MThd MTrk QD X0 Y / MTrk Soprano MIDI: Microsoft MIDI Mapper @B I e n Now ImI@P@ fie L$L@ A on G7G@ @B love, ImI@SC it D7D@ @ ill EmE@ A be GmG@C fits, DmD@SOr D7D@ @ men EmE@ A and GmG@@B wo ImI@/? men JmJ@ A know GZG@& @ it; EmE@@B Now ImI@P@ ! fie L L@ A on G7G@ @B love, ImI@SC it D7D@ @ ill EmE@ A be GmG@C fits, DmD@SOr D7D@ @ men E- ![ "\ #[ $.E@ A and G- %[ &\ '[ (.G@@B wo I )$ *% +$ ,% -$ .% /$ 0% 1$ 2I@/? men J 3$ 4% 5$ 6% 7$ 8% 9$ :% ;$ <J@ A know G ;$ :% 9$ 8% 7$ 6% 5$ 4% 3$ 2% 1$ 0% /$ .% -$ ,% +$ *% )$ (G@& @ it; E- '[ &\ %[ $.E@ n Love EmE@ A was G7G@ @ not E7E@ A made, GmG@ @ love EmE@/? was JmJ@ A not GmG@_> made C C@ @ E@E@ A G@G@ @ EmE@_> for CmC@pA peo- B B@ _> C@C@ @ E@E@ _> CmC@pA ple BmB@P@ in @ @@ pA B@B@ _> C@C@ pA BmB@P@ their @m@@/? wits, >m>@pA And BmB@ A they GmG@pA that BmB@C fond DZD@& @ ly EZE@& A show GmG@P@ it, @m@@ ( Be @m@@tray @Z@@& @ their EZE@&P@ too @Z@@&@B much IZI@& A fea- G@G@ @ E@E@ C D@D@ @ E@E@ A GmG@C thered DmD@ A brains, GGG@9P@ And @m@@pA shall BmB@C have DmD@ @ on EmE@ A ly GmG@@B Bed I )4 *4 +4 ,4 -4 .4 /5 04 14 24 34 44 54 6I@& @ lam E 7. 8. 9- :. ;- <. =. >- ?. @. A- B. C- D. E. FE@& A for G G( H) I( J) K) L( M) N( O) P( Q) R( S) T) U( V) W( XG@&@B their I Y& Z' [& \& ]' ^& _' `& a' b& c& d' e& f' g& h& i' j& kI@&/? pains, J* lT mT nT oU pT qT rT sT tU uT vT wT x+J@ypA and B7B@ C shall DmD@ @ have EmE@ A on GmG@@B ly ImI@/? Bed JZJ@&lam >Z>@&pA for Nh ~P }Q |Q {P zQ yP xiN@LP@ their Lh ~P }Q |Q {P zQ yP xiL@L @ pains. Eh ~P }Q |Q {P zQ yP xiE@L@B n 2.To ImI@P@ love L$L@ A is G7G@ @B to ImI@SC dis D7D@ @ tract EmE@ A my GmG@C sleep, DmD@SAnd D7D@ @ wak EmE@ A ing GmG@@B to ImI@/? wear JmJ@ A fet GZG@& @ ters, EmE@@B To ImI@P@ ! love L L@ A is G7G@ @B to I$I@ C dis D7D@ @ tract EmE@ A my GmG@C sleep, DmD@SAnd D7D@ @ wak E- ![ "\ #[ $.E@ A ing G- %[ &\ '[ (.G@@B to I )$ *% +$ ,% -$ .% /$ 0% 1$ 2I@/? wear J 3$ 4% 5$ 6% 7$ 8% 9$ :% ;$ <J@ A fet G ;$ :% 9$ 8% 7$ 6% 5$ 4% 3$ 2% 1$ 0% /$ .% -$ ,% +$ *% )$ (G@& @ ters, E- '[ &\ %[ $.E@S " To E- !