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Robert Lawson (1) (1892–1957)

Author of Ben and Me

For other authors named Robert Lawson, see the disambiguation page.

28+ Works 10,221 Members 133 Reviews 6 Favorited

About the Author

Robert Lawson was born in 1892 in New York City. He studied art for three years under illustrator Howard Giles. His career as an illustrator began in 1914, when his illustration for a poem about the invasion of Belgium was published in Harper's Weekly. In 1922, he illustrated his first children's show more book, The Wonderful Adventures of Little Prince Toofat. Subsequently he illustrated dozens of children's books by other authors, including such well-known titles as The Story of Ferdinand by Munro Leaf and Mr. Popper's Penguins by Richard and Florence Atwater. He has illustrated as many as forty books by other authors, and another seventeen books that he himself was author of, including Ben and Me: An Astonishing Life of Benjamin Franklin By His Good Mouse Amos and Rabbit Hill. His work was widely admired, and he became the first, and so far only, person to be given both the Caldecott Medal (They Were Strong and Good, 1941) and the Newbery Medal (Rabbit Hill, 1945). Ben and Me earned a Lewis Carroll Shelf Award in 1961. Lawson died in 1957 at his home in Westport, Connecticut, in a house that he referred to as Rabbit Hill, since it had been the setting for his book of the same name. He was 64. (Bowker Author Biography) show less

Series

Works by Robert Lawson

Ben and Me (1939) 2,981 copies, 26 reviews
Rabbit Hill (1944) 2,937 copies, 51 reviews
Mr. Revere and I (1953) 1,394 copies, 8 reviews
The Great Wheel (1957) 1,068 copies, 6 reviews
They Were Strong and Good (1940) 616 copies, 19 reviews
The Tough Winter (1954) 547 copies, 4 reviews
Captain Kidd's Cat (1956) 109 copies, 3 reviews
I Discover Columbus (1991) 104 copies
Watchwords of Liberty (1986) 92 copies, 1 review
The Fabulous Flight (1949) 81 copies, 6 reviews
Mr. Twigg's Mistake (1947) 67 copies, 3 reviews
Edward, Hoppy and Joe (2000) 42 copies
Robbut: A Tale of Tails (1989) 37 copies, 2 reviews
Mr. Wilmer (1945) 28 copies, 2 reviews
Country Colic (1944) 24 copies

Associated Works

The Pilgrim's Progress (1678) — Illustrator, some editions — 18,281 copies, 173 reviews
The Prince and the Pauper (1881) — Illustrator, some editions — 9,832 copies, 83 reviews
The Story of Ferdinand (1936) — Illustrator — 9,802 copies, 174 reviews
Mr. Popper's Penguins (1938) — Illustrator, some editions — 9,479 copies, 161 reviews
The Sword in the Stone (1938) — Illustrator, some editions — 3,492 copies, 50 reviews
Adam of the Road (1942) — Illustrator — 3,478 copies, 27 reviews
Wee Gillis (New York Review Children's Collection) (1938) — Illustrator — 627 copies, 11 reviews
The Crock of Gold (1912) — Illustrator, some editions — 529 copies, 13 reviews
The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 476 copies, 4 reviews
Aesop's Fables: A New Version (0006) — Illustrator — 250 copies, 1 review
The World Treasury of Children's Literature: Book 1 (1984) — Illustrator — 229 copies
Ferdinand [2017 film] (2017) — Original book — 126 copies, 1 review
The Penguin Book of Classic Children's Characters (1997) — Contributor — 96 copies
Great Stories for Young Readers (1969) — Contributor — 93 copies
The Pilgrim's Progress In Words of One Syllable (1999) — Illustrator, some editions — 91 copies
Best Loved Books for Young Readers 10 (1924) 67 copies, 1 review
Poo-Poo and the Dragons (1942) — Illustrator, some editions — 52 copies, 2 reviews
The Little Woman Wanted Noise (New York Review Books Children's Collection) (2004) — Illustrator, some editions — 45 copies, 1 review
Four and Twenty Blackbirds: A Collection of Old Nursery Rhymes (1937) — Illustrator — 40 copies, 3 reviews
Prince Prigio (1976) — Illustrator, some editions — 38 copies, 1 review
The Golden Horseshoe (1935) — Illustrator — 37 copies
A Newbery Zoo: A dozen animal stories by Newbery Award-winning authors (1995) — Contributor — 35 copies, 2 reviews
Under The Tent Of The Sky (1937) — Illustrator, some editions — 35 copies, 1 review
The Treasure of the Isle of Mist: A Tale of the Isle of Skye (1959) — Illustrator, some editions — 31 copies, 1 review
The Unicorn with Silver Shoes (2013) — Illustrator — 28 copies, 1 review
The Best of Both Worlds: An Anthology of Stories for All Ages (1968) — Contributor — 25 copies, 1 review
Nelly Custis, daughter of Mount Vernon, (1937) — Illustrator, some editions — 22 copies
The story of Jesus for young people (1937) — Illustrator, some editions — 21 copies
Haven's End (1977) — some editions — 17 copies
Benjamin Franklin (Real People) (1950) — Illustrator, some editions — 17 copies
Drums of Monmouth (1935) — Illustrator, some editions — 16 copies
I hear America singing;: An anthology of folk poetry, (1937) — Illustrator, some editions — 16 copies
The Story of Simpson and Sampson (1989) — Illustrator — 14 copies, 1 review
Gaily we parade; a collection of poems about people, here, there & everywhere (1967) — Illustrator, some editions — 13 copies
Slim (2013) — Illustrator, some editions — 12 copies
The Wee Men of Ballywooden (1952) — Illustrator, some editions — 11 copies
From the Horn of the Moon (1931) — Illustrator — 11 copies
High Tension (1948) — Illustrator, some editions — 11 copies, 1 review
Peik (1911) — Illustrator, some editions — 11 copies
Ben and Me [1953 short film] (1953) — Original story — 10 copies
Swords and Statues: A Tale of Sixteenth Century Italy (1937) — Illustrator, some editions — 10 copies
More Chucklebait: Funny Stories for Everyone (1962) — Contributor — 9 copies
Tunes and Harmonies (The World of Music) (1936) — Illustrator, some editions — 9 copies
The Hurdy-Gurdy Man (1980) — Illustrator — 8 copies, 1 review
Greylock and the Robins (1946) — Illustrator, some editions — 7 copies
Wind of the Vikings : a tale of the Orkney isles (1937) — Illustrator, some editions — 6 copies
Robert Lawson on my shelves (1977) — Illustrator — 5 copies
Evergreen Tales Group 2 — Illustrator, some editions — 5 copies
Writing Books for Boys and Girls (1952) — Contributor, some editions — 5 copies
The Roving Lobster (1931) — Illustrator — 4 copies
One Foot in Fairyland — Illustrator, some editions — 4 copies
Robert Lawson (1997) — Illustrator — 3 copies
Miranda is a princess; a story of old Spain — Illustrator, some editions — 2 copies
Seven beads of wampum (1936) — Illustrator, some editions — 2 copies
Die Schönsten Bücher für junge Leser (1985) — Contributor — 2 copies
The Liberty Story [1957 TV episode] (1957) — Original book — 2 copies
The Shoelace Robin — Illustrator, some editions — 1 copy
The New People and Progress - Ben and Me — Contributor, some editions — 1 copy
Betsy Ross — Illustrator — 1 copy
Francis Scott Key — Illustrator, some editions — 1 copy
Wychwood — Illustrator, some editions — 1 copy
Mathematics for Success, (1952) — Illustrator, some editions — 1 copy
Rabbit Hill [1967 - Film] — Based on his Book — 1 copy

