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William Maxwell (1) (1908–2000)

Author of So Long, See You Tomorrow

For other authors named William Maxwell, see the disambiguation page.

27+ Works 5,267 Members 156 Reviews 29 Favorited

About the Author

Born in Lincoln, Illinois in 1908, William Maxwell is one of America's more prominent writers. He is the recipient of numerous awards including the National Book Critics Circle Award (1994), and the American Book Award (1982) for his novel "So Long, See You Tomorrow." Maxwell's fiction has been show more described as nostalgic. Most of his work takes place in simpler, gentler times in the small towns of the American Midwest. Two of Maxwell's novels, "They Came Like Swallows" (1937) and "So Long, See You Tomorrow" (1980), deal with characters who lose relatives in the influenza epidemic of 1918. Maxwell's own mother died in the epidemic when he was ten years old. Maxwell published his first novel, "Bright Center of Heaven," in 1934. He moved to New York City in 1936 and was hired by the New Yorker. His years as an editor there, 1936 to 1976, coincided with what many believe are the magazine's finest. This was the era that saw the publication of the works of many accomplished writers, such as J. D. Salinger, Eudora Welty, John Updike, and Mary McCarthy in the New Yorker's pages. Maxwell has published six novels, several collections of short stories, a family history, and numerous book reviews. He served as president of the National Institute of Arts and letters from 1969 to 1972. William Maxwell has been married for over 50 years to the former Emily Noyes. They met at the New Yorker when she applied for a job. The couple has two daughters. (Bowker Author Biography) show less

Works by William Maxwell

So Long, See You Tomorrow (1979) 1,791 copies, 71 reviews
They Came Like Swallows (1937) 627 copies, 21 reviews
The Folded Leaf (1945) 534 copies, 15 reviews
Time Will Darken It (1948) 376 copies, 19 reviews
The Chateau (1961) 355 copies, 6 reviews
William Maxwell: Early Novels and Stories (2008) 194 copies, 2 reviews
William Maxwell: Later Novels and Stories (2008) 165 copies, 2 reviews
Ancestors: A Family History (1971) 155 copies, 3 reviews
What There Is to Say We Have Said (2011) 131 copies, 3 reviews
Billie Dyer And Other Stories (1992) 54 copies, 1 review

Associated Works

Fifty Great American Short Stories (1965) — Contributor — 454 copies, 3 reviews
Joe Gould's Secret (1965) — Introduction, some editions — 414 copies, 15 reviews
Wonderful Town: New York Stories from The New Yorker (2000) — Contributor — 367 copies
The Penguin Book of Gay Short Stories (1994) — Contributor — 330 copies
The 40s: The Story of a Decade (2014) — Contributor — 293 copies, 6 reviews
The Best American Essays 1998 (1998) — Contributor — 199 copies, 2 reviews
Nothing But You: Love Stories From The New Yorker (1997) — Contributor — 192 copies
New York Stories (Everyman's Library Pocket Classics Series) (2011) — Contributor, some editions — 168 copies, 5 reviews
Bedtime Stories (Everyman's Library Pocket Classics Series) (2011) — Contributor — 135 copies, 5 reviews
Stories from The New Yorker, 1950 to 1960 (1960) — Contributor — 80 copies, 2 reviews
200 Years of Great American Short Stories (1975) — Contributor — 74 copies, 1 review
Four in Hand: A Quartet of Novels (1986) — Introduction, some editions — 73 copies, 1 review
Transforming Vision: Writers on Art (1994) — Contributor — 70 copies
55 Short Stories from The New Yorker, 1940 to 1950 (1949) — Contributor — 62 copies
Literary Traveller: An Anthology of Contemporary Short Fiction (1994) — Contributor — 54 copies, 1 review
Food Tales: A Literary Menu of Mouthwatering Masterpieces (1992) — Contributor — 39 copies, 1 review
The Best American Short Stories 1970 (1970) — Contributor — 23 copies, 1 review
The Best American Short Stories 1966 (1966) — Contributor — 18 copies

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Reviews

How is it that I had never heard of this author before reading this book? This was a compelling, insightful and slightly mysterious story that has left me full of thoughts. I would love to read more by William Maxwell.
½
 
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Iudita | 18 other reviews | Dec 4, 2024 |
 
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DemFen | 70 other reviews | Oct 31, 2024 |
Read the digital at UPenn. See group discussion for reactions.
 
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Cheryl_in_CC_NV | Oct 18, 2024 |
“What we, or at any rate what I, refer to confidently as memory—meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion—is really a form of storytelling that goes on continually and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw.”

This is my second reading of this novel. It’s incredible that I was still pulled into its understated prose despite knowing all of the details this time around. The narrator of the story reconstructs events of his childhood so as to get as close to what happened as he can.

He developed a friendship with Cletus Smith in that random but still valid and legitimate way children do, without knowing the details of each other’s lives, and they spent time playing together in a coordinated way where speech wasn’t essential, perfectly synchronized, and purely enjoying each other’s company. A string of tragic events draws them away from each other, and they both move from the small town of Lincoln to Chicago. The tragedy that marks Cletus Smith, even though he is wholly innocent of it, is the kind that would carry whispers around him from those who know him, and judiciously he is moved from the town and its school, while the narrator is forced to move after his father gets a better job position in the city, where they bump into each other and the narrator is forced into that impossible position where words cannot offer comfort and no action seems appropriate. A situation often too complex for adults and even more complex for the child the narrator was at the time. But this inaction as he didn’t acknowledge his friend marks him for life and fills the narrator with guilt so that even as an older man he recreates these incidents obsessively trying to get to that elusive point of understanding.

The past, inescapable, palpable in the present and always shaping the future. Does understanding things as accurately as possible—at least on the personal level—bring that final and conciliatory promise of closure? The narrator doesn’t seem quite sure in the end, even suggests it doesn’t, and I think I agree. There’s no going back to mend things, that chasm can never be breached. This is a beautifully written book, and hopefully one that I’ll return to again.
… (more)
 
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raulbimenyimana | 70 other reviews | Oct 13, 2024 |

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