\ .E@ n love E E@ A G7G@ @ is E7E@ A but GmG@ @ to EmE@/? go JmJ@ A to GmG@_> school, C C@ @ E@E@ A G@G@ @ EmE@_> to CmC@pA go B B@ _> C@C@ @ E@E@ _> CmC@pA to BmB@P@ school @ @@ pA B@B@ _> C@C@ pA BmB@P@ to @m@@/? weep, >m>@pA I'll BmB@ A leave GmG@pA it BmB@C to DZD@& @ my EZE@& A bet GmG@P@ ters; @m@@ ( If @m@@sin @Z@@& @ gle EZE@&P@ love @Z@@&@B be IZI@& A such G@G@ @ E@E@ C D@D@ @ E@E@ A GmG@C a DmD@ A curse, GGG@9P@ To @m@@pA mar BmB@C ry DmD@ @ is EmE@ A to GmG@@B make I )8 *8 +8 ,8 -8 .8 /9 08 18 28 38 48 5 I@& @ it E 6. 7. 8- 9. :- ;. <. =- >. ?. @- A. B- C. D. EE@& A ten G F+ G+ H+ I+ J+ K+ L+ M+ N* O+ P+ Q+ R+ S+ T+ U+ VG@&@B times I W( X) Y( Z) [) \( ]) ^( _) `( a) b( c) d) e( f) g( hI@&/? worse, J' iN jN kN lN mO nN oN pN qO rN sN tN uN v(J@ypA x to B7B@ C mar DmD@ @ ry EmE@ A is GmG@@B to ImI@/? make JZJ@&it >Z>@&pA ten Nh ~P }Q |Q {P zQ yP xiN@LP@ times Lh ~P }Q |Q {P zQ yP xiL@L @ worse. Eh ~P }Q |Q {P zQ yP xiE@L{ / MTrk } Alto MIDI: Microsoft MIDI Mapper @ I e n Now EmE@ fie E ~ } | {! z y x w! v u t s r! q p o nE@ A on G7G@ @ love, EmE@P@ it @m@@/? ill >7>@ pA be B7B@ P@ fits, @m@@SOr @7@@ pA men B$B@ C and D7D@ @ wo EmE@men EmE@C know DmD@ @ it; EmE@ Now EmE@ ! fie E E@ A on G7G@ @ love, EmE@P@ it @m@@/? ill >7>@ pA be B7B@ P@ fits, @m@@SOr @7@@ pA men B- !\ "[ #[ $\ %[ &.B@ C and D- '\ (.D@ @ wo E )$ *% +$ ,% -$ .% /$ 0% 1$ 2E@men E 3& 4' 5& 6& 7' 8& 9& :' ;& <& ;$ :% 9$ 8% 7$ 6% 5$ 4% 3$ 2E@C know D 1$ 0% /$ .% -$ ,% +$ *% )$ (D@ @ it; E- '[ &\ %[ $.E@pA n Love BmB@_> was C7C@ pA not B7B@ _> made, CmC@ @ love EmE@_> was CmC@not CmC@made CZC@&P@ for @Z@@&pA peo BZB@&/? ple >Z>@&P@ in @Z@@&@B their =Z=@&/? wits, >m>@And >m>@pA they BmB@/? that >m>@P@ fond @Z@@&ly @Z@@&show @m@@it, @m@@ ( Be @m@@tray @Z@@&@B their =Z=@&P@ too @Z@@&much @Z@@&C fea- D@D@ pA B@B@ P@ @@@@ pA B@B@ C DmD@P@ thered @m@@brains, @G@@9And @m@@/? shall >m>@have >m>@P@ on @m@@ly @m@@ @ Bed E )8 *8 +8 ,8 -8 .8 /9 08 18 28 38 48 5 E@&lam E 6. 7. 8- 9. :- ;. <. =- >. ?. @- A. B- C. D. EE@&C for D F+ G+ H+ I+ J+ K+ L+ M* N+ O+ P+ Q+ R+ S+ T+ U+ VD@& @ their E W( X) Y( Z) [) \( ]) ^( _) `( a) b( c) d) e( f) g( hE@&pains, E' iN jN kN lN mO nN oN pN qO rN sN tN uN v(E@ypA x and B7B@ C shall DmD@ @ have EmE@ A on GmG@@B ly ImI@/? Bed JZJ@&lam >Z>@& @ for Eh ~P }Q |Q {P zQ yP xiE@LC