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Olivier Rolin

Author of Tigre en papier

41+ Works 558 Members 12 Reviews

About the Author

Works by Olivier Rolin

Tigre en papier (2002) 78 copies, 1 review
Le météorologue (2014) 73 copies, 4 reviews
Port-Soudan (1994) 66 copies, 1 review
Hotel Crystal (2004) 52 copies, 1 review
Meroe (1998) 35 copies
Un chasseur de lions (2008) 35 copies, 1 review
L'Invention du monde (1993) 33 copies, 1 review
Veracruz (2016) 29 copies
Paysages originels : récits (1999) 25 copies, 1 review
Bakou, derniers jours (2010) 13 copies, 1 review
Gesmoorde woorden (2019) 12 copies
Bar des flots noirs (1988) 10 copies
Baïkal-Amour (2017) 8 copies

Associated Works

The City of Marvels (1986) — Translator, some editions — 1,106 copies, 24 reviews

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Common Knowledge

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Reviews

"History: Science lessons from the Gulag" by Asif Siddiqi Nature 547, 160–161 (13 July 2017): http://www.nature.com/nature/journal/v547/n7662/full/547160a.html
 
Flagged
Albertos | 3 other reviews | Aug 27, 2017 |
I would describe this book as a mini-Life A User's Manual. Indeed there are references to Perec (and other literary figures) through-out this anti-novel novel. It begins with a quote from Perec: "I have an exceptional--I believe fairly prodigious even--memory of all the places I have slept in."

The book consists of 43 chapters, each describing in minute detail a hotel room in which the narrator has slept. The narrative has supposedly been compiled by an "editor" from various scraps of paper with scribbling on them found after the mysterious disappearance of the narrator. Each of the room descriptions is jarringly interrupted by sudden interjections of what is actually going on in the narrator's life. And it is an extraordinary life--is he a spy, an arms dealer, a thug for the mob? It's never entirely clear, and none of it may be true, but it is certainly entertaining. For example, in the middle of a boring and mundane description of the room in which he is staying, he will state, "...though it might not seem so, I'm in the process of preserving world peace (temporarily).", as he views "...the nuclear warheads that are set on six tarpaulin-covered trailers..." Or, in the midst of his description of some other hotel room, "I needed the money to pay the ransom for Melanie Melbourne, the love of my life, whom Islamist terrorists were holding prisoner somewhere in the desert." He even recalls the stateroom on the liner he took as a child during his passage to Africa (admitting that this is a digression) and interjecting, "During this crossing, I recall having pushed my English governess overboard." The interruptions in his descriptions of the hotel rooms are usually brief, and we are often left hanging. For example, "I recall the time we smuggled out the blueprints of the Proton rocket engines in a case of caviar...but that's another story, which I'll tell when the time comes (maybe)."

Other readers have said, and I tend to agree, that the room descriptions become tedious and repetitive. After awhile, I found myself skimming some of these to get to the "story", which wasn't really a story, but more fragments of various stories. For these reasons, a lot of people might hate this book, although it is very clever. I found it diverting, but one would have to be in the right mood to read it.
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arubabookwoman | Dec 19, 2012 |

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Associated Authors

Sabine Müller Translator
Holger Fock Translator

Statistics

Works
41
Also by
1
Members
558
Popularity
#44,766
Rating
½ 3.7
Reviews
12
ISBNs
119
Languages
10

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