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Eva Figes (1932–2012)

Author of Light

29+ Works 793 Members 8 Reviews 2 Favorited

About the Author

Includes the names: Eva Figes, Eva Figes

Works by Eva Figes

Light (1983) 150 copies, 2 reviews
The Seven Ages (1986) 77 copies
Nelly's Version (1977) 72 copies, 2 reviews
Waking (1981) 62 copies
Ghosts (1988) 44 copies, 1 review
The Tree of Knowledge (1990) 40 copies
Little Eden: A Child at War (1978) 21 copies
Women's Letters in Wartime: 1450-1945 (1993) — Editor — 11 copies
Nelly's version ; Light ; Waking (1994) 11 copies, 1 review
Days (1983) 8 copies
The Tenancy (1993) 8 copies
The Knot (1996) 8 copies, 1 review
B (1972) 6 copies
Winter Journey (1969) 5 copies
Scribble Sam (1971) 4 copies
Konek Landing (1969) 2 copies
The Musicians of Bremen (1967) 2 copies
Gjenferd (1989) 1 copy
Equinox (1969) 1 copy

Associated Works

Tagged

Common Knowledge

Canonical name
Figes, Eva
Legal name
Unger, Eva (born)
Birthdate
1932-04-15
Date of death
2012-08-28
Gender
female
Nationality
UK
Germany
Birthplace
Berlin, Germany
Place of death
London, England, UK
Places of residence
Berlin, Germany (birth)
London, England, UK
Education
University of London (Queen Mary College, BA, 1953)
Kingsbury Grammar School
Occupations
novelist
literary critic
translator
memoirist
women's studies scholar
Relationships
Figes, Orlando (son)
Figes, Kate (daughter)
Wilmers, Mary-Kay (editor)
Grass, Gunter (friend)
Agent
Rogers, Coleridge & White Ltd
Short biography
Eva Figes, née Unger, was born to a prosperous Jewish family in Berlin, Germany, and had an idyllic early childhood. In November 1938, during the Nazi pogrom known as Kristallnacht, her father was arrested and sent to Dachau concentration camp. After his release, the family managed to flee to the UK, arriving in 1939. She was an avid reader and soon mastered the English language. In 1953, she graduated with honours from Queen Mary College at the University of London. She worked in publishing until 1967, when she quit to become a full-time writer. In 1954, she married John George Figes, with whom she had two children, writer Kate Figes and historian Orlando Figes. The couple later divorced. Her best-known book is Patriarchal Attitudes: Women in Society (1970), a hugely influential early British feminist work. She won the Guardian Fiction Prize for her second novel Winter Journey in 1967 and was acclaimed for creating new literary forms in works such as Light (1983). Among her dozen other novels was Konek Landing (1969), about a Holocaust survivor unable to come to terms with the present. She also wrote literary criticism, including Sex and Subterfuge: Women Novelists to 1850 (1982); and a trio of memoirs, Little Eden: A Child at War (1978), Tales of Innocence and Experience: An Exploration (2004), and Journey to Nowhere (2008).

Members

Reviews

Eva Figes is a really good writer...of poems. "The Knot" is very poetic, very melodic? use of words thus it becomes hard to understand at times. I do commend her for making simple life become poetic, worthy of reading but its hard to understand. If it was written in normal prose I might have liked it maybe even loved it. I want to know more about Anna and Daniel but the format of the book made it hard to take a closer look at their personal lives. I can't keep up with the characters that were not "properly" introduced. It felt like I'm thrown into a conversation with people I don't know. I was forced to know them. Anna, on the other hand, I know very well. Aside from us having the same name, the book also showed her deepest emotion. She's weird based on what I've read.

Like Saramago, Eva Figes hates quotation marks but Saramago did it better. This one I just get confused on who's saying what. Eva Figes also hates describing her characters. I can't even imagine the characters properly. Their faces kept on changing.
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krizia_lazaro | Mar 10, 2014 |
This novel opens as a woman is checking into a country inn. She suddenly finds herself unable to remember anything, including her name. She randomly chooses a name, Nelly Dean. When she gets to her room she discovers that she has a suitcase full of cash, and no idea where it came from. She fears that this circumstance might place her in danger, and she senses that perhaps she is supposed to simply wait for the next development.

We follow Nelly as she wanders through the village over the next several days, unsure whether she recognizes the faces and places she encounters.

This book is not a mystery/thriller. Rather it is a psychological exploration of the mind of a disturbed woman, and we begin to wonder whether everything we read exists strictly in Nelly's mind. The book is fairly easy to read, and it is compelling, although the style verges on the edge of surrealism, which I sometimes find difficult to read.
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arubabookwoman | 1 other review | Jan 20, 2012 |
I was really looking forward to reading this, but was so put off by a sentence regarding rape, very early on, regarding the pleasures of rape (for the girl) that I can't make myself pick it up again.
 
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bookczuk | Nov 3, 2011 |
This is a life in the day of Claude Monet. Somedody on the back cover calls it a masterpiece. I thought it was pretty good after I had worked out who everybody was: Auguste, Francoise, Marthe, She, He, Lily, him, her, Pierre, Theodore, Jean Pierre, Claude, Monet, Octave, Mirbeau. Second half of the book around the dinner table was excellent.
 
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jon1lambert | 1 other review | Feb 6, 2011 |

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Statistics

Works
29
Also by
1
Members
793
Popularity
#32,132
Rating
3.9
Reviews
8
ISBNs
84
Languages
6
Favorited
2

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