their Dh ~P }Q |Q {P zQ yP xiD@L @ pains. Eh ~P }Q |Q {P zQ yP xiE@L n 2.To EmE@love E$E@ A is G7G@ @ to EmE@P@ dis- @m@@/? tract >7>@ pA my B7B@ P@ sleep, @m@@SAnd @7@@ pA wak B$B@ C ing D7D@ @ to EmE@wear EmE@C fet DmD@ @ ters, EmE@ To EmE@ ! love E E@ A is G7G@ @ to EmE@P@ dis- @m@@/? tract >7>@ pA my B7B@ P@ sleep, @m@@SAnd @7@@ pA wak B- !\ "[ #[ $\ %[ &.B@ C ing D- '\ (.D@ @ to E )$ *% +$ ,% -$ .% /$ 0% 1$ 2E@wear E 3& 4' 5& 6& 7' 8& 9' :& ;& <& ;$ :% 9$ 8% 7$ 6% 5$ 4% 3$ 2E@C fet D 1$ 0% /$ .% -$ ,% +$ *% )$ (D@ @ ters, E- '[ &\ %[ $.E@S " To E- !\ .E@ pA n love B B@ _> C7C@ pA is B7B@ _> but CmC@ @ to EmE@_> go CmC@to CmC@school, CZC@&P@ to @Z@@&pA go BZB@&/? to >Z>@&P@ school @Z@@&@B to =Z=@&/? weep, >m>@I'll >m>@pA leave BmB@/? it >m>@P@ to @Z@@&my @Z@@&bet @m@@ters; @m@@ ( If @m@@sin @Z@@&@B gle =Z=@&P@ love @Z@@&be @Z@@&C such D@D@ pA B@B@ P@ @@@@ pA B@B@ C DmD@P@ a @m@@curse, @G@@9To @m@@/? mar >m>@ry >m>@P@ is @m@@to @m@@ @ make E )8 *8 +8 ,8 -8 .8 /9 08 18 28 38 48 5 E@&it E 6. 7. 8- 9. :- ;. <. =- >. ?. @- A. B- C. D. EE@&C ten D F+ G+ H+ I+ J+ K+ L+ M+ N* O+ P+ Q+ R+ S+ T+ U+ VD@& @ times E W( X) Y( Z) [) \( ]) ^( _) `( a) b( c) d) e( f) g( hE@&worse, E' iN jN kN lN mO nN oN pN qO rN sN tN uN v(E@ypA x to B7B@ C mar DmD@ @ ry EmE@ A is GmG@@B to ImI@/? make JZJ@&it >Z>@& @ ten Eh ~P }Q |Q {P zQ yP xiE@LC times Dh ~P }Q |Q {P zQ yP xiD@L @ worse. Eh ~P }Q |Q {P zQ yP xiE@L{ / MTrk Tenor MIDI: Microsoft MIDI Mapper P@ I e n Now @m@@ fie @ ~ } | {! z y x w! v u t s r! q p o n@@ on @7@@ love, @m@@@B it =m=@ A ill ;7;@ /? be >7>@ A fits, ;m;@SOr ;7;@ @B men =m=@/? and >m>@P@ wo @m@@pA men BmB@P@ know @Z@@&@B it; =m=@P@ Now @m@@ ! fie @ @@ on @7@@ love, @m@@@B it =m=@ A ill ;7;@ /? be >7>@ A fits, ;m;@SOr ;7;@ @B men =- ![ "\ #[ $.=@/? and >- %[ &\ '[ (.>@P@ wo @ )$ *% +$ ,% -$ .% /$ 0% 1$ 2@@pA men B 3$ 4% 5$ 6% 7$ 8% 9$ :% ;$ <B@P@ know @ ;$ :% 9$ 8% 7$ 6% 5$ 4% 3$ 2% 1$ 0% /$ .% -$ ,% +$ *% )$ (@@&@B it; =- '[ &\ %[ $.