Essential Eighties 2 (3CD Set)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▶ CD 1: Volume 1
▼ CD 2: Volume 2
#TitleArtistRatingLength
1A Message to You Rudy
cover recording of:
A Message to You, Rudy
writer:
Dandy Livingstone
The Specials2:54
2Do You Really Want to Hurt Me
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
3Black Man Ray
producer:
Walter Becker
recording of:
Black Man Ray
writer:
Gary Daly, Gazza Johnson and Eddie Lundon (China Crisis)
China Crisis33:37
4Love Conquers All
assistant recording engineer and assistant mixer:
Richard Arnold (from 1990-05 until 1991-03)
recording engineer and mixer:
David Bascombe (from 1990-05 until 1991-03)
producer:
David Bascombe, Martin Fry and Mark White (ABC/Vice Versa)
recording of:
Love Conquers All (from 1990-05 until 1991-03)
writer:
Martin Fry and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd. and Neutron Music
ABC4:58
5Hot in the City
assistant engineer:
Steve Bates
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
edit of:
Hot in the City (extended version) by Billy Idol (English rock singer‐songwriter)
music videos:
Hot in the City (uncensored version) by Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher), Mushroom Music (Mushroom label's publishing company) and Rare Blue Music Inc
Billy Idol4.53:37
6Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood4.554:51
7So Long
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
bass:
David Graham (bassist, Fisher-Z)
drums (drum set):
Steve Liddle (drummer, Fisher-Z)
guitar and lead vocals:
John Watts
keyboard:
Steve Skolnik
arranger:
John Watts
recorded at and mixed at:
The Manor in Oxfordshire, England, United Kingdom
recording of:
So Long
lyricist and composer:
John Watts
publisher:
Captains Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Fischer‐Z55:00
8Missing You
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984) and EMI-Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite54:02
9Running Up That Hill
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
balalaika:
Paddy Bush
bass:
Del Palmer
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Alan Murphy (UK session guitarist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding - file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
Running Up That Hill (music video) by Kate Bush
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 60) and Indie 88: Top 500 Indie Rock Songs (number: 279)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works)
Kate Bush3.955:01
10Living in a Box
recording of:
Living in a Box
lyricist and composer:
Steve Piggott and Marcus Vere
publisher:
Brampton Music International and Empire Music Ltd.
Living in a Box3:04
11Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (Marillion bassist / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion (British progressive rock band)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (Marillion bassist / Edison’s Children / Transatlantic)
publisher:
Charisma Music Publishing Co Ltd. and Charisma Music Publishing Ltd.
Marillion4.43:37
12If I Was
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure24:44
13Summer of '81
recording of:
Summer of '81
writer:
Eric McCusker
Mondo Rock3:56
14Weak in the Presence of Beauty
recording of:
Weak in the Presence of Beauty
writer:
Robert E. Clarke and Michael Ward (UK saxophonist and songwriter, aka Mick Somerset)
Floy Joy3:25
15Tarzan Boy
recording of:
Tarzan Boy
lyricist:
Naimy Hackett
composer:
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora3.653:26
16All Fired Up
assistant engineer:
Clif Norrell
engineer:
Paul Lini
producer:
Keith Forsey (drummer, producer and songwriter) and Neil Giraldo
assistant mixer:
Tim Leitner
mixer:
Chris Lord‐Alge
bass guitar:
Fernando Saunders
drums (drum set):
Myron Grombacher
guitar:
Neil Giraldo
percussion:
Bo Castro
lead vocals:
Pat Benatar
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
All Fired Up
lyricist and composer:
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher)
Pat Benatar54:30
▶ CD 3: Volume 3

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:EMI Music Australia (not for release label use!) (in 1999)
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