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Théophile Gautier (1811–1872)

Author of Mademoiselle de Maupin

378+ Works 3,620 Members 88 Reviews 18 Favorited

About the Author

Theophile Gautier (1811-1872) was a French author whose works encompassed horror and the supernatural.
Image credit: Theophile Gautier par Felix Gaspard Nadar vers 1865

Works by Théophile Gautier

Mademoiselle de Maupin (1834) — Author — 643 copies, 16 reviews
Le Capitaine Fracasse (1863) — Author — 450 copies, 5 reviews
The Romance of a Mummy (1858) — Author — 351 copies, 13 reviews
My Fantoms (1976) 231 copies, 10 reviews
Jettatura (1857) — Author — 111 copies, 4 reviews
Clarimonde [short story] (1836) — Author — 102 copies, 4 reviews
Récits Fantastiques (1981) — Author — 95 copies, 2 reviews
Tales of the Fantastic (1977) 76 copies, 1 review
Emaux et Camees (1872) — Author — 75 copies, 1 review
A Romantic in Spain (1843) 73 copies, 2 reviews
Il poema dell'hashish (1971) 73 copies, 1 review
The Works of Theophile Gautier (1995) 48 copies, 2 reviews
Selected Lyrics (2011) 40 copies, 1 review
The Mummy's Foot [short story] (1840) — Author — 35 copies, 3 reviews
The Vampire: An Anthology (1963) — Contributor — 30 copies
One of Cleopatra's Nights (1838) — Author — 29 copies
Le Club des Haschischins (1997) — Author — 28 copies
One of Cleopatra's nights, and other fantastic romances (2008) — Author — 27 copies, 1 review
Stories (1831) 26 copies
Spirite (1866) — Author — 26 copies
Avatar (1997) — Author — 25 copies, 1 review
Den döda älskarinnan (2002) 24 copies, 2 reviews
Arria Marcella (1994) — Author — 23 copies, 1 review
Baudelaire (1986) 21 copies
Constantinople (1853) — Author — 17 copies
Recits fantastiques 14 copies, 1 review
The Romantic Ballet (1973) 12 copies
King Candaules (2009) — Author — 11 copies
La mille et deuxième nuit (2003) — Author — 10 copies
Ménagerie intime (2008) 10 copies
The Cross of Berny; or, Irene's Lovers (1845) — Author — 9 copies
Gautier on Dance (1986) 9 copies
Giselle [video recording] (2004) — Idea — 9 copies
Hashish (2007) 8 copies
Lettre à la présidente (1997) 8 copies
Giselle [video recording] (2014) — Scenario — 8 copies
La maja y el torero (1975) 7 copies
The Mummy's Foot and Other Stories (2008) 7 copies, 2 reviews
Relatos cortos de terror (1997) — Contributor — 6 copies, 1 review
La belle Jenny (2015) 6 copies
Le Chevalier double (2017) 6 copies
Romane und Erzählungen (2003) 6 copies
Vita di Balzac (1994) 6 copies
Mijn eigen dierentuin (2016) 5 copies
Jean et Jeannette (2017) 5 copies, 1 review
Nouvelles (2015) 4 copies
The Romance of a Mummy (2011) 4 copies
Racconti 4 copies
Romans et contes (2014) 4 copies
La Morte amoureuse: et autres nouvelles (2014) — Author — 4 copies
Giselle [video recording] (2001) — Writer — 4 copies
Pompéi (2004) 4 copies
Un trio de romans (1888) 4 copies
Fortunio (2015) 4 copies, 1 review
La vie de Gérard (2010) — Author — 3 copies
HISTORIAS DE VAMPIROS (2011) 3 copies
L'Orient (2013) 3 copies
Anvers (French Edition) (1836) 3 copies, 1 review
L'Art Moderne (2011) 2 copies
Paris et les Parisiens (1996) 2 copies
Albertus 2 copies
Una notte di Cleopatra. Arria Marcella. (1997) — Author — 2 copies
Onuphrius (1833) 2 copies
Saint-Pétersbourg (2005) 2 copies
Saving the Queen (2013) 2 copies
Poemas (2007) 2 copies
Militona (French Edition) (2011) 2 copies
The Evil Eye (2008) 2 copies, 1 review
Venise (2008) 2 copies
De la mode (1993) 2 copies
Viaje por Rusia (2012) 2 copies
Les vacances du lundi (1994) 2 copies, 1 review
Caprices et zigzags (2015) 2 copies
Delaroche and Gautier (1975) 2 copies
Cerco De Ispahan (1986) 2 copies
Giselle [video recording] (2001) — Story — 2 copies
Le tricorne enchanté (1984) 2 copies
Souvenirs du romantisme (1996) 2 copies
Hashish 1 copy
Kapitan Frakass (2017) 1 copy
Jettatura 1 copy
Vereviä kertomuksia (2014) 1 copy
Страх 1 copy
Le Capitaine fracasse (1863) 1 copy
Clairmonde 1 copy
Ilust kunstis (2024) 1 copy
Racconti 1 copy
Les Grotesques. (1897) (2013) 1 copy
Giselle [video recording] (2004) — Libretto — 1 copy
056 a punta de espada 1 copy, 1 review
Hashish 1 copy
Poesies (French Poets) (1973) 1 copy
Tales From Gautier (1927) 1 copy
Les Contes merveilleux (1995) 1 copy
Omphale 1 copy
3 contes fantastiques (2011) 1 copy
Honoré de Balzac (2015) 1 copy
Eine Nacht der Kleopatra. Zwei Erzählungen (1990) — Author — 1 copy
Le musée du Louvre (2011) 1 copy, 1 review
Works of Gautier (1928) 1 copy
Awatar 1 copy
Die liebende Untote (2011) 1 copy
Fracasse (2020) 1 copy
Mumia 1 copy
Tableaux à la plume (2000) 1 copy
Exposition de 1859 (1992) 1 copy
La chaîne d'or — Author — 1 copy
Le mont Saint-Michel (2007) 1 copy