=@/? n Love >m>@was >7>@ not >7>@ made >m>@for >m>@peo- >Z>@&@B ple =Z=@& A in ;Z;@&0D their :Z:@& A wits, ;m;@And ;m;@/? they >m>@ A that ;m;@fond- ; ;@ P@ @m@@/? ly >@>@ @B =7=@ A show ;m;@P@ it, 4m4@C ( Be 8m8@tray 8Z8@& @ their 9Z9@&C too 8Z8@& @ much 9Z9@& A fea ;G;@9@B thered =m=@ A brains, ;@;@ @ 9@9@ C 8@8@ @ 9@9@ A ;m;@@B And =m=@/? shall >m>@have >m>@@B on =m=@ A ly ;m;@ @ Bed 9 )8 *8 +8 ,8 -8 .8 /9 08 18 28 38 48 5 9@&@B lam = 6. 7. 8- 9. :- ;. <. =- >. ?. @- A. B- C. D. E=@&P@ for @ F+ G+ H+ I+ J+ K+ L+ M* N+ O+ P+ Q+ R+ S+ T+ U+ V@@&their @ W( X) Y( Z) [) \( ]) ^( _) `( a) b( c) d) e( f) g( h@@&pA pains, B' iN jN kN lN mO nN oN pN qO rN sN tN uN v(B@y x and 676@ C shall 8m8@ @ have 9m9@ A on ;m;@@B ly =m=@/? Bed >Z>@&lam 2Z2@& for >h ~P }Q |Q {P zQ yP xi>@L their >h ~P }Q |Q {P zQ yP xi>@L@B pains. =h ~P }Q |Q {P zQ yP xi=@LP@ n 2.To @m@@love @$@@ is @7@@ to @m@@@B dis- =m=@ A tract ;7;@ /? my >7>@ A sleep, ;m;@SAnd ;7;@ @B wak =m=@/? ing >m>@P@ to @m@@pA wear BmB@P@ fet @Z@@&@B ters, =m=@P@ To @m@@ ! love @ @@ is @7@@ to @m@@@B dis- =m=@ A tract ;7;@ /? my >7>@ A sleep, ;m;@SAnd ;7;@ @B wak =- ![ "\ #[ $.=@/? ing >- %[ &\ '[ (.>@P@ to @ )$ *% +$ ,% -$ .% /$ 0% 1$ 2@@pA wear B 3$ 4% 5$ 6% 7$ 8% 9$ :% ;$ <B@P@ fet @ ;$ :% 9$ 8% 7$ 6% 5$ 4% 3$ 2% 1$ 0% /$ .% -$ ,% +$ *% )$ (@@&@B ters, =- '[ &\ %[ $.=@S/? " To >- !\ .>@ n love >$>@ is >7>@ but >m>@to >m>@go >Z>@&@B to =Z=@& A school, ;Z;@&0D to :Z:@& A weep, ;m;@I'll ;m;@/? leave >m>@ A it ;m;@to ; ;@ P@ @m@@/? my >@>@ @B =7=@ A bet ;m;@P@ ters; 4m4@C ( If 8m8@sin 8Z8@& @ gle 9Z9@&C love 8Z8@& @ be 9Z9@& A such ;G;@9@B a =m=@ A curse, ;@;@ @ 9@9@ C 8@8@ @ 9@9@ A ;m;@@B To =m=@/? mar >m>@ry >m>@@B is =m=@ A to ;m;@ @ make 9 )8 *8 +8 ,8 -8 .8 /9 08 18 28 38 48 5 9@&@B it = 6. 7. 8- 9. :- ;. <. =- >. ?. @- A. B- C. D. E=@&P@ ten @ F+ G+ H+ I+ J+ K+ L+ M+ N* O+ P+ Q+ R+ S+ T+ U+ V@@× @ W( X) Y( Z) [) \( ]) ^( _) `( a) b( c) d) e( f) g( h@@&pA worse, B' iN jN kN lN mO nN oN pN qO rN sN tN uN v(B@y x to 676@ C mar 8m8@ @ ry 9m9@ A is ;m;@@B to =m=@/? make >Z>@&it 2Z2@& ten >h ~P }Q |Q {P zQ yP xi>@L times >h ~P }Q |Q {P zQ yP xi>@L@B worse. =h ~P }Q |Q {P zQ yP xi=@L{ / MTrk Bass MIDI: Microsoft MIDI Mapper @ I e n Now 9m9@@B fie = ~ } | {! z y x w! v u t s r! q p o n=@ C on 878@ @ love, 9m9@SP@ it 474@ pA ill 6m6@ A be /m/@P@ fits, 4m4@SOr 474@ men 4m4@/? and 2m2@@B wo 1m1@ A men /m/@P@ know 4Z4@& @ it; -m-@ Now 9m9@@B ! fie = =@ C on 878@ @ love, 9m9@SP@ it 474@ pA ill 6m6@ A be /m/@P@ fits, 4m4@SOr 474@ men 4- ![ "\ #[ $.4@/? and 2- %[ &\ '[ (.2@@B wo 1 )$ *% +$ ,% -$ .