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Reviews

 
Flagged
Crystal.Lake | 50 other reviews | Dec 18, 2024 |
I first read this in 7th grade and it has ever since been my favorite book of all times. One of the only novels I've read multiple times. Just as good in 2020s as it was in the 1990s (and the 1930s when it was written). The story of a mouse named Amos that lives in Ben Franklin's hat and is indirectly responsible for all of the good things in his life, and all the bad things where when he ignored Amos.
 
Flagged
fulner | 25 other reviews | Dec 5, 2024 |
1941 Caldecott Medal Winner

The etched drawings in this book were very striking. Slightly cartoonish, but mostly realistic.

Lawson writes about his grandparents and parents from the past to the present. As someone who is interested in family history, I loved the idea of illustrating one's own history and writing it out for future generations. Family history doesn't have to be dry, though, nor does it have to be dumbed down for children. The repetition of "they were strong and good" got pretty old--how were they strong and good? Let's use some other descriptors here.

I don't completely agree with the comments about the book being racist, especially for its time. The drawings of Black people were realistic and not in the insulting "blackface" style I saw in the Abraham Lincoln Caldecott book from just the year before. And in the author's time, words like "Negro" were the words that people used. I felt like the author's tone was very matter-of-fact and not disrespectful. When he describes his mother being frightened by the Indians who would come and sit on the family's kitchen floor, he wasn't commenting on who the Indians were as people at all--he was just stating what those particular Indians did, and that his mother didn't like them. He gave no more respect to the white lumberjacks on the next page who also frightened his mother as a young girl. In addition, if you are writing about a white person's biological family history, you are more likely than not going to be writing about the experiences of a bunch of specific white people, so it doesn't really make sense to include other cultures' points of view in that anyway (although in our day and age, we would probably be more likely to point out anachronistic viewpoints in a text like this one. I can think of a few stories from my own family history that I probably wouldn't tell without making it clear that I didn't support the attitudes of that time. I think those stories are important to tell though, because we can't move beyond racism without acknowledging it in our past. Would we have Lawson NOT mention his father's slave and pretend that slavery just didn't happen? I don't think that would be helpful at all).
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Flagged
word.owl | 18 other reviews | Nov 12, 2024 |
1945 Newbery Medal Winner

A wonderful little book about animals anticipating the "new folks" who are moving into the local farmhouse.

Melba Sibrel's narration of the audiobook version I listened to was top notch. She did different, convincing accents for the characters, and sounded great with both male and female voices. Her expressive style came through loud and clear. You can tell you have an excellent audiobook narrator when it's hard to believe the characters and the narration are actually the same person.

I am a big fan of [b:Watership Down|76620|Watership Down (Watership Down, #1)|Richard Adams|https://images.gr-assets.com/books/1405136931s/76620.jpg|1357456], a much longer, more intense, and more complex story about rabbits. This book ain't no Watership Down, but it was lovable in its own way.

The story may not be realistic in the areas of animals wearing clothes and choosing not to eat the humans' entire garden, but it had a point to make--that sometimes if we trust other people, it will pay off and they will help us. The animals imagined all kinds of reasons not to trust the new folks, and as I listened I too expected some kind of horrible animal apocalypse to be right around the corner. However, both their fears and mine turned out to have no basis in reality.

I wonder if this theme has anything to do with trusting refugees since it was written during WWII. Whether the author meant it as an allegory or not, I think this is the kind of story our country could still use today.

At some point, we have to trust "folks" both new and old--otherwise we will just become more and more paranoid and experience further social collapse.

I cried in the bathtub.
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Flagged
word.owl | 50 other reviews | Nov 12, 2024 |

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Works
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Popularity
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Rating
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Reviews
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ISBNs
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Favorited
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