Associated Works

The Poems of Francois Villon (1962) — Foreword, some editions — 1,083 copies, 7 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 468 copies, 1 review
Fantastic Tales: Visionary and Everyday (1983) — Contributor — 461 copies, 12 reviews
Münchhausen (1971) — Translator, some editions — 430 copies, 7 reviews
H.P. Lovecraft's Book of Horror (1993) — Contributor — 324 copies, 6 reviews
Dracula's Guest: A Connoisseur's Collection of Victorian Vampire Stories (2010) — Contributor — 302 copies, 37 reviews
The Literary Cat (1977) — Contributor — 246 copies
The Big Book of Classic Fantasy (2019) — Contributor — 182 copies, 3 reviews
The Book of Cats (1976) — Contributor — 108 copies
French Short Stories (1998) — Contributor — 89 copies
The Dedalus Book of French Horror: The 19th Century (1997) — Contributor — 83 copies, 2 reviews
World's Great Adventure Stories (1929) — Contributor — 75 copies
The World's Greatest Horror Stories (1994) — Contributor — 68 copies
Leviathan Three (2002) — Contributor — 68 copies, 1 review
Tales of the Dead (1981) — Contributor — 65 copies
Classic Travel Stories (1994) — Contributor — 64 copies
Tales by Moonlight II (1989) — Contributor — 46 copies
Great Tales of Terror (2002) — Contributor — 41 copies
The Sixth Fontana Book of Great Ghost Stories (1970) — Contributor — 41 copies, 1 review
LES CENT ANS DE DRACULA. 8 histoires de vampires de Goethe à Lovecraft (1999) — Contributor — 37 copies, 2 reviews
The Triumph of Art for the Public: 1785-1848 (1979) — Contributor — 32 copies
Mystery Stories (1981) — Contributor — 31 copies, 1 review
The Great Book of Thrillers (1935) — Contributor — 26 copies
Great Short Stories of the World (1991) — Contributor — 26 copies
Great Short Stories Volume 2: Ghost Stories (2009) — Contributor — 26 copies
The Dedalus Book of Femmes Fatales (1992) — Contributor — 24 copies
The Penguin Book of French Short Stories (1968) — Contributor, some editions — 19 copies
The Horror Megapack: 25 Modern and Classic Horror Stories (2011) — Contributor — 17 copies
The Masterpiece Library of Short Stories Volumes 3 & 4 (1905) — Contributor — 17 copies
Opowieści fantastyczne (1979) — Contributor — 16 copies
The Mummy Walks Among Us (1971) 16 copies
Little Night Reading: Twenty Tales of Horror and the Supernatural (1974) — Contributor — 14 copies, 1 review
Mummy: A Chrestomathy of Cryptology (1980) — Contributor — 14 copies
Uncanny Tales 1 (1974) — Contributor — 12 copies
The Mummy: Stories of the Living Corpse (1988) — Contributor — 12 copies
Verhalen uit de Franse romantiek (1983) — Contributor — 10 copies
Decadence and Symbolism: A Showcase Anthology (2018) — Contributor — 10 copies
Tales of the Undead: Vampires and Visitants (1947) — Contributor, some editions — 9 copies, 1 review
Nachtmeerfahrten: Die dunkle Seite der Romantik (2013) — Contributor — 7 copies
Snuggly Tales of Hashish and Opium (2020) — Contributor — 5 copies
Snuggly Tales of Femmes Fatales (2022) — Contributor — 5 copies
Summer nights, Op.7 [low voice score] (1969) — Text — 3 copies
Representative Modern Short Stories. (1936) — Contributor — 2 copies
Selected French Stories (1933) — Contributor — 2 copies
Narrativa romántica francesa — Contributor — 1 copy
Ernani (Opera di Roma 29-XI-2013) — Contributor — 1 copy

