Alfred Döblin (1878–1957)
Author of Berlin Alexanderplatz
About the Author
Novelist, playwright, poet, essayist, Alfred Doblin was one of the most prolific writers of his time. He was also a practicing physician in Berlin's working-class district of Alexanderplatz. His novel of this name (1930) is considered his best work, and represents, in its montage technique, show more Doblin's experimental attitude toward prose writing. Doblin fled the Nazi regime in 1933 and lived for a while in the United States. Later, he became a French citizen and a convert to the Roman Catholic Church. (Bowker Author Biography) show less
Image credit: Alfred Döblin en 1955/1956
Series
Works by Alfred Döblin
Der Oberst und der Dichter oder Das menschliche Herz. Die Pilgerin Aetheria: Zwei Erzählungen (1987) 6 copies
Ausgewählte Werke in Einzelbänden: Der deutsche Maskenball von Linke Poot. Wissen und Verändern. ( Ausgewählte… (1972) 4 copies
Die Zeitlupe 2 copies
Erzählungen 2 copies
Nocturno 2 copies
Alfred Döblin. November 1918, eine deutsche Revolution. Erzählwerk. Vorspiel aus Bürger und Soldaten… (1948) 1 copy
Die literarische Situation 1 copy
Doblin Alfred 1 copy
Kritik der Zeit: Rundfunkbeiträge 1946-1952; im Anhang, Beiträge 1928-1931 [= Alfred Döblin, Ausgewählte Werke in… (1992) 1 copy
Die literarische Situation 1 copy
Die Vertreibung der Gespenster (außen). Autobiographische Schriften, Betrachtungen zur Zeit, Aufsätze zu Kunst und… (1968) 1 copy
Jüdische Erneuerung 1 copy
Bajka o materijalizmu 1 copy
Berlin 1 copy
Ölümsüz Ülkeye Doğru 1 copy
Die Stücke 1 copy
dialog: Die Stücke 1 copy
Associated Works
Spells of Enchantment: The Wondrous Fairy Tales of Western Culture (1991) — Contributor — 581 copies, 4 reviews
August Sander: Face of Our Time (Schirmer Visual Library) (1977) — Introduction — 107 copies, 2 reviews
The intellectual tradition of modern Germany : A collection of writings from the eighteenth to the twentieth century (1973) — Contributor — 3 copies
Halt auf freiem Felde : Eisenbahnabenteuer von Agatha Christie bis Tucholsky (1975) — Author — 2 copies
Die Sammlung der Nationalgalerie : 1900-1945 : Moderne Zeiten : die Dokumentation einer Ausstellung (2014) — Contributor — 2 copies
The intellectual tradition of modern Germany : A collection of writings from the eighteenth to the twentieth century :… (1973) — Contributor — 2 copies
50 seltsame Geschichten — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Döblin, Alfred
- Legal name
- Döblin, Bruno Alfred
- Other names
- Döblin, Alfred Bruno
Linke Poot (Pseudonyme)
Linke-Poot (Pseudonyme)
Fiedeler, Hans (Pseudonyme)
Poot, Linke (Pseudonyme)
Piethe, Knaas (Pseudonyme) (show all 7)
Ntemplin, Alphrent (Pseudonyme) - Birthdate
- 1878-08-10
- Date of death
- 1957-06-26
- Burial location
- Housseras, France
- Gender
- male
- Nationality
- Germany (birth)
France (naturalized) - Birthplace
- Stettin, Germany (now Szczecin, Poland)
- Place of death
- Emmendingen, Germany
- Places of residence
- Regensburg, Germany
Freiburg, Germany
Berlin, Germany
Zürich, Switzerland
Paris, France
Lisbon, Portugal (show all 10)
Hollywood, California, USA
Mainz, Germany
France
Emmendingen, West Germany - Education
- Friedrich Wilhelm University (medicine)
Freiburg Psychiatric Clinic (Ph.D. | 1905 | neurology) - Occupations
- psychiatrist
writer - Relationships
- Döblin, Wolfgang (Fils)
- Organizations
- Ministère français de l'Information (Collaborateur, 1939 | 1940, Inspecteur littéraire, 1945)
Hôpitaux de Berlin (Médecin, 1906 | 1933)
Das goldene Tor, Revue littéraire (Rédacteur en chef, 1946 | 1951)
Prager Tagblatt, Journal (Collaborateur, 1921 | 1924)
Der Sturm, Magazine (Rédacteur, 1912)
Académie prussienne des arts, Berlin (Membre expulsé, 19 28 | 19 33) (show all 9)
Académie des Arts de Berlin Est (Membre correspondant, 19 55 | 19 57)
Association de protection des écrivains allemands (Président, 19 24)
Académie des sciences et des lettres de Mayence (Cofondateur et vice-président, 19 49) - Awards and honors
- Theodor-Fontane-Preis für Kunst und Literatur (1916)
- Short biography
- Alfred Döblin was born to an assimilated Jewish family in Stettin, Germany (present-day Szczecin, Poland). He graduated from medical school and became a psychiatrist, with a private practice in the working-class Alexanderplatz district in Berlin. After the rise of the Nazi regime in 1933, he had to flee Germany for France; in 1940, at the outbreak of World War II, he escaped to the USA, where he converted to the Roman Catholic faith. He returned to Germany at the end of the war to work for the Allies, but settled in Paris in the early 1950s. He began writing while still in medical school, and his third novel Die drei Sprünge des Wang-lun (The Three Leaps of Wang Lun, 1915), the first to be published, won him the Theodor Fontane Prize. His best-known work, Berlin Alexanderplatz (1929) is considered an Expressionist masterpiece and an iconic work of the Weimar era. He also wrote other novels, including two trilogies of historical novels, a science fiction novel, as well as essays on political and literary topics, and a travelogue. He recounted his flight from France in 1940 and his observations of postwar Germany in the book Schicksalsreise (Destiny’s Journey, 1949).
