“…underwater acoustic SLAM has focused on featureless approaches for the same reason (Fairfield, Kantor, & Wettergreen, 2006;Roman & Singh, 2007;Barkby, Williams, Pizarro, & Jakuba, 2011;Palomer, Ridao, & Ribas, 2016). Among these, none of the two works that use registration methods to estimate the relative position between the robot pose at different times (Roman & Singh, 2007;Palomer et al, 2016) extract features to improve the registration process. In contrast, the SLAM techniques used by the underwater vision community (Eustice, Pizarro, & Singh, 2004;Williams & Mahon, 2004;Eustice, Singh, Leonard, Walter, & Ballard, 2005; Johnson-Roberson, Pizarro, Williams, & Mahon, 2010;Gracias et al, 2013;Campos, Gracias, Palomer, & Ridao, 2015) strongly depends on visual features, which are produced by the texture of the scene.…”