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15th century (34) 19th century (157) anthology (345) cats (137) classic (27) classics (51) collection (32) decadence (41) fantastique (42) fantasy (139) fiction (548) Folio Society (51) France (109) French (212) French fiction (28) French literature (287) French poetry (45) gothic (31) horror (287) literature (203) medieval (28) Middle Ages (26) narrativa (30) non-fiction (38) novel (54) Novela (26) poetry (582) quotations (29) read (29) Roman (48) Romanticism (26) short stories (337) stories (29) supernatural (25) Théophile Gautier (27) to-read (281) translation (30) travel (30) unread (31) vampires (77)

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THE DEEP ONES: "Omphale" by Théophile Gautier in The Weird Tradition (October 2022)

Reviews

This is in an excellent pamphlet edition by Helios House Press for the Miskatonic Literary Society for the H.P.L.H.S. Nice typography and black-and-white illustrations by Philip Harris. A neat story, with good mood. Interesting little story.
½
 
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tuckerresearch | 2 other reviews | Nov 20, 2024 |
In the edition I read, the introductions to [b:The Jinx|854450|The Jinx (Hesperus Classics)|Théophile Gautier|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1328728919l/854450._SY75_.jpg|15282490] (as always to be read last because of spoilers) assume the reader is unaware of Théophile Gautier. Au contraire, mon ami! I picked [b:The Jinx|854450|The Jinx (Hesperus Classics)|Théophile Gautier|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1328728919l/854450._SY75_.jpg|15282490] off the shelf because of his name, as I loved his longer novel [b:Mademoiselle de Maupin|253878|Mademoiselle de Maupin|Théophile Gautier|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1358825205l/253878._SY75_.jpg|246023]; a wonderful erotic farce. This little novella isn't quite as appealing, but nonetheless has a rakish gothic charm. It also includes a clear warning that we can all learn from: be wary of getting engaged to a Frenchman who looks like Lucifer. Paul d'Aspremont, the gentleman himself, visits beautiful Naples and becomes afraid that he is inadvertently putting the evil eye upon all those around him. I enjoyed the ambiguity of his 'jettatura', which could be psychological, supernatural, or a little of both.