Although Döblin's work was critically acclaimed in his lifetime, he is much less famous than his contemporaries such as Thomas Mann, Robert Musil, and Bertolt Brecht. His reputation today rests solely on Berlin Alexanderplatz.
Members
Reviews
Lists
Five star books (1)
Next 100 books (1)
Favourite Books (1)
My TBR (1)
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 132
- Also by
- 19
- Members
- 4,242
- Popularity
- #5,929
- Rating
- 3.8
- Reviews
- 55
- ISBNs
- 338
- Languages
- 22
- Favorited
- 16
Döblin sets the story within the chaos of life, bringing in a wonderfully rich background of the sounds, sights and especially the texts of Franz’s time. Franz’s story would be quite pathetic without the rich background. He would be a sad-sack loser who stumbles along until he somehow has a miraculous conversion. By capturing the whole scene, Döblin makes Franz a kind of Everyman who has to face everything that the Fates choose to throw at him. He struggles doggedly, often making mistakes or falling prey to his own weakness, but coming back time and again to his effort to get things right. Ironically, his most epic and successful struggle occurs when he is motionless in a hospital bed after Death has written him off saying you only think about yourself and you don’t even deserve to die.
Although highly specific to one small area of Berlin in the 1920s, the complex literary references also shift it into a universal theme. While Franz struggles in his life, the narrator compares him to the biblical Job (I didn’t realize how terrible Job’s afflictions were until I read Döblin’s paraphrase) and comments on the contemporary political slogans and advertisements that Franz spouts.
The narrator is a key part of the book. He (a male in my mind – I wonder how it would sound in a female voice) tells us what a loser Franz is, and tells Franz to smarten up. In fact, he tells us the whole story in half a page at the beginning of the book, and again at the start of each section, so there is no mystery to the plot. The only question is what Franz will go through to get to the end. But while the narrator comments acidly on Franz and Berlin, he also has some remarkable lyrical passages. He is poetic about the thoughts of a calf waiting in the slaughterhouse. Other parts are like rants against the failings of the German republic: “parliamentary democracy merely prolongs the agony of the proletariat,” the narrator says. It is corrupt and preserves the bureaucratic state. “We aim to destroy all the institutions of state by direct action.” Although this is in quotes, it’s not clear who is saying this – the narrator seems to be voicing a sentiment that is in the air.
There is much about Franz and his friends that is ugly, not merely a question of bad choices. Women are secondary objects in this world of men, and most relationships with them are transactional. Although Franz and Mitzi develop a caring relationship for each other, he beats her badly when she embarrasses him. His friend Reinhold is a psychopath, who turns on him, as well as on the women in his own life. Their lives are shaped by a toxic masculinity that we would recognize today, 100 years after the book was written. They often turn to violence to resolve issues, and they are drunks and criminals. They are anti-Semitic, although the first generous exchange Franz has after getting out of prison is with a Jewish shopkeeper. They are nationalistic, although they don’t take Nazis, socialists or anarchists very seriously.
While showing the details of their behaviours and relationships, Döblin’s style places them in a holistic web of social influences. Their poverty and inability to see any alternatives come from the disintegrating society after World War I. It is specific to Germany but seems universal in the wild cultural soup that Döblin creates. It appears extreme, but in many ways it describes the confusion and futility that lead people today to authoritarian figures offering clarity. Somehow, in the end, Franz escapes this and finds a way out, but this is more like the satisfying conclusion of an epic story than a likely resolution.… (more)