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Anna Kavan (1901–1968)

Author of Ice

30+ Works 2,559 Members 73 Reviews 19 Favorited

About the Author

Works by Anna Kavan

Ice (1967) 1,254 copies, 44 reviews
Asylum Piece (2013) 218 copies, 7 reviews
Julia and the Bazooka and Other Stories (1970) 154 copies, 3 reviews
Who Are You? (1963) — Author — 98 copies, 4 reviews
The Parson (1995) 56 copies
Guilty (2007) 53 copies
I Am Lazarus (Peter Owen Modern Classic) (1945) 52 copies, 2 reviews
A Scarcity of Love (1956) 47 copies
A Charmed Circle (1929) 37 copies
Mercury (1994) 36 copies, 1 review
Let Me Alone (1972) 28 copies, 1 review
Eagles Nest (1976) 28 copies

Associated Works

The Penguin Book of Modern Fantasy by Women (1995) — Contributor — 170 copies, 3 reviews
Wave Me Goodbye: Stories of the Second World War (1988) — Contributor — 84 copies
The Folio Science Fiction Anthology (2016) — Contributor — 38 copies
The Secret Self: A Century of Short Stories by Women (1995) — Contributor — 34 copies
Stories for the Dead of Night (1957) — Contributor — 28 copies
Murmurations: An Anthology of Uncanny Stories About Birds (2011) — Contributor — 11 copies
A book of shorter stories (1962) — Contributor — 6 copies
Babysæsonen : en antologi (1974) — Author, some editions — 6 copies, 1 review
Little Reviews Anthology 1945 — Contributor, some editions — 1 copy

Tagged

Common Knowledge

Canonical name
Kavan, Anna
Legal name
Woods, Helen Emily (born)
Ferguson, Helen (married)
Edmonds, Helen (married)
Other names
Kavan, Anna
Ferguson, Helen
Birthdate
1901-04-10
Date of death
1968-12-05
Gender
female
Nationality
UK
Birthplace
Cannes, France
Place of death
London, England, UK
Cause of death
heart failure
Places of residence
Cannes, Alpes-Maritimes, France
London, England
Napier, New Zealand
Burma
Education
London Central School of Arts and Crafts
Parsons Mead School, Ashstead, England, UK
Malvern College, Malvern, Worcestershire, England, UK
Occupations
novelist
short story writer
painter
Relationships
Bluth, Karl Theodor (friend, collaborator)
Davies, Rhys (friend)
Short biography
Anna Kavan was born Helen Emily Woods in Cannes, France to wealthy British parents. She spent her childhood in Europe, the UK, and the USA. At age 17, she married Donald Ferguson, with whom she had a son, and accompanied him for his work to Burma, where she began writing. Her early works were published under her first married name, Helen Ferguson. She remarried in 1931 to Stuart Edmonds, an artist, and lived in England, Europe, the USA, Australia, and New Zealand before settling in London. She became a heroin addict and used amphetamines, spent two long periods in mental hospitals, and attempted suicide at least three times. In 1939, she moved to New York and legally changed her name to Anna Kavan, taken from a character in her novels Let Me Alone (1930) and A Stranger Still (1935). She became an acclaimed writer and painter and a successful interior decorator. During the early part of World War II, she worked for a military psychiatric unit, and after returning to England in 1943, she was an editorial assistant for Horizon, which published some of her short stories and book reviews. She also worked as an assistant to the magazine's editor, Cyril Connolly. In 1950, she established the architecture and design firm Kavan Properties, and during the 1960s, bought and renovated old houses in London. Anaïs Nin, in her poetic literary study The Novel of the Future (1968), praised Anna Kavan for her "nocturnal writing" alongside Djuna Barnes, John Hawkes, and others. The novel Ice (1967) is generally considered Kavan's masterpiece. Several volumes of her work were published posthumously. Anna Kavan's friend, writer Rhys Davies, based his novel The Honeysuckle Girl (1975) on her early life.

Members

Reviews

What an incredibly strange and intense book. In the afterword, Kavan is described as like "writing in a mirror". Reading Ice, I think that's true of her own work in relation to herself, but I also think that Ice is open-ended enough for a reader to find themselves in it. For me, reading it on the eve of a very stressful political event, feeling helpless within that moment, as well as things I bring from my personal life made this novel's almost manic, paranoid setting and narrative feel very visceral and immediate. The big question I'm left with is wondering which of the two main characters I feel like I identify with - am I the narrator, always seeking for something that I don't even know if I should want, and seeking despite the incredible danger in doing so? Or am I the girl, sought but unknown, afraid and frail but ultimately the locus of power in the narrative? This is my first Kavan book, but I'm very much interested to read more.… (more)
 
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DarthFisticuffs | 43 other reviews | Oct 31, 2024 |
Ice" is a haunting and enigmatic novel that has been described as a mixture of science fiction, dystopia, and surrealism. Published in 1967, it was Kavan's last work to be published before her death and remains her best-known work. The novel has drawn attention for its inventive and genre-defying style and has been acknowledged as an important piece of literature.