Paul d'Aspremont's increasingly bad time and the characters he encounters both have considerable appeal, but the highlight of the novella for me was the sumptuous settings. Gautier loves lavish descriptions, often throwing in comparisons with the work of gothic artists. I adored his depiction of Pompeii's ruins and amusingly sardonic snapshots of the British tourists tramping around them:

Pompeii, the dead city, doesn't wake up in the morning like living cities, and although it has half flung back the sheet of ashes which covered it for so many centuries, even when night fades, it remains asleep on its funeral bed.
[...]
It's a strange sight, in the azure and pink light of the morning, this corpse of a city overwhelmed in the midst of its pleasures, its labours, and its civilisation, and untouched by the slow dissolution of ordinary ruins; you can't help believing that the residents of these minutely preserved homes are about to emerge from their dwellings wearing their Greek or Roman clothes; the chariots, whose ruts you can still see on the flagstones, will start rolling along once more; the drinkers will walk into the thermopoles where the mark of their cups still stains the marble of the counters. You walk as if dreaming through the past; you can read, in red letters, at street corners, the posters advertising that day's shows! - but the day is one that passed more than seventeen centuries ago.


The concluding events of the narrative ascend to great heights of melodrama, even epic tragedy. After killing a dashing Count in a blindfolded knife duel amid the ruins of Pompeii, Paul decides that the only way to stop the malign effect of his gaze is to blind himself. Unfortunately he does so too late to save Alicia, his lover, who is particularly delicate even by the standards of gothic literature. Her cause of death is 'looking at her fiancé for too long'. (For a more robust heroine, I highly recommend [b:Mademoiselle de Maupin|253878|Mademoiselle de Maupin|Théophile Gautier|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1358825205l/253878._SY75_.jpg|246023].)I found [b:The Jinx|854450|The Jinx (Hesperus Classics)|Théophile Gautier|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1328728919l/854450._SY75_.jpg|15282490] a compact and pleasurable gothic romp.
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annarchism | 3 other reviews | Aug 4, 2024 |
This novel is suffused with a refined naughtiness, which was accentuated by the fact I should have been writing a dry literature review this afternoon. Instead, I read the second, more salacious, half of 'Mademoiselle de Maupin'. This French capital-R Romantic novel is a wonderful comedy-drama of gender and sexuality, largely set in a country château in summer. It is mostly epistolary, making me wonder what the correspondents thought of the extravagant and shocking letters they received. I suppose their response is that of the reader?

After a preface that rails at moralising critics, Gautier begins the novel by giving the point of view to d'Albert. Like Kiyoaki in 'Spring Snow', here we have an idle aristocrat in love with the idea of beauty and love, utterly self-absorbed and distinctly directionless. (Is this the ideal of the Romantic Hero?) He writes lengthy letters to a friend named Silvio, describing the ideal mistress that he yearns for. He unselfconsciously expounds his misogynistic view of women as objects of beauty, lacking intellectual calibre and never equal to men. His letters are dense with classical allusions and hyperbole. After tiring of lazing about sighing, interspersed with the odd bit of hunting, d'Albert deigns to take a mistress named Rosette. She can't live up to his ideals of perfection, but nonetheless they have fun together. Including a hilarious-sounding amorous adventure during which he dresses up as a bear. D'Albert is convinced that Rosette loves him utterly.

This relatively stable arrangement is thrown into disarray when d'Albert and Rosette end up staying at a castle and encounter the dashing Théodore. At this point, the narrative shifts to Théodore's letters to a friend named Graciosa and we discover that he is actually a woman called Madeline. It emerges that the persona of Théodore was invented by Madeline so that she could learn what men were really like. She was horrified by what she found. This part of the book is the most serious and striking, as it rings so true even now. As Madeline discovers, there is a terrible double standard for male and female behaviour. When talking to each other, men are cruel and dismissive of women. Madeline remains Théodore, finding that she cannot bear to go back to the limitations of female existence. Gautier critiques the gender binary impressively thoroughly, considering he was writing in the early 19th century.

I found Théodore/Madeline to be a wonderfully sympathetic and appealing character. She gleefully overturns assumptions of gender and sexuality, throwing d'Albert into an agony of confusion that his letters made me think he richly deserved. Initially taking Théodore at face value, d'Albert comes to terms with the fact that his ideal of beauty is in fact male. Moreover, it emerges that Rosette has never been in love with him, but has only ever truly loved Théodore! After the château guests put on a performance of 'As You Like It', with all its cross-dressing and gender confusion, these passions finally come to a head. The ending is best described as satisfying.