% /$ 0% 1$ 21@ A men / 3$ 4% 5$ 6% 7$ 8% 9$ :% ;$ </@P@ know 4 ;$ :% 9$ 8% 7$ 6% 5$ 4% 3$ 2% 1$ 0% /$ .% -$ ,% +$ *% )$ (4@& @ it; -- '[ &\ %[ $.-@/? n Love 2m2@_> was 777@ /? not 272@ _> made, 7m7@pA love 6m6@ A was ;m;@_> not 7m7@P@ made 4Z4@& @ for 9Z9@&/? peo 2Z2@&_> ple 7Z7@&@B in 1Z1@&pA their 6Z6@& A wits, /m/@And /m/@P@ they 4m4@/? that 2m2@@B fond 1m1@ A ly /@/@ @ -7-@ C show ,m,@P@ it, 4m4@@B ( Be 1m1@tray 1Z1@&pA their 6Z6@&@B too 1Z1@& @ much -Z-@&P@ fea 4G4@9thered 4m4@C brains, 8@8@ pA 6@6@ P@ 4@4@ pA 6@6@ C 8m8@ @ And 9m9@/? shall 2m2@ A have ;m;@ @ on 9m9@C ly 8m8@pA Bed 6 )8 *8 +8 ,8 -8 .8 /9 08 18 28 38 48 5 6@&lam 6 6. 7. 8- 9. :- ;. <. =- >. ?. @- A. B- C. D. E6@&P@ for 4 F+ G+ H+ I+ J+ K+ L+ M* N+ O+ P+ Q+ R+ S+ T+ U+ V4@& @ their 9 W( X) Y( Z) [) \( ]) ^( _) `( a) b( c) d) e( f) g( h9@&/? pains, 2' iN jN kN lN mO nN oN pN qO rN sN tN uN v(2@ypA x and 676@ C shall 8m8@ @ have 9m9@ A on ;m;@@B ly =m=@/? Bed >Z>@&lam 2Z2@& for 2h ~P }Q |Q {P zQ yP xi2@LP@ their 4h ~P }Q |Q {P zQ yP xi4@L @ pains. 9h ~P }Q |Q {P zQ yP xi9@L n 2.To 9m9@@B love =$=@ C is 878@ @ to 9m9@SP@ dis 474@ pA tract 6m6@ A my /m/@P@ sleep, 4m4@SAnd 474@ wak 4m4@/? ing 2m2@@B to 1m1@ A wear /m/@P@ fet 4Z4@& @ ters, -m-@ To 9m9@@B ! love = =@ C is 878@ @ to 9$9@ P@ dis 474@ pA tract 6m6@ A my /m/@P@ sleep, 4m4@SAnd 474@ wak 4- ![ "\ #[ $.4@/? ing 2- %[ &\ '[ (.2@@B to 1 )$ *% +$ ,% -$ .% /$ 0% 1$ 21@ A wear / 3$ 4% 5$ 6% 7$ 8% 9$ :% ;$ </@P@ fet 4 ;$ :% 9$ 8% 7$ 6% 5$ 4% 3$ 2% 1$ 0% /$ .% -$ ,% +$ *% )$ (4@& @ ters, -- '[ &\ %[ $.-@S/? " To 2- !\ .2@ n love 2 2@ _> 777@ /? is 272@ _> but 7m7@pA to 6m6@ A go ;m;@_> to 7m7@P@ school, 4Z4@& @ to 9Z9@&/? go 2Z2@&_> to 7Z7@&@B school 1Z1@&pA to 6Z6@& A weep, /m/@I'll /m/@P@ leave 4m4@/? it 2m2@@B to 1m1@ A my /@/@ @ -7-@ C bet ,m,@P@ ters; 4m4@@B ( If 1m1@sin 1Z1@&pA gle 6Z6@&@B love 1Z1@& @ be -Z-@&P@ such 4G4@9a 4m4@C curse, 8@8@ pA 6@6@ P@ 4@4@ pA 6@6@ C 8m8@ @ To 9m9@/? mar 2m2@ A ry ;m;@ @ is 9m9@C to 8m8@pA make 6 )8 *8 +8 ,8 -8 .8 /9 08 18 28 38 48 5 6@&it 6 6. 