Monique Roffey
Author of The White Woman on the Green Bicycle
About the Author
Monique Roffey is now center director at The Arvon Foundation's residential center for writers in Devon.
Works by Monique Roffey
Associated Works
Tagged
Common Knowledge
- Birthdate
- 1965-04-24
- Gender
- female
- Nationality
- Trinidad and Tobago (dual nationality)
UK (dual nationality) - Birthplace
- Port-of-Spain, Trinidad
- Places of residence
- London, England, UK
Port-of-Spain, Trinidad - Education
- University of East Anglia (BA) (English and Film Studies)
Lancaster University (MA) (Creative Writing)
Lancaster University (PhD) (Creative Writing) - Occupations
- novelist
Senior Lecturer in Creative Writing - Organizations
- Manchester Metropolitan University
Arvon Foundation
Members
Discussions
The White Woman on the Green Bicycle by Monique Roffey in Orange January/July (July 2011)
Reviews
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Awards
You May Also Like
Associated Authors
Statistics
- Works
- 8
- Also by
- 1
- Members
- 1,179
- Popularity
- #21,803
- Rating
- 3.8
- Reviews
- 53
- ISBNs
- 74
- Languages
- 6
- Favorited
- 2
My memory of this novel will be of voices, layers of voices, mostly women’s voices, but men’s voices as well, voices expressing deep sorrow, rage, anxiety, terror, love, joy, shock, despair, hope, fear. We hear through the victim, the murderer, the detective in charge, the mayor, the prime minister, the pathologist. And then there is the voice of pan music, born on the island, carrying both its greatest sorrow and most powerful joy. The story is mostly carried by the voices of four women who could be said to be the main characters: Tara, already an activist and head of the small group of feminists on the island; Sharleen, a reporter covering women’s issues for the local newspaper; Gigi, a prostitute and leader of a group advocating for the protection of prostitutes; and Daisy, wife of the Prime Minister, whose sister had also been the victim of an unsolved murder. Tara and Gigi begin the protest by planning a peaceful occupation of the public space outside the Prime Minister’s office building. From this decision, the plot builds as the women grow in number and in goals. All is held together loosely within the structural framework of the liturgical season—Ash Wednesday to Easter Sunday.
And then of course, there is Roffey’s own voice, her way with words: her skillful use of imagery, symbolism, and diction. The characters usually speak a highly colloquial dialect, using even obscurely slangy words, making the novel a very intimate experience, even though for many readers, it will also feel foreign. And Roffey’s themes couldn’t be more timely. I really loved [Passiontide] and look forward to September, when I’ll be able to buy a hardbound copy just in time for a reread.
Read if you like an exotic island setting, with a very hardheaded look at the facts of women’s lives in far too many places in today’s world, and a story of a group of women uniting for change.
My thanks to Penguin-Random House and NetGalley for this arc.… (more)