The whole novel is very enjoyable, sensuous but ironic, deliberately subverting conventions. The eponymous hero/heroine was a real person, a bisexual singer who dressed as a man, fought duels, and apparently burned down a convent whilst in pursuit of a lover there. I'd love to read a biography of her, as Gautier gives us a glimpse of what are clearly only a few of her adventures. To the other characters, she remains an elusive, fascinating, and confusing object of adoration. I can very well see why. The reader cannot help but love her at least a little.

It's also worth noting that this edition includes an excellent introduction by Patricia Duncker, whose novels I've previously enjoyed. As is apparently always the case with classic novels, it absolutely vital not to read this introduction first, otherwise the plot will be spoiled. (I always avoid such introductions now, after having too many endings ruined.) It makes for an interesting read afterwards, though.
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annarchism | 15 other reviews | Aug 4, 2024 |
Another Gautier, and though nothing was going to quite match up to what La Morte amoureuse did for me this is still another absolutely gorgeous nouvelle and a further argument in favour of my infatuation with mid 19th century French literature. Arria Marcella touches on the ideas of love crossing time and space, a theme I'm hugely enamored with, and does it with some breathtaking passages of beauty and eloquence once it really takes off in the oneiric second half. Will be all too relatable to anyone who's ever had dreams of otherworldly romance and woke up to feel deprived for days afterward... also beginning to get the impression from this and La Morte that Gautier didn't like Christianity very much.

_____

Quite difficult as a read given how description heavy it is and I had to re-read sections; probably one to revisit once I'm more fluent still for additional enjoyment.
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franderochefort | Aug 5, 2023 |

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Associated Authors

Edgar Allan Poe Contributor
Adolphe Adam Composer
Bram Stoker Contributor
Guy de Maupassant Contributor
Jules Perrot Choreographer, Choreographer: Original ballet production
Prosper Mérimée Contributor
Marius Petipa Choreography, Choreographer
Sheridan Le Fanu Contributor
Ray Bradbury Contributor
Luigi Capuana Contributor
Augustine Calmet Contributor
Simon Raven Contributor
Arthur Conan Doyle Contributor
Lawrence Durrell Contributor
Nikolai Gogol Contributor
E. C. Tubb Contributor
E. F. Benson Contributor
Robert Bloch Contributor
Jean Coralli Choreographer, Choreographer: Original ballet production
Saki Contributor
Carter Scott Contributor
Edgar Saltus Editor/Translator
Guy de Maupassant Contributor
Ambrose Bierce Contributor
Jean-Blaise Djian Adaptation, Scénario
Margaret Crosland English Editor
David Blair Director: American Ballet Theatre
Patrice Bart Choreographer / directed for stage: Ballet production
Peter Wright Director: stage production
Lafcadio Hearn Translator
Alexander Jessup Series editor
Jessie Gavin Frontispiece
Philippe Delpeuch Carnet de notes
Brian Stableford Introduction
Paul Selver Translator
Lanfranco Binni Translator
André Dugo Illustrator
Clara Campoamor Translator
Sergio Vilar Translator
Michel Perrin Foreword
Adolphe Boschot Introduction
Paul Hookham Translator
eichelkaspar Narrator
Lars Nyberg Translator
hagggejulien Narrator
Gilbert Adair Foreword
Andrew Brown Translator
Edvard Munch Cover artist
Marek Pietrzak Illustrator
Rosemary Dinnage Translator
Roger Vadim Foreword
Myndart Verelst Translator
Jan Prokop Posł.
R. B. Russell Translator
Marjorie Laurie Translator
Gillian Riley Translator
Boris Gruzin Conductor
David Coleman Music supervisor
Johan Kobborg Albrecht
Christophe Blain Illustrator
Camille Mauclair Introduction
Carlos Acosta Albrecht
Carla Fracci Giselle
Bruce Marks Hilarion
Lynn Seymour Giselle
Bernard Girod Cinematographer
Erik Bruhn Albrecht

Statistics

Works
378
Also by
71
Members
3,620
Popularity
#6,993
Rating
3.9
Reviews
88
ISBNs
678
Languages
22
Favorited
18

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