1961)
- conductor:
- Gerald Wilson (in 1961)
- arranger:
- Gerald Wilson
- recorded at:
- United Recording Studios in Hollywood, Los Angeles, California, United States (in 1961)
- cover recording of:
- I’m a Fool to Want You (in 1961)
- writer:
- Joel Herron (in 1951), Frank Sinatra (in 1951) and Jack Wolf (in 1951)
- publisher:
- Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd.
| | 3:29 |
B4 | I Got It Bad (And That Ain't Good)- producer:
- Joe Adams
- bass:
- Joe Comfort (in 1961)
- drums (drum set):
- John Markham (in 1961)
- flute:
- Harry Klee (in 1961)
- guitar:
- Al Viola (in 1961)
- reeds:
- Bill Carson (in 1961)
- tenor saxophone:
- Plas Johnson (in 1961), Harold Land (in 1961) and Donald Ruffell (in 1961)
- trombone:
- Bob Pring (in 1961), Vern Friley (in 1961), Joe Howard (in 1961), Lester Robertson (in 1961) and Ken Shroyer (in 1961)
- trumpet:
- Conte Candoli (in 1961), Pete Candoli (in 1961), Conrad Gozzo (in 1961) and Jimmy Zito (in 1961)
- vocals:
- Al Hibbler (in 1961)
- orchestra:
- Gerald Wilson Orchestra (in 1961)
- conductor:
- Gerald Wilson (in 1961)
- arranger:
- Gerald Wilson
- recorded at:
- United Recording Studios in Hollywood, Los Angeles, California, United States (in 1961)
- cover recording of:
- I Got It Bad (and That Ain’t Good) (in 1961)
- lyricist:
- Paul Francis Webster (in 1941)
- composer:
- Duke Ellington (in 1941)
- publisher:
- EMI Robbins Catalog Inc. , Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
- part of:
- The Real Book
| | 3:02 |
B5 | Don't Be So Mean to Baby | | 2:47 |
B6 | The Party's Over- producer:
- Joe Adams
- bass:
- Joe Comfort (in 1961)
- drums (drum set):
- John Markham (in 1961)
- flute:
- Harry Klee (in 1961)
- guitar:
- Al Viola (in 1961)
- reeds:
- Bill Carson (in 1961)
- tenor saxophone:
- Plas Johnson (in 1961), Harold Land (in 1961) and Donald Ruffell (in 1961)
- trombone:
- Bob Pring (in 1961), Vern Friley (in 1961), Joe Howard (in 1961), Lester Robertson (in 1961) and Ken Shroyer (in 1961)
- trumpet:
- Conte Candoli (in 1961), Pete Candoli (in 1961), Conrad Gozzo (in 1961) and Jimmy Zito (in 1961)
- vocals:
- Al Hibbler (in 1961)
- orchestra:
- Gerald Wilson Orchestra (in 1961)
- conductor:
- Gerald Wilson (in 1961)
- arranger:
- Gerald Wilson
- recorded at:
- United Recording Studios in Hollywood, Los Angeles, California, United States (in 1961)
- cover recording of:
- The Party’s Over (in 1961)
- lyricist:
- Betty Comden and Adolph Green
- composer:
- Jule Styne
- publisher:
- Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd.
- part of:
- Bells Are Ringing
| | 2:48 |