The world described in the book is engulfed in massive ice sheets as a result of a nuclear winter. The anonymous narrator is fixated on a fragile yet beautiful young woman as he describes the impending destruction of both his world and the girl he finds so alluring. The story is raw and brutal, drawing readers in with its frozen post-nuclear dystopia setting. Kavan's descriptions of disaster are both brutal and beautiful, with little gentleness in this world and a relentless fixation on male pursuit of female victimization.

"Ice" has been labeled as a work of science fiction, Nouveau roman, and slipstream fiction. It won the science fiction book of the year award after being nominated by Brian Aldiss, although he admitted that he didn't really think it was science fiction but believed the award was the best way to encourage more people to read Kavan's work. The novel has been increasingly viewed as a modern classic, on par with works like 1984 and Brave New World.

The novel can be interpreted as an allegory of addiction, with the brutal reality of the world, military governments, and the overwhelming ice serving as symbols that fit nicely with this theory. The destruction everywhere and the hallucinatory quest for a strange and fragile creature with albino hair can be seen as reflective of the author's personal struggles. Additionally, the novel delves into themes of loneliness, confusion, and the costs of violence, with a cool gaze that reveals the impact of abuse on both men and women.

Anna Kavan, born as Helen Woods, led a tumultuous life marked by strained parental relationships, bad marriages, mental health struggles, and heroin abuse. Her personal struggles are believed to have informed her writing, adding layers of depth and darkness to her work. Her novel is a gripping and uniquely strange work of literature that demands to be experienced. Its enigmatic nature, genre-defying qualities, and haunting themes have solidified its place as a modern classic in the literary world.
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jwhenderson | 43 other reviews | Jul 7, 2024 |
Esta mulher é um achado. Dois contos e já estou completamente Kavanizado. O primeiro (Bright Green Field) é uma narrativa sobre campos gramados (!), sustentado todo no ponto de vista compulsivo do narrador, descambando num tipo de horror cósmico cheio de ritmo e cor e mais bem escrito que qualquer coisa que o Lovecraft já fez, por exemplo.

"But the advance of darkness was halted, stopped dead, at the edge of the meadow, arrested by sheer force of that ardent green. I expected the night to attack, to rush the meadow, to overrun it. But nothing happened. Only, I felt the tension of countless grass blades, poised in pure opposition to the invading dark."


O segundo (Happy Name) tem a melhor descrição e ambientação do interior de um sonho que já li; você sente todos aqueles pressupostos e aquela organicidade que pautam nossas ações enquanto persona sonhada — eu mesmo já tentei descrever esse tipo de coisa onírica e nunca ficou tão bom e natural quanto a Kavan faz parecer.

A certo momento a descrição chega a um tipo de horror que só vi parecido (e ainda em grande medida diferente) no cinema. Ao estilo de Mother, Sacríficio do Corvo Sagrado ou o Lagosta. O cerne deste aqui (os dois contos têm por volta de ~15pp), dividido em duas partes, está no contraste que que se dá quando cotejamos as pistas da vida e personalidade da protagonista no universo sonhado e imaginado, com quem e a vida que ela vive "de verdade", quando desperta. (O narrador fica meio lá e cá e não entrega tudo de bandeja.)

Tem, ainda, uma outra virada, aí mais aberta e deixo para quem quiser lê-lo. É também um prato cheio para a leitura psicanalítica por conta das pistas da infância sonhada, da relação com o pai que só conhecemos através do sonho dela, detalhes meticulosamente cravejados, e também deixo isso para quem se interessa por este tipo de análise.

"It had never occurred to Miss Letty that her father was tempting providence when he gave the name Letitia to his only child."
(NT: Letitia: Letitia fem. proper name, lit. "gladness," from L. laetitia, from laetus "glad," of unknown origin)
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RolandoSMedeiros | 1 other review | Apr 26, 2024 |
Sleep Has His House is closer to a work of art than a novel. Not necessarily in the meaning of greatness (although it is very impressive) but rather in that concept and artistry supersede plot and storytelling. It is a book suffused with a sense of being autobiographical, about a young girl called B who we suppose is Kavan herself as a child.

Each chapter consists of two parts - a dichotomy between reality and B's inner world. The italicised beginnings are quite matter-of-fact and brief synopses of particularly significant events in B's life. They are followed by burgeoning, vivid interpretations of these events in a surreal and exaggerated realm. Kavan's writing comes into its own in these second parts: her imagination and use of language to illustrate the subconscious responses are masterful and it is remarkable how current and accessible the writing feels despite being written in 1947. In particular, Kavan expertly takes idyllic scenes and slowly degrades then into their exact opposites (or vice versa) - evoking dark, haunting imagery that leaves you sorrowed by the experiences B/Kavan had to face so young.

I think this was a good place to begin my reading of Kavan - it was a great advert of her talents and I'm really interested to see how they translate to a more traditional narrative. For lovers of descriptive, well-considered prose I heartily recommend Sleep Has His House. For those that prefer a stronger narrative element, perhaps her other novels are a better place to start. It also brought to mind 'The Bell Jar' by Sylvia Plath and the work of Janet Frame - so if you are fans of those, I predict Kavan will be up your street too. 4/5
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Dzaowan | 4 other reviews | Feb 15, 2024 |

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Works
30
Also by
12
Members
2,559
Popularity
#10,035
Rating
3.9
Reviews
73
ISBNs
122
Languages
11
Favorited
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