7. 8- 9. :- ;. <. =- >. ?. @- A. B- C. D. E6@&P@ ten 4 F+ G+ H+ I+ J+ K+ L+ M+ N* O+ P+ Q+ R+ S+ T+ U+ V4@& @ times 9 W( X) Y( Z) [) \( ]) ^( _) `( a) b( c) d) e( f) g( h9@&/? worse, 2' iN jN kN lN mO nN oN pN qO rN sN tN uN v(2@ypA x to 676@ C mar 8m8@ @ ry 9m9@ A is ;m;@@B to =m=@/? make >Z>@&it 2Z2@& ten 2h ~P }Q |Q {P zQ yP xi2@LP@ times 4h ~P }Q |Q {P zQ yP xi4@L @ worse. 9h ~P }Q |Q {P zQ yP xi9@L{ / MTrk ! 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D@ P@ @ @ E @B I 1 m@@ E@ I@ 1@pA B$ @ E$ /? J$ A /$mB@ E@ J@ /@P@ @( A G( P@ 4(Z@@ G@ 4@&@B = @ E - m=@ E@ -@/? >x pA Bx @ Ex /? 2xm>@ B@ E@ 2@>x _> Cx A Gx _> 7x7>@ C@ G@ 7@ /? >x pA Bx @ Ex /? 2x7>@ B@ E@ 2@ >x _> Cx A Gx _> 7xm>@ C@ G@ 7@/? >x @ Ex pA 6xm>@ E@ 6@_> Cx /? Jx >x A ;xmC@ J@ ;@_> Cx A Gx _> 7xZ>@C@ G@ 7@Cx /? >x P@ 4xmC@ @ Ex7E@ A Gx>@ 4@ G@ @ Ex @B =x P@ @x @ 9xmE@_> CxZ=@ @@ 9@C@pA Bx @B =x /? 2xmB@_> Cx7C@ @ Ex=@ 2@ E@ _> Cx A ;x /? >x _> 7xmC@pA BxZ;@ >@ 7@B@P@ @x A ;x @B 1xm@@pA Bx7B@ _> Cx;@ 1@ C@ pA Bx 0D :x @B =x pA 6xmB@P@ @xZ:@ =@ 6@@@ A ;x /? >x A /xm;@ >@ /@;x /? >x pA Bxm;@ >@ B@/? >x pA Bx A Gxm>@ B@ G@;x /? >x pA Bx A /xm;@ >@ B@ /@;x P@ @x C Dx P@ 4xm4@/? 2xZ;@ @@ D@2@P@ @x @ Ex P@ @B 1xm1@/? >x A /x7>@ /@ @B =x @ -x@@ E@ =@ -@ A ;x P@ @x A Gx C ,xm;@ @@ G@ ,@P@ @x 4xm@@ 4@@ @B 1 C 8 m@@ 1@ 8@P@ @ @B 1 C 8 Z@@ 1@ 8@&@B = @ E pA 6 @ 9 Z=@ E@ 6@ 9@&P@ @ @B 1 C 8 Z@@ 1@ 8@&P@ @ @B I @ - 9 Z@@ I@ -@ 9@&C D A G P@ 4 A ; 7D@ G@ pA B @ E 7B@ E@ P@ @ C D 7@@ D@ pA B @ E 7B@ E@ C D A G G4@ ;@&D@ G@P@ @ C D P@ 4 @B = m@@ D@ 4@ =@P@ @ A G C 8 A ; 78@ ;@ pA 6 @ 9 76@ 9@ P@ 4 C 8 74@ 8@ pA 6 @ 9 76@ 9@ C 8 A ; G@@ G@&8@ ;@P@ @ @ 9 @B = m@@ 9@ =@pA B /? 2 > mB@ 2@ >@C D A ; /? > mD@ ;@ >@P@ @ @ E 9 @B = m@@ E@ 9@ =@P@ @ A G C 8 A ; m@@ G@ 8@ ;@ @ E @B I pA 6 @ 9 ZE@ I@ 6@ 9@&@B =( @ E( pA 6(Z=@ E@ 6@&P@ @= C D= A G= P@ 4=Z@@ D@ G@ 4@&@X @ EX @B IX @ 9XZ@@ E@ I@ 9@&pA Bo @ Eo /? Jo 2oGB@ E@ J@ 2@ypA B 67B@ 6@ C D 8mD@ 8@ @ E 9mE@ 9@ A G ;mG@ ;@@B I =mI@ =@/? J >ZJ@ >@&> 2Z>@ 2@& @ E pA N /? 2 >4E@ N@ 2@ >@LC D P@ L 4 /? >4D@ L@ 4@ >@L @ E 9 @B =4E@ 9@ =@L{ /