Eva Toller
Life
Born: 1959
About my country:
I am a Swede, living in Sweden. We are a very small country (as are also our Nordic neighbours) and our language is spoken by relatively few people. Thus, we tend to learn, speak, and write English quite well, since we cannot make ourselves understood otherwise. (However, we usually can understand - and be understood - by Danes and Norwegians, and many Finns also understand some Swedish).
To find out more about Sweden, the best way is probably to visit: http://www.sweden.se/
Choral-wise, Sweden has quite a strong tradition. It started with men's university choirs in the early 19th century. The most common choir type nowadays is the mixed choir; women's choirs are still more unusual than other choir types.
About me:
I frequently arrange any types of songs that I like and have specific ideas about. The ideas come in several ways. I may be inspired by the melody or the lyrics; I may think of a certain theme in the song, that I want to elaborate. I may want to make variations of the lyrics or arrange the song in a new way stylistically - for example, make jazz of a folk song.
Another motivation I have, especially for making arrangements for women's choir, is that it is often very hard to find a cappella arrangements for this type of choir.
Personally, I dislike the "primadonna trend" among composers and conductors. I think the attention should be primarily on the music - it will still be there after the composers are dead and (in many cases) forgotten. I am the servant of the music, not the other way around. Thus, I have a little difficulty with giving detailed biographical information about myself (I don't think my life would be very interesting for others to read about, and I don't want to become a "celebrity", although I'm of course happy when my music is sung and appreciated).
My musical background:
In the municipal music school, I studied piano, recorder, and violin (somewhat). I have kept playing the piano, and taught myself to play the guitar (mostly chord playing as accompaniment to song, but also some "finger play").
When I was around 25 years old, I started to take singing lessons, and did that for approximately seven years (with frequent breaks for a year or a half each). About the same time, I started to sing in a women's choir for students. I have sung in women's and mixed choirs since then (also here with some breaks), both in church choirs and secular choirs.
Concerning my knowledge in arranging choral music:
I am mostly an auto-didact (my formal education is short: half a semester of basic music theory at the university). I try to transform the practical knowledge I get as a choral singer to arrangements that are (hopefully!) fun to sing.
List of choral works
Original compositions
Arrangements by Eva Toller
- Å jänta å ja (Traditional)
- Adew, adew, my hartis lust (William Cornysh)
- Aftonkväde (Eva Toller)
- Allt under himmelens fäste (Eva Toller)
- Alma del core (Antonio Caldara)
- Älskade son, så bra att du kom (Traditional)
- Amazing grace (Traditional)
- An die Musik (Franz Schubert)
- As Flora slept (John Hilton the younger)
- The Ash Grove (Traditional)
- Auf Flügeln des Gesanges (Felix Mendelssohn)
- Auld lang syne (Traditional)
- Un' aura amorosa (Wolfgang Amadeus Mozart)
- Barcarolle (Jacques Offenbach)
- Bereden väg för Herran (Traditional)
- Blow the man down (Traditional)
- Blåsen nu alla (Carl Michael Bellman)
- Bort allt vad oro gör (Eva Toller)
- Byssan lull (Eva Toller)
- Böljan sig mindre rör (Eva Toller)
- Caro mio ben (Giuseppe Giordani)
- Cockles and mussels (Traditional)
- Come again sweet love doth now invite (John Dowland)
- Come raggio di sol (Antonio Caldara)
- Come, Phyllis (Thomas Ford)
- Dear, if you change (John Dowland)
- Deare, though your minde (William Corkine)
- Deep river (Traditional)
- Det stod en lind (Traditional)
- Diaphenia (Francis Pilkington)
- Domaredansen (Traditional)
- Du är den ende (Eva Toller)
- Early one morning (Traditional)
- Emacsvisan (Eva Toller)
- En vain pour éviter (from 'Carmen') (Georges Bizet)
- Es ist ein Ros entsprungen (Michael Praetorius)
- Ett barn är fött på denna dag (Traditional)
- Fain would I change that note (Tobias Hume)
- Faire, sweet, cruell (Thomas Ford)
- Fattigpsalm (melody: Var hälsad, sköna morgonstund) (Eva Toller)
- La fleur (aria from 'Carmen') (Georges Bizet)
- Flow not so fast ye fountains (John Dowland)
- The foggy, foggy dew (Traditional)
- Den första gång jag såg dig (Birger Sjöberg)
- Glimmande nymf (Carl Michael Bellman)
- Gläd dig, du Kristi brud (Jacob Regnart)
- Go to bed, sweet muse (Robert Jones)
- Greensleeves (Anonymous)
- Gute Nacht (Robert Franz)
- Haga (Fjärlin vingad) (Carl Michael Bellman)
- Here she her sacred bower adornes (Thomas Campion)
- Hosianna (Georg Joseph Vogler)
- The House of the Rising Sun (Traditional)
- Härlig är jorden (Eva Toller)
- Höga berg och djupa dalar (Traditional)
- I denna ljuva sommartid (Eva Toller)
- If I urge my kind desires (Philip Rosseter)
- If she forsake me (Philip Rosseter)
- Im wunderschönen Monat Mai (Robert Schumann)
- In stiller Nacht, 26 Deutsche Volkslieder, No. 8 (Johannes Brahms)
- It was a lover and his lass (Eva Toller)
- Jag gick mig ut en afton (Traditional)
- Jag vet en dejlig rosa (Traditional)
- Jeg lagde meg så silde (Traditional)
- Die Jugend (Georg Philipp Telemann)
- Jungfru, jungfru, jungfru, jungfru skär (Traditional)
- Klang, min vackra bjällra (Eva Toller)
- Klara solen på himmelen den lyser (Eva Toller)
- Kom Julia, vi gå (Traditional)
- Kristallen den fina (Traditional)
- Kumbaya, my Lord (Traditional)
- Käraste bröder, systrar och vänner (Carl Michael Bellman)
- Lars Persson (Eva Toller)
- Lascia ch'io pianga (George Frideric Handel)
- Lasciatemi morire (Claudio Monteverdi)
- Liebes Mädchen hör mir zu (Joseph Haydn)
- Liksom en herdinna (Carl Michael Bellman)
- Loch Lomond (Traditional)
- Den lyssnande Maria (Eva Toller)
- Längtan till Italien (Birger Sjöberg)
- Morning Has Broken (Traditional)
- Muirsan Durcan (Traditional)
- My bonnie (Traditional)
- Måltidssång (Så lunka vi…) (Carl Michael Bellman)
- Nel cor piu non mi sento (Giovanni Paisiello)
- Nu ska vi skörda linet idag (Traditional)
- Nu tändas tusen juleljus (Emmy Köhler)
- Näckens polska (Eva Toller)
- Nå, skruva fiolen (Carl Michael Bellman)
- O del mio dolce ardor (Christoph Willibald Gluck)
- O du saliga, o du heliga (Traditional)
- O tysta ensamhet (Eva Toller)
- Och jungfrun hon går i dansen (Traditional)
- Ode to the Seasons (and to Change), BWV 147.10 (Johann Sebastian Bach)
- Om sommaren sköna (Traditional)
- Ombra mai fu (George Frideric Handel)
- Opp, Amaryllis (Carl Michael Bellman)
- Ovisa (Ingemar Ragnemalm)
- Per la gloria d'adorarvi (Giovanni Battista Bononcini)
- Phillis was a faire maide (Giles Earle)
- Pojkarna (Eva Toller)
- Pur dicesti, o bocca bella (Antonio Lotti)
- The real old mountain dew (Traditional)
- Rest, sweet nymphs (Francis Pilkington)
- The Riddle Song (Traditional)
- Ritsch, ratsch, filibom bom bom (Traditional)
- Scarborough fair (Traditional)
- Se Florindo e fedele (Alessandro Scarlatti)
- Se vuol ballare, signor Contino (Wolfgang Amadeus Mozart)
- Shall I come, sweet love, to thee (Thomas Campion)
- A shepherd in a shade his plaining made (John Dowland)
- Den signade dag (Traditional)
- Sleepe, sleepe (Giles Earle)
- Solen glimmar blank och trind (Carl Michael Bellman)
- Som stjärnan uppå himmelen (Traditional)
- Stille Nacht (Franz Xaver Gruber)
- Stolta stad (Carl Michael Bellman)
- Sul mare luccica (Santa Lucia) (Traditional)
- Sweet Cupid, ripen her desires (William Corkine)
- Sweet Kate of late ran away (Robert Jones)
- Sweet nymph, come to thy lover (Thomas Morley)
- Swing low, sweet chariot (Traditional)
- There is a garden in her face (Thomas Campion)
- There's whiskey in the jar (Traditional)
- Till Ulla Winblad (Carl Michael Bellman)
- Tintomaras sång (Eva Toller)
- Tjuv och tjuv, det ska du heta (Traditional)
- Tomtarnas julnatt (Midnatt råder) (Traditional)
- Tre små gummor (Traditional)
- Les tringles des sistres tintaient (aria from 'Carmen') (Georges Bizet)
- Tänker du, att jag förlorader är (Traditional)
- Ulla, min Ulla (Carl Michael Bellman)
- Underneath a cypress tree (Francis Pilkington)
- Uppå källabacken (Traditional)
- Uti vår hage (Traditional)
- Vaggvisa (Eva Toller)
- Vem kan segla förutan vind (Eva Toller)
- Vi gå över daggstänkta berg (Traditional)
- Vi ska ställa till en roliger dans (Traditional)
- Vi äro musikanter (Traditional)
- Vila vid denna källa (Carl Michael Bellman)
- Viljen I veta och viljen I förstå (Traditional)
- Vittoria mio core (Giacomo Carissimi)
- Volksliedchen (Robert Schumann)
- Väva vadmal (Traditional)
- Vårvindar friska (Eva Toller)
- The water is wide (Traditional)
- Weihnachtsoratorium (Christmas Oratorio), BWV 248 (Johann Sebastian Bach)
- What if I seek for love (Robert Jones)
- What shall I do to show, Z 627/18 (Henry Purcell)
- What shall we do with the drunken sailor (Traditional)
- When Laura smiles (Philip Rosseter)
- When lo, by break of morning (Thomas Morley)
- Wiegenlied (Schlafe, mein Prinzchen) (Bernhard Flies)
- Wiegenlied, Op. 49, No. 4 (Johannes Brahms)
- Woeful heart with grief oppressed (